Dimitri Gutas draws upon the preceding historical and philological scholarship in Greco-Arabic studies and the study of medieval translations of secular Greek works into Arabic and analyses the social and historical reasons for this phenomenon.Dimitri Gutas provides a stimulating, erudite and well-documented survey of this key movement in the transmission of ancient Greek culture to the Middle Ages.

    Combine this with the exponential advances in technology, and the result is an increasing number of ways to amuse ourselves.As a result of such advances, Muslim react in a variety of manners towards entertainment. Some label entertainment as completely forbidden. This sometimes includes parents who say no to almost everything that their young ones deem to be ‘fun’, without providing them with suitable alternatives. Others, who do not want to take this extreme approach, fall into the trap of excessive use of – and even addiction to – various sources of entertainment, without any limits.In Having Fun the Halal Way, Ismail Kamdar explores the teachings of Islam regarding entertainment. Drawing upon the Quran, the Sunnah and the understanding of the righteous scholars of Islam, he provides a detailed and balanced analysis of the topic. He not only explains the detriments of the current entertainment industry, but also suggests alternative means to have a good time with friends and family members.

    Considering Indian art within a chronological framework, Vidya Dehejia analyses the great cities of the Indus civilization, the serene Buddha image, the intriguing art of cave sites, the sophisticated temple-building traditions, the luxurious art of the Mughal court, the palaces and pavilions of Rajasthan, the churches of Portuguese Goa, the various forms of art in the British Raj and the issues related to taking Indian art into the twenty-first century.

    Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in light of his theory. Provocative and inspiring, this book is a paradigm-shattering work that will transform your view of history and the mind.

    But she saw things and traveled to places rarely viewed by any outsider, let alone a Western woman, and she succeeded in smuggling out a series of crucial articles on Saudi culture and politics. The Saudis offers a fascinating portrait of Saudi life, chronicling Mackey's extraordinary travels and experiences and depicting Saudi Arabia's strange metamorphosis from backward desert kingdom to world power. Mackey reveals the chaos of a country in transformation: grappling with modernity, coming to terms with its own wealth, and battling to maintain an influential stance in an altogether new world. This updated edition provides the essential background to the new Saudi crisis as the mother state of international terrorism.

    Over the last 1400 years, from origins in Arabia, a succession of Muslim polities and later empires expanded to control territories and peoples that ultimately stretched from southern France to East Africa and South East Asia.Yet many of the contributions of Muslim thinkers, scientists and theologians, not to mention rulers, statesmen and soldiers, have been occluded. This book rescues from oblivion and neglect some of these personalities and institutions while offering the reader a new narrative of this lost Islamic history. The Umayyads, Abbasids, and Ottomans feature in the story, as do Muslim Spain, the savannah kingdoms of West Africa and the Mughal Empire, along with the later European colonization of Muslim lands and the development of modern nation-states in the Muslim world. Throughout, the impact of Islamic belief on scientific advancement, social structures, and cultural development is given due prominence, and the text is complemented by portraits of key personalities, inventions and little known historical nuggets. The history of Islam and of the world's Muslims brings together diverse peoples, geographies and states, all interwoven into one narrative that begins with Muhammad and continues to this day.

    However, this best-selling book is not simply a catalogue of these events. Rather it examines and compares the outward existential behaviour, along with its inward psychological reality, both of those who do not base their way of life on Prophetic guidance and those that do.

    Based on the 1999 Walter Neurath Memorial Lecture, this book uses the work of the Belgian artist Marcel Broodthaers to argue that the specifity of mediums, even modernist ones, can never be simply collapsed into the physicality of their support.

    The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: ‘You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.’ Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II – whose commission he leaves unfinished – and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, and becomes immersed in cloak-and-dagger palace intrigues as he struggles to create what could be his greatest architectural master-work. Constructed from real historical fragments, Tell Them of Battles, Kings, and Elephants is a thrilling novella about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another.

    His artistic faith journey overlaps with Endo's as he uncovers deep layers of meaning in Japanese history and literature, expressed in art both past and present. He finds connections to how faith is lived in contemporary contexts of trauma and glimpses of how the gospel is conveyed in Christ-hidden cultures. In this world of pain and suffering, God often seems silent. Fujimura's reflections show that light is yet present in darkness, and that silence speaks with hidden beauty and truth.

    But the Muslim world seemed far away, remote, and irrelevant to our daily lives. Then came the terrorist attacks of 9/11, followed by attacks at Fort Hood, the Boston Marathon, San Bernardino, and more. Now terrorists seem to be emerging everywhere, unleashing senseless death and destruction on our nation. They are here, and their goal is nothing less than global conquest. Motivated by ancient prophecies, they are flooding into Western countries determined to conquer our countries and establish a global Muslim caliphate. In The Barbarians Are Here, Dr. Michael Youssef provides clear insight into the motives and mission of the Islamic extremists. He offers practical steps we can take right now to begin a New Reformation that will restore the hope of Western civilization. It's not too late. We are not doomed to destruction, even though the barbarians are already here. But we haven't a moment to lose. "Let this book shape how you think, pray, and take the Gospel to the ends of the earth." -- R. Albert Mohler, Jr., President of The Southern Baptist Theological Seminary "I want every American, every citizen, and every member of my family to read this book. It is foolhardy not to." -- Pat Boone, Entertainer, Pat Boone Enterprises

    Rudolfo Anaya returns to the deeply spiritual themes of his hugely popular Bless Me, Ultima with this insightful tale of a prophet and his message to save humankind from itself.

    Not much is known about his life except that he lived in thirteenth-century Anatolia (now Turkey), had a great spiritual friendship with a wild man called Shams, brought an adopted daughter into his family, and was distraught when Shams finally disappeared.Rumi's Daughter is the delightful novel about Kimya, the girl who was sent from her rural village to live in Rumi's home. She already had mystical tendencies, and learned a great deal under Rumi's tutelage. Eventually she married Shams, an unusual husband, almost totally absorbed by his longings for God. Their marriage was fiery and different and, in the end, dissolved by Kimya's death - after which Shams vanished.Rumi's Daughter tells Kimya's story with great charm and tenderness. Well written and thought-provoking, it is sure to draw comparison with Paolho Coelho's The Alchemist, and also to add something fresh and new to what is so far known about Rumi.

    Even as “shari‘a” became a loaded word and an all-encompassing explanation, most of us remained ignorant of its true meaning. And we were doing this at our peril. In Heaven on Earth, Kadri brings lucid wit and analytical skill to the thrilling and turbulent story of Islam’s foundation and expansion. He shows how legal ideas gradually evolved out of thousands of reports about the Prophet Mohammad, most of which were not even written down until two centuries after his death. And he explains how, just in the last forty years, the shari‘a has been appropriated and transformed by hardliners desperate to impose their oppressive vision. In the second half of the book, Kadri takes us on an extraordinary journey through more than half a dozen countries in the Islamic world, where he explores, in striking detail, how the shari‘a is taught, read, reinterpreted, reverenced, and challenged—beginning at the eight-hundred-year old Indian grave of his Sufi mystic ancestor, and ending in Cairo’s City of the Dead, where one of Islam’s greatest legal scholars still gets daily requests for legal miracles twelve centuries after his death. Heaven on Earth is a brilliantly iconoclastic tour through one of history’s great collective intellectual achievements, as complex as the religion that brought it to life. The shari‘a continues to shape both explosive political circumstances and the daily life of more than a billion Muslims, and Sadakat Kadri has given us a compelling and clarifying portrait of a changeable world of faith, reason, and justice.

    Believing in the supreme Ismaili motto “Nothing is true, everything is permitted,” Sabbah wanted to “experiment” with how far he could manipulate religious devotion for his own political gain through appealing to what he called the stupidity and gullibility of people and their passion for pleasure and selfish desires. The novel focuses on Sabbah as he unveils his plan to his inner circle, and on two of his young followers — the beautiful slave girl Halima, who has come to Alamut to join Sabbah's paradise on earth, and young ibn Tahir, Sabbah's most gifted fighter. As both Halima and ibn Tahir become disillusioned with Sabbah's vision, their lives take unexpected turns. Alamut was originally written in 1938 as an allegory to Mussolini's fascist state. In the 1960's it became a cult favorite throughout Tito's Yugoslavia, and in the 1990s, during the Balkan's War, it was read as an allegory of the region's strife and became a bestseller in Germany, France and Spain.