Feel your heart flutter. Only then, will you be on your way to attaining that inner peace and comfort Salah was prescribed for.'As with all Qur'an Project publications - there is no copyright and no rights reserved. Any part of this publication may be reproduced in any language, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical, photocopying, recording or otherwise without our permission, as long as no changes are made to the material. Please kindly send us notification for our records. May Allah [swt] grant us the most blessed conditions in our Salah and achieve the status of being amongst the most beloved to The Beloved Himself. O Allah, bless us with Your Love, the love of whom You Love and the love of deeds which bring us closer to Your Love. Please save us from the Fire, Forgive us for every sin and bless us and our families to be with You in the highest places of Jannah [ameen].This is available worldwide for FREE. There are two ways you can obtain your copy:1) You can order your copy from http://quranproject.org The Book is FREE and you will only need to pay for postage [79p for UK mainland and £3.50 for International orders]2) You can download the entire book in PDF format. We encourage all to read the book and share it with family and friends - Share the reward!!!Dimensions The book is A5 and is 47 pages.

    Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly).

    In spite of his preeminent stature, this is the first edition of Po Chü?-i's poetry to appear in the West. It encompasses the full range of his work, from the early poems of social protest to the later recluse poems, whose spiritual depths reflect both his life-long devotion to Taoist and Ch'an (Zen) Buddhist practice. David Hinton's translations of ancient Chinese poetry have earned wide acclaim for creating compelling English texts that have altered our conception of Chinese poetry. Among his books published by New Directions are The Selected Poems of Tu Fu, and The Selected Poems of Li Po. His work has been supported by fellowships from The National Endowment for the Arts and The National Endowment for the Humanities.

    Translated from the Swedish by Anthony Barnett. P"r Lagerkvist (1891-1974) was one of Sweden's greatest, most prolific, twentieth-century novelists and short story writers. EVENING LAND is the first complete translation of Lagerkvist's ninth and final volume of poetry, the deceptively simple Aftonland (1953). An intensely private man who refused to court publicity, the author was awarded the Nobel Prize in 1951. Barnett's translation (his translation of Robert Giroux's BLANK from the French is also available at SPD) sets straight an earlier, unfinished and otherwise compromised version by W. H. Auden and Leif Sj"berg. "All things exist, only I exist no more, / everything remains, the fragrance of rain in the grass/ as I remember it and the sough of the wind through the trees, / the flight of clouds and the human heart's disquiet.// Only my heart's disquiet no longer exists"-(from "The Dead")

    It is both a great monument to Islamic scholarship and a time capsule allowing us into the world over a millennium ago.

    Teeming with frank sexuality and heartfelt compassion, this book is an important window on to the experience of loss and love in the Arab world.

    A young Iraqi student, unable to attend college because of the war, sees American soldiers leave a trail of humiliation and grief in his small village. Bent on revenge, he flees to the chaotic streets of Baghdad where insurgents soon realize they can make use of his anger. Eventually he is groomed for a secret terrorist mission meant to dwarf the attacks of September 11th, only to find himself struggling with moral qualms. The Sirens of Baghdad is a powerful look at the effects of violence on ordinary people, showing what can turn a decent human being into a weapon, and how the good in human nature can resist.From the Trade Paperback edition.

    The sixty-four Companions presented here are representative of that unique generation, a generation without any parallel in history. They come from all walks of life and character. These are stories of real people which can be historically verified. These stories will touch the souls of believers, for they will find in them yet another proof of that conviction that fills their hearts, though it may be denied and its signs effaced by wielders of power in the Muslim lands through treachery and cowardice.

    But when Saddam Hussein's regime took power, she was thrown into cell 52 in the infamous Baladiyat prison with seventeen other nameless, faceless women from all walks of life. To ease their suffering, these "shadow women" passed each day by sharing their life stories. Now, through Jean Sasson, Mayada is finally able to tell her story--and theirs--to the world.

    Taking his own spiritual journey as a starting point, Professor Ayoub explores all aspects of Islam; from the Qur'an and Islamic law to the epic poetry of the Sufis; from the spread of Islam worldwide to reform movements in the US and Europe.

    A national best-seller in both hardcover and paperback, it introduces the engrossing saga of a Muslim family in Cairo during Egypt's occupation by British forces in the early 1900s.

    Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind.These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.

    'Welcome to Islam' is a step-by-step guide to help people who have just accepted Islam. It teaches them the absolute basics of Islam that they should learn within their first month of being a Muslim. This work is not another introductory book on Islam but rather a step-by-step instruction manual that allows you to start practicing what you learn immediately. It also contains valuable advice on some common challenges that new Muslims often face.

    Here are excerpts from dozens of works–both renowned (The Qur’an, The Thousand and One Nights) and esoteric (Ibn Washshiyya’s “Book of Poisons”; a 10th-century poem in praise of asparagus)–all accompanied by Robert Irwin’s erudite commentaries that illuminate readers on the vanished world in which they were written.In Night & Horses & the Desert we encounter the dashing Byronic poetry of Imru’ al-Qays and a treatise on bibliomania by Al-Jahiz, possibly the only writer to have been killed by books. There’s a sorcerer’s manual from 11th century Spain and an allegory by the mysterious “Brethren of Purity,” in which animals argue their case against humanity. Encompassing piety and profanity, fables and philosophy, this volume is a thrilling and invaluabe introduction to one of the world’s great bodies of literature.

    His father and uncle both led mercenary soldiers in the service of one rajah or another in Northern India. Unfortunately for Ghalib, they both died when he was young, and he had to find a way to support himself.HE FOUND HIS CALLING as a court poet, in and out of favor. When the Sepoy Mutiny took place around him, he addressed a letter to Queen Victoria, offering his services — for a price — to her.THE INTIMATE RELATIONSHIP to God took many ironic forms. As he lived next to a mosque, he said he was God's neighbor. His love affair with God was the occasion of many poems of unrequited love, of the cruel mistress. Such an erotic connection to the divine may seem alien to Western minds, but Ghalib was not alone in this personal relationship; he merely took it to its height.THE GHAZAL FORMAT of poetry is composed of a short series of two rhyming lines (not kept in the translation), each one a complete thought in itself. The resulting poem has a theme, but not continuity — much like a stand-up comic's delivery of short jokes on a topic. Ghalib was a master at double-entendres and shades of meaning; this translation aims for simplicity rather than to be overloaded with baggage.