He argues that while anthropologists have oriented themselves to the study of the “strangeness of the non-European world” and to what are seen as non-rational dimensions of social life (things like myth, taboo, and religion),the modern and the secular have not been adequately examined.The conclusion is that the secular cannot be viewed as a successor to religion, or be seen as on the side of the rational. It is a category with a multi-layered history, related to major premises of modernity, democracy, and the concept of human rights. This book will appeal to anthropologists, historians, religious studies scholars, as well as scholars working on modernity.

    Unlike those organized Islamist activities that seek to seize or transform the state, this is a moral reform movement whose orthodox practices are commonly viewed as inconsequential to Egypt's political landscape. Saba Mahmood's compelling exposition of these practices challenges this assumption by showing how the ethical and the political are indelibly linked within the context of such movements.Not only is this book a sensitive ethnography of a critical but largely ignored dimension of the Islamic revival, it is also an unflinching critique of the secular-liberal principles by which some people hold such movements to account. The book addresses three central questions: How do movements of moral reform help us rethink the normative liberal account of politics? How does the adherence of women to the patriarchal norms at the core of such movements parochialize key assumptions within feminist theory about freedom, agency, authority, and the human subject? How does a consideration of debates about embodied religious rituals among Islamists and their secular critics help us understand the conceptual relationship between bodily form and political imaginaries? Politics of Piety is essential reading for anyone interested in issues at the nexus of ethics and politics, embodiment and gender, and liberalism and postcolonialism.

    His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.

    Set at the turn of the century in the fictional Persian village of Omerijan, it tells the magical story of two young girls--Flora and Nazie Ratoryan--and their many neighbors in the almond tree alley in Omerijan where they live. Fifteen-years-old, pregnant, and recently abandoned by her cloth-merchant husband, Flora longs desperately for the return of her unborn baby's father. Nazie consoles and pities her, and though she is still a child of eleven, she yearns--just as desperately--for her own future marriage. Although the narrative spans only two days, it branches out and back, encompassing the lives and histories of many of Omerijan's inhabitants. Rabinyan's vivid depiction of the village is a sensual feast, recreating the odors and flavors, the colors, sounds, and textures of everyday life. A masterful blend of fantasy and reality, the narrative forcefully conveys the shocking cruelties endured by many of the characters while at the same time weaving a modern-day Arabic legend where snakes offer jewels in exchange for milk and death is thwarted by appeasing the village demons. Written with passion and elegance, Persian Brides brings a rich array of characters to life--telling of their hardships without ever losing the magic and wonder that is so much a part of their lives.

    Processes of debate and decision making often marginalize individuals and groups because the norms of political discussion are biased against some forms of expression. Inclusion and Democracy broadens our understanding of democratic communication by reflecting on the positive political functions of narrative, rhetorically situated appeals, and public protest. It reconstructs concepts of civil society and public sphere as enacting such plural forms of communication among debating citizens in large-scale societies. Iris Marion Young thoroughly discusses class, race, and gender bias in democratic processes, and argues that the scope of a polity should extend as wide as the scope of social and economic interactions that raise issues of justice. Today this implies the need for global democratic institutions. Young also contends that due to processes of residential segregation and the design of municipal jurisdictions, metropolitan governments which preserve significant local autonomy may be necessary to promote political equality. This latest work from one of the world's leading political philosophers will appeal to audiences from a variety of fields, including philosophy, political science, women's studies, ethnic studies, sociology, and communications studies.

    Asayesh, who immigrated to North Carolina as a girl, writes too of her struggle to arrive at an acceptable sexuality in the face of parental panic, and tells of her frustration, during later trips to post-Shah Iran, with "the sisters," the Ayatollah's ubiquitous enforcers of female modesty.

    But religious freedom in America is, in fact, impossible. So argues this timely and iconoclastic work by law and religion scholar Winnifred Sullivan. Sullivan uses as the backdrop for the book the trial of Warner vs. Boca Raton, a recent case concerning the laws that protect the free exercise of religion in America. The trial, for which the author served as an expert witness, concerned regulations banning certain memorials from a multiconfessional nondenominational cemetery in Boca Raton, Florida. The book portrays the unsuccessful struggle of Catholic, Protestant, and Jewish families in Boca Raton to preserve the practice of placing such religious artifacts as crosses and stars of David on the graves of the city-owned burial ground.Sullivan demonstrates how, during the course of the proceeding, citizens from all walks of life and religious backgrounds were harassed to define just what their religion is. She argues that their plight points up a shocking truth: religion cannot be coherently defined for the purposes of American law, because everyone has different definitions of what religion is. Indeed, while religious freedom as a political idea was arguably once a force for tolerance, it has now become a force for intolerance, she maintains.A clear-eyed look at the laws created to protect religious freedom, this vigorously argued book offers a new take on a right deemed by many to be necessary for a free democratic society. It will have broad appeal not only for religion scholars, but also for anyone interested in law and the Constitution.

    A Mormon woman recounts how she was excommunicated from her church because of her support of the Equal Rights Amendment.

    Awkward young Huru's adventures begin when her brother abandons her during a journey from Istanbul to Baghdad. By the end, when she trades her musical talent for something more valuable, Huru has spent time disguised as a boy and has married a woman; she has seen Persia, Turkey and Syria and traveled through time; she has married a sultan, borne his son and survived--with help from the spirit world--by her wits and her talent for playing her stone lyre. Along the way, she encounters many renowned figures, including Shahrazad, the witty and driven writer, and Lady Zubaida, a successful and independent businesswoman married to the infamous ruler Harun-er-Rashid. Through these anecdotes, the reader catches sometimes magical glimpses of a different world and a tumultuous era. But the novel's density and jarring mix of formal, archaic rhythms with modern language discourage a reader's total immersion.

    Now, in Scheherazade Goes West, Mernissi reveals her unique experiences as a liberated, independent Moroccan woman faced with the peculiarities and unexpected encroachments of Western culture. Her often surprising discoveries about the conditions of and attitudes toward women around the world -- and the exquisitely embroidered amalgam of clear-eyed autobiography and dazzling meta-fiction by which she relates those assorted discoveries -- add up to a deliciously wry, engagingly cosmopolitan, and deeply penetrating narrative.

    The definitive one-volume Urdu text by Ghalib Lakhnavi and Abdullah Bilgrami appeared toward the end of the nineteenth century, but English translations of this text have always been censored and abridged-until now.In Musharraf Ali Farooqi's faithful rendition, "The Adventures of Amir Hamza" is captured with all its colorful action, ribaldry, and fantastic elements intact. Here is the spellbinding story of Amir Hamza, the adventurer who loves Mehr-Nigar, the daughter of the Persian emperor, Naushervan. Traveling to exotic lands in the service of his emperor, Amir Hamza defeats many enemies, loves many women, and converts hundreds of infidels to the True Faith of Islam before finding his way back to his first love. Guided by a Merlin-like clairvoyant called Buzurjmehr, protected by legendary prophets, and accompanied by his loyal friend, the ingenious trickster Amar Ayyar, Amir Hamza rides his devoted winged demon-steed, Ashqar, into combat against a marvelous array of opponents, from the deadly demon, Sufaid Dev, to his own rebellious sons.Appreciated as the seminal Islamic epic or enjoyed as a sweeping tale as rich and inventive as Homer's epic sagas, "The Adventures of Amir Hamza" is an extraordinary creation and a true literary treasure.

    Buffeted by powerful adverse currents, Islamic civilization today is a shadow of its former self. The most disturbing and possibly fatal of these currents — "the imperial expansion of the West into Muslim lands and the blast of modernity that accompanied it" — are now compounded by a third giant wave, globalization.These forces have increasingly tested Islam and Islamic civilization for validity, adaptability, and the ability to hold on to the loyalty of Muslims, says Ali A. Allawi in his provocative new book. While the faith has proved resilient in the face of these challenges, other aspects of Islamic civilization have atrophied or died, Allawi contends, and Islamic civilization is now undergoing its last crisis.The book explores how Islamic civilization began to unravel under colonial rule, as its institutions, laws, and economies were often replaced by inadequate modern equivalents. Allawi also examines the backlash expressed through the increasing religiosity of Muslim societies and the spectacular rise of political Islam and its terrorist offshoots. Assessing the status of each of the building blocks of Islamic civilization, the author concludes that Islamic civilization cannot survive without the vital spirituality that underpinned it in the past. He identifies a key set of principles for moving forward, principles that will surprise some and anger others, yet clearly must be considered. (20090327)

    The author deals with fundamental problems faced by contemporary Muslims and provides real solutions, beginning with a discussion on ‘The Contemporary Western Christian Background’ in Chapter (I), followed by his analysis of the concepts (which he newly defines) of ‘secular’, ‘secularization’, and ‘secularism’ in Chapter (II). All this is then contrasted in Chapter (IV) of the book entitled ‘Islam: The Concept of Religion and the Foundation of Ethics and Morality’. Based on all the preceding explanation, the author proceeds to analyze the Muslim ‘dilemma’ by declaring that it should be resolved primarily through what he calls the “dewesternization of knowledge” or, conversely, the “islamization of contemporary knowledge”, an original concept conceived and elucidated by the author for the past three decades. Numerous original and profound ideas are contained in this book—arrived at chiefly through critical study of the Muslim tradition—such as the concepts of din,‘adl, hikmah, adab, ma‘na, and ta’dib, and their significance in the development of an Islamic system of education. The rationale for the islamization of contemporary knowledge and the establishment of a truly Islamic university was in fact provided for the first time in contemporary Muslim thought by this author long before the appearance of the present book, which explains these interconnected subjects more concisely. Further, the appendix entitled, ‘On Islamization: The Case of the Malay-Indonesian Archipelago’ is an actual explanation and application of the seminal ideas discussed in the book. This is a must read for all Muslims and those concerned with the problems and effects of secularization in our world today. This book has been translated into most of the major Islamic languages of the world— Turkish, Arabic, Urdu, Indonesian, Bosnian, and Persian.

    Through her rich and lyrical descriptions, Alia Mamdouh vividly recreates a city of public steam baths, roadside butchers, and childhood games played in the same streets where political demonstrations against British colonialism are beginning to take place.At the heart of the novel is nine-year-old Huda, a girl whose fiery, defiant nature contrasts sharply with her own inherent powerlessness. Through Mamdouh's strikingly inventive use of language, Huda's stream-of-consciousness narrative expands to take in the life not only of a young girl and her family, but of her street, her neighborhood, and her country. Alia Mamdouh, winner of the Naguib Mahfouz Award in Arabic Literature, is a journalist, essayist and novelist living in exile in Paris. Long banned from publishing in Saddam Hussein's Iraq, she is the author of essays, short stories, and four novels, of which Naphtalene is the most widely acclaimed and translated.

    He examines the deterioration of the family, the well-defined sex roles it offered, and how this change has shifted the focus of our society. Poverty, for instance, stems from the destruction of the family when unmarried parents are abandoned by their lovers or older women are divorced because society approves of their husbands' younger girlfriends.Gilder claims that men will only fulfill their paternal obligations when women lead them to do so, and that this civilizing influence, balanced with proper economic support, is the most important part of maintaining a productive, healthy, loving society.He offers a concrete plan for rebuilding the family in America. His solutions challenge readers to return to these roles and reestablish the family values that were once so crucial in staving off the ills that plague our country. Gilder insists that it is time to reexamine what "liberation" has wrought and at what cost. Only a return to traditional family values, he contends, can stem the tide of disaster.George Gilder is the author of Wealth and Poverty, the best-selling critique of Reaganomics, The Spirit of Enterprise, Visible Man, Naked Nomads, and The Party That Lost Its Head . He was a speechwriter for Ronald Reagan and now writes regularly for The Wall Street Journal and National Review about material advances and their effect on society. His most recent books include two other well-known social commentaries, Microcosm and Life After Television. Also available in paperback.