Wright argues for poetry as a way of being and seeing, and calls it "the one arena where I am not inclined to crank up the fog machine." Wright's passion for the genre is pure inspiration, and in her hands the answer to the question of poetry is poetry.From "In a Word":I love the nouns of a time in a place, where a sack once was a poke and native skag was junk glass not junk and junk was just junk not smack and smack entailed eating with your mouth open, and an Egyptian one-eye was an egg, sunny side up, and a nation sack was a flannel amulet, worn only by women, to be touched only by women, especially around Memphis. Red sacks for love and green for money…C.D. Wright's most recent volume, One With Others, was a National Book Award finalist. Among her many honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.

    This is the story about Father Bernard Bissonnette, a priest from Grosvenordale, Connecticut and the fifty-year path of destruction and heartache he left in his wake. There were dozens of victims, first in his home state and then in New Mexico, where the Catholic Church sent him to be “cured,” only to recycle him in parishes throughout the state. It highlights the Deary family of Putnam, Connecticut, whose eldest son, Tommy – the second of their thirteen children – was one of Bissonnette’s earliest victims, and who, after struggling for many years with depression, marital problems, and his own sexual identity, eventually killed himself. And it follows the tireless efforts of his youngest brother to overcome the obstructionism and hostility of the Catholic Church and track down Father Bissonnette, confront him with his misdeeds, then bring him to justice – or at least get him thrown out of the Church.

    They’re fluffy, playful, and can be a joy to have as a companion. However, they can also be huge assholes. So what can you do? How do you deal with a roommate who always seems to be plotting to kill you?While we all love sharing adorable photos of kittens, these frisky felines are known more for marching to the beat of their own drum than abiding by the rules. From running around your home at two in the morning, knocking everything off your shelves, or taking up most of your bed, these furry critters can be immensely selfish and disrespectful to those who give them endless love and affection.Why Cats Are Assholes is up for such a challenge. From studying their history all the way back to ancient Egypt, comedian Liz Miele—the daughter of veterinarians—digests the cat psyche to try and understand why they do the things they do, and how we, as their loyal servants, can handle domestic bliss with them around.With the help of her cat Pasta, Miele breaks down the common behaviors of cats in an attempt to try and better understand their plan of attack (if there is one), as well as what we can do to better prepare ourselves.Whether you have one, two, or twelve fur babies, Why Cats Are Assholes is the ultimate guide to better understanding your pet’s behavior while taking back your home from these domesticated terrorists.

    With all ephemera included.

    Organized in six parts (Childhood; Youth; Early Marriage and Bachelorhood; Teaching and Work; Fiction; Politics, Religion, Movies, Books, Cities; The Style of Middle Age) Getting Personal tells two stories: the development of Lopate's career as a writer and the story of his life.

    Charles Dodgson. Eric Blair. William Sydney Porter. Or, as they aremore commonly remembered, George Eliot, Lewis Carroll, George Orwell, and O.Henry. For these writers and many others, from Mark Twain to Stan Lee to RobertJordan, the invocation of a nom de plume has been an essential part inthe creation of an authorial identity. Now, in a captivating series ofbiographical snapshots exploring the lives of famous authors and their pennames, author Carmela Ciuraru delivers a unique literaryhistory and a penetrating examination of identity, creativity, andself-creation, revisiting the enduring question—what’s in a name?

    But they weren’t there to protest. They were there to watch the World Chess Championship between Norway's Magnus Carlsen and Russia's Sergey Karjakin—what by the time it was over would be front-page news and thought by many the greatest finish in chess history. The story lines were riveting. The championship hadn’t been hosted in New York City, the de facto world capital of the sport, in more than two decades. With both Carlsen and Karjakin just 25 years old, the tournament organizers were billing it as a battle of the millennials—the first time the championship had been waged among the generation that grew up playing chess primarily against computers. And perhaps most intriguing were all the geopolitical connections to the match. Originally from Crimea, Karjakin had recently repatriated to Russia under the direct assistance of Putin. Carlsen, meanwhile, had expressed admiration for Donald Trump, and his first move of the tournament he played with a smirk what's called a Trompowsky Attack. Then there was the Russian leader of the World Chess Federation being barred from attending due to US sanctions, and chess fanatic and Trump adviser Peter Thiel being called on to make the honorary first move in sudden death. That the tournament required sudden death was a shock. Oddsmakers had given Carlsen, the defending champion, an 80% chance of winning. It would take everything he had to retain his title. In doing so, he would firmly make his case to be considered the greatest player chess has ever seen. Author Brin-Jonathan Butler was granted unique access to the two-and-half-week tournament and watched every move. In The Grandmaster, he aims to do for Magnus Carlsen what Norman Mailer did for Muhammed Ali in The Fight, John McPhee did for Arthur Ashe in Levels of the Game, and David Foster Wallace did for Roger Federer in his famous New York Times Magazine profile. Butler captures one of the world’s greatest sportsmen at the height of their powers, and attempts to decipher the secret to that greatness.

    " —Naomi Klein"[Mark Kingwell] illuminates on almost every page. " —Los Angeles Times"Kingwell's musings on angling inevitably lead to in-depth essays on the inherent nature of and reasoning for various aspects of fishing, such as casting, killing, patience, and outdoorsmanship. . . . [Catch and Release is] filled with a sense of joy and awe. " —Publishers WeeklyTaking seriously the idea that baseball is a study in failure—a very successful batter manages a hit only three of every ten attempts—Harper's Magazine contributing editor Mark Kingwell explores ways in which the game teaches us lessons on fragility, contingency, and community.Weaving elements of memoir, philosophical reflection, sports writing, and humour, the book serves as an unofficial follow-up to Catch and Release: Trout Fishing and the Meaning of Life, which won over readers by offering an intelligent but accessible look into the deep waters of angling.Never pretentious, always entertaining, Fail Better is set to be the homerun non-fiction title of the spring.Mark Kingwell is a professor of philosophy at the University of Toronto. He is the author or co-author of eighteen books, including the national bestsellers Better Living (1998), The World We Want (2000), Concrete Reveries (2008), and Glenn Gould (2009). In addition to many scholarly articles, his writing has appeared in more than forty mainstream magazines and newspapers. His most recent books are the essay collections Unruly Voices (2012) and Measure Yourself Against the Earth (2015).

    Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it.   Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.

    A journey into the modern life of an ancient virtue ­– bravery – and a quest to understand who might possess it and how With The Society of Timid Souls, or How To Be Brave, documentary filmmaker Polly Morland sets out to investigate bravery, a quality that she has always felt she lacked.  The book takes inspiration from a vividly eccentric, and radical, self-help group for stage-frightened performers in 1940s Manhattan, which coincided with the terrifying height of World War II and was called The Society of Timid Souls.  Seventy years later, as anxiety about everything from terrorism to economic meltdown continues, Morland argues that courage has become a virtue in crisis.  We are, she says, all Timid Souls now.   Despite a career in which she has filmed in rebel-held Colombian jungles and at the edge of Balkan mass graves, interviewing convicted murderers, drug-traffickers, and terrorists, Morland herself has never felt brave.  Often, the very reverse.  So she sets out to discover how and why courage is achieved in an age of anxiety and whether it might even be learned.  Drawing on her interviews and encounters with soldiers and civilians, bullfighters and big-wave surfers, dissidents fighting for freedom and cancer patients fighting for their lives, Morland examines bravery across the spectrum: from the first childhood act of defiance by Bernard Lafayette, a leader of the civil rights movement who later faced down the KKK in Alabama, or the reflexive will-to-survive of  Vjollca Berisha, a Kosovo Albanian who endured a massacre by playing dead among the bodies of her own family, to the small acts of everyday bravery that quietly punctuate our lives, in schoolyards, labor wards, and hospices the world over.   Along the way, Morland draws attention to some of the myths of bravery that have been conjured and perpetuated over time and argues that, often, courage exists as much in the telling as in the doing.  At once an exploration of what bravery means and a chronicle of the author's personal journey among those who embody it, The Society of Timid Souls is a profound, approachable meditation on this most valued and mysterious of human qualities.  In setting off on the trail of the lionhearted, Polly Morland finds out a great deal about what makes some of us extraordinary, and what of the extraordinary we all share.

    Starting with the exploration of a single line as the basic gesture of a poem, and moving into an examination of the essential expressive gestures that exist inside forms, Hass goes beyond approaching form as a set of traditional rules that precede composition, and instead offers penetrating insight into the true openness and instinctiveness of formal creation.A Little Book on Form is a rousing reexamination of our longest lasting mode of literature from one of our greatest living poets.

    Men grow up being told that boys don’t cry and dolls are for girls. They learn they must hide their feelings and anxieties, that their masculinity must constantly be proven. They must be the breadwinners. They must be the romantic pursuers. This hasn’t been good for the culture at large: 99% of school shooters are male; men in fraternities are 300% more likely to rape; a woman serving in uniform has a higher likelihood of being assaulted by a fellow soldier than to be killed by enemy fire.In For the Love of Men, author Liz Plank offers a smart, insightful, and deeply researched guide for what we're all going to do about toxic masculinity. For both women looking to guide the men in their lives and men who want to do better and just don’t know how, For the Love of Men will lead the conversation on men's issues in a society where so much is changing but gender roles have remained strangely stagnant.What are we going to do about men? Plank has the answer--and it has the possibility to change the world for men and women alike.

    They manipulate, lie, cheat, and steal. They are irresistibly charming and accomplished, appearing to live in a radiance beyond what we are capable of. But narcissists are empty. No one knows exactly what everyone else is full of--some kind of a soul, or personhood--but whatever it is, experts agree that narcissists do not have it.So goes the popular understanding of narcissism, or NPD (narcissistic personality disorder). And it's more prevalent than ever, according to recent articles in The New York Times, The Atlantic, and Time. In bestsellers like The Narcissism Epidemic, Narcissists Exposed, and The Narcissist Next Door, pop psychologists have armed the normal with tools to identify and combat the vampiric influence of this rising population, while on websites like narcissismsurvivor.com, thousands of people congregate to swap horror stories about relationships with "narcs."In The Selfishness of Others, the essayist Kristin Dombek provides a clear-sighted account of how a rare clinical diagnosis became a fluid cultural phenomenon, a repository for our deepest fears about love, friendship, and family. She cuts through hysteria in search of the razor-thin line between pathology and common selfishness, writing with robust skepticism toward the prophets of NPD and genuine empathy for those who see themselves as its victims. And finally, she shares her own story in a candid effort to find a path away from the cycle of fear and blame and toward a more forgiving and rewarding life.

    As he admits candidly, his primary goal when he started out was to have more money to do the things which he enjoys. But beyond his wildest imagination, what ensued was a 10-year period in which he struggled to make these Universal principles work for himself. After business failures, personal disappointments and walking away from these teachings several times in bitterness and anger, he finally gained an even deeper understanding about how these principles work at creating our reality. In Banned Money Secrets of the Hidden Rich, Richard explains how there is a group of individuals in our midst, coming from almost every walk of life, who have developed a special relationship with money. These are the individuals for whom money seems to flow easily at will, which has allowed them to live exceedingly creative and fulfilled lives unlimited by money. More surprisingly, Richard discovered that there is not a single common characteristic that unites the “hidden rich” except for their unique ability to focus intently on their desires to the exclusion of everything else. Some of the “hidden rich” are the most successful multi-millionaires and billionaires of our time, making immense contributions in almost every field. In this latest book, Richard explains how his personal struggles with manifesting money in his own life led him on a wonderful journey that taught him so much more. While most advocate a narrow-minded approach focused solely on using “outer-directed” actions / tricks / mind hacks to “attract” money (resulting in once-off results that only work sporadically)… Richard teaches using his own life examples that the only true, lasting source of abundance comes from behaving like one of the hidden rich, and from developing an extremely conducive inner state that allows financial abundance to easily flow into your life. Learn as Richard explains how he was able to completely let go of all his negative emotions of guilt and shame, fears and worries surrounding money… and how in the moment he did so, outer reality matched up to reflect his new inner understanding. If you are reading this book to find once-off money manifestation hacks and techniques, you’ll probably not find them here. But if you have tried everything else and are prepared to embark on an abundance journey from the inside out… if you are finally willing to do the “inner work” necessary just as Richard realized in the end… this close to 200-page book could be the last money manifestation book you’ll ever need.

    First published in 1954, it details his experiences when taking mescaline. The book takes the form of Huxley's recollection of a mescaline trip that took place over the course of an afternoon in May 1953. The book takes its title from a phrase in William Blake's 1793 poem 'The Marriage of Heaven and Hell'. Huxley recalls the insights he experienced, which range from the "purely aesthetic" to "sacramental vision". He also incorporates later reflections on the experience and its meaning for art and religion.