It has inspired readers and listeners for millennia. The story tells of the Trojan War, fought between the Trojans, led by King Priam, and the Greeks, led by King Agamemnon. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader Agamemnon. But when the Trojan Hector kills Achilles' close friend Patroclus, he storms back into battle to take revenge—even though he knows this will ensure his own untimely death. This retelling has been shortened and illustrated for younger readers.

    The school production that year was Thornton Wilder’s The Skin of Our Teeth, and she was among the three girls chosen to play the lead role of Gladys Antrobus. Before long, the three “Gladyses” were inseparable friends, and by the time the play debuted, “The Gladys Society” had stretched to twelve members. Thirty years on and living in England, Sandi decided to return to the States to discover what had happened to her eleven fellow Gladyses and, in the process, revisit America. By turns hilarious and moving, this is a delightfully engaging story of friends united and a country rediscovered.

    His feeling for the telling noun and verb, the simple yet poignant epithet, and the dramatic turn of syntax is marked. He has completely freed the poems from sentimentality, and the thrilling ancient names—Anacreon, Alcaeus, Simonides, Sappho—acquire fresh brilliance and vitality under his hand."—Louise Bogan, The New Yorker"The significant quality of Mr. Lattimore's versions is that they are pure. The lenses he provides are as clear as our language is capable of making them."—Moses Hadas, N.Y. Herald TribuneContents: ArchílochusCallínusSemónides of AmórgosHippónaxTyrtaéusMimnérmusSolonPhocýlidesXenóphanesTheógnisEarly Metrical InscriptionsTerpánderAlcmanStesíchorusíbycusSapphoAlcaéusAnácreonAnonymous Drinking SongsHýbriasPraxíllaAnonymous LyricsCorínnaSimónides of CeosPindarBacchýlides

    These timeless myths are fountains of insight and, many would argue, beacons of light that can shatter the darkness of ignorance. For those of you that are ready and willing to receive these ancient messages, your time has come. All you need to do is start reading. Then the wisdom of Thoth will begin to stir inside you.Some of the stories that you will find in this book are: The Story of Re The Book of Thoth The Story of Isis and Osiris Anubis and the Underworld The Great Queen Hatshepsut Horus: The Conquer of Set The Shipwrecked Sailor The Girl with Rose-Red Slippers The Adventure of Sinuhe The Taking of Joppa The Land of the Dead The Golden Lotus The Seven Year Famine: Khnemu of the Nile Bastet and the Cats The Peasant and the Workman Sphinx and the Prince The Treasure Thief And more! Every story has been formatted to create a clear and concise retelling for all of those who are not already familiar with the lore of ancient Egyptian culture!

    The book draws a fascinating picture of the deep links between the cultures across the Mediterranean and explores the ways in which these civilizations continue to be influential to this day. Beginning with the emergence of the earliest Egyptian civilization around 3500 BC, Charles Freeman follows the history of the Mediterranean over a span of four millennia to AD 600, beyond the fall of the Roman empire in the West to the emergence of the Byzantine empire in the East. The author examines the art, architecture, philosophy, literature, and religious practices of each culture, set against its social, political, and economic background. Especially striking are the readable and stimulating profiles of key individuals throughout the ancient world, covering persons like Homer, Horace, the Pharaoh Akhenaten, and Alexander the Great. The second edition incorporates new chapters on the ancient Mediterranean and the Ancient Near East, as well as extended coverage of Egypt. Egypt, Greece and Rome is a superb introduction for anyone seeking a better understanding of the civilizations of the ancient Mediterranean and their legacy to the West.

    . .nor with mouth open; go not upon the toes nor in a dancing fashion." George Washington was known as a remarkably modest and courteous man. Humility and flawless manners were so ingrained in his character that he rarely if ever acted without them. The "Rules of Civility and Decent Behavior" that governed Washington's etiquette were by turns practical, inspirational and curious. These rules are as instructive and invaluable today as they were hundreds of years ago. George Washington's Rules of Civility and Decent Behavior includes the complete text of the rules, as well as famous Washington writings such as: -Farewell to the Armies speech-Inaugural Address-Retirement Address-Address at the End of His Presidency

    While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.Under the strain of their grief, Beth's remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London--the same city where one Mr. Theodore Laurence is stationed as an army pilot.Each March sister's point of view is written by a separate author, three in prose and Beth's in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one's way in a world undergoing catastrophic change.

     The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In "The Birth of Classical Europe," the latest entry in the Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, "The Birth of Classical Europe" provides insight into an epoch that is both incredibly foreign and surprisingly familiar.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    From then until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy.In this engrossing account Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the meeting place of Greek, Latin, Christian and barbarian cultures and the pivot between East and West. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe.While Ravenna's palaces have crumbled, its churches have survived. In them, Catholic Romans and Arian Goths competed to produce an unrivalled concentration of spectacular mosaics, many of which still astonish visitors today. Beautifully illustrated with specially commissioned photographs, and drawing on the latest archaeological and documentary discoveries, Ravenna: Capital of Empire, Crucible of Europe brings the early Middle Ages to life through the history of this dazzling city.

    Part detective, part psychologist, he never failed to nab a wrongdoer. His methods might have been unorthodox - he once summoned a tree as the key witness in a case - but he never failed to get the desired results.

    Ki. Rangarajan. The Tamil actor Kamal Hassan suggested that Ra. Ki. translate I, Claudius by Robert Graves into Tamil. Instead, Ra. Ki. decided to present a first-person narrative of the story of Krishnadevaraya, the emperor of Vijayanagar.Ra. Ki.’s hero is like any other young man his age—his romantic attachments overshadowing everything else in his life—until his minister and mentor, Appaji, reminds him that his duty ought to take precedence over his love life.Coming to the throne under difficult circumstances, Krishnadevaraya had to wage a relentless battle to preserve the Vijayanagar empire. Circumstances prevented him from marrying the woman he loved or pursuing literature, his true passion. Overcoming all of this, Krishnadevaraya went on to become the greatest emperor of the Vijayanagar empire.I, Krishnadevaraya takes you into the inner world of the emperor, providing a vivid picture of his thinking, his insecurities and his decision-making. Ably translated by Suganthy Krishnamachari, I, Krishnadevaraya is a fascinating look at one of India’s greatest kings.

    He saw that Mediterranean history, under Rome's influence, was becoming an organic whole, so he starts his work in 264 B.C. with the beginning of Rome's clash with African Carthage, the rival imperialist power, andends with the final destruction of Carthage in 146 B.C.

    grave praises the virtues of Mnesarete, an Athenian woman who died young; a great number of Roman wives were found guilty of poisoning their husbands, but was it accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written--has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, exploring the lives of slaves and prostitutes, Athenian housewives, and Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand-year period, beginning in the eighth century B.C.E. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters report on the wild behavior of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the new woman represented by the love poetry of the late Republic and Augustan Age; and the traces of upper- and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative and surprising, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.

    In this work, published here as a single volume, the authors present a disturbing and decidedly non-classical reading of Greek tragedy that insists on its radical discontinuity with our own outlook and with our social, aesthetic, and psychological categories. Originally published in French in two volumes, this new single-volume edition includes revised essays from volume one and is the first English translation of both volumes.