As Elle magazine informs us, “All the bases are covered here, from the hard lessons women learn (and impart) to the inextricability of romance and cold hard cash.”

    La historieta con guión de Federico Fellini, más otras creaciones del historietista italiano.

    Although the word suggests companionship and commitment, it’s weighted with the knowledge that marriage is a male-dominated institution in which women have been subservient for centuries. In this provocative collection of essays, writers in their twenties and thirties discuss how they’re navigating the waters of sanctified long-term relationships. Juhu Thukral speaks of marrying to please her traditional Indian parents; Rachel Fudge wonders whether alternative ceremonies can lead to greater equality in marriage; Kate Epstein tries to balance motherhood with a career; Kristy Harcourt, a lesbian, discusses her ambivalence about marriage ceremonies; and Leslie Miller struggles with being identified as half of a couple.

    The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America’s first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:---his profound commitment to freedom, to abolitionism and to African-American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post-Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing.As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.

    Biographer Marlene Wagman Geller gathers them all in this enchanting look at the lives and the gilded lives of wealthy women.

    His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award

    Here Brinkley describes, with absolute candor, his struggle to become accustomed to his disorienting psychic ability, and his decision to offer comfort to those dying in hospices.In his poignant and personal style, Dannion shares heartwarming stories of his ability to give comfort where it is needed, and demonstrates that the dying often have enhanced psychic ability and a clarity of vision that can make death more graceful for everyone involved. He also shares lessons in achieving what he calls the panoramic life review, and instructs readers on awakening and enhancing their own skills of perception, while providing the language to deal with their own and their loved ones' mortality.For the hundreds of thousands who found comfort and understanding in Saved by the Light, here is Dannion Brinkley's new message of inspiration, guidance, and the unlimited opportunity for spiritual growth and renewal.

    Their courageous responses to tragedies brought on by European contact make up the heart of the book. The narrative begins with Molly Mathilde (1665-1717), a mother, a peacemaker, and the daughter of a famous chief. Born in the mid-1600s, when Wabanakis first experienced the full effects of colonial warfare, disease, and displacement, she provided a vital link for her people through her marriage to the French baron of St. Castin. The sage continues with the shrewd and legendary healer Molly Ockett (1740-1816) and the reputed witchwoman Molly Molasses (1775-1867). The final chapter belongs to Molly Dellis Nelson (1903-1977) (known as Spotted Elk), a celebrated performer on European stages who lived to see the dawn of Wabanaki cultural renewal in the modern era.

    The man and woman in these poems are husband and wife, custodians of ordinary, aging human love. They are not figures in a love poem. Time is their essential witness, and not their destroyer. A New York Times Notable Book and a Newsday Favorite Book of 2001.

    Although long neglected, the four plays collected in this critical edition reveal the thoroughly modern nature of her concerns. Trifles (1916) develops a feminist critique of social role, while The Outside (1917) stages a debate between the life force and a perverse celebration of death. In The Verge (1921), Glaspell presented an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. And though Inheritors (1921) is far more conventional, it nonetheless questions the nature and reality of American pieties. Long known for a single play, Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative innovation.

    Kathy Kinney (best known as Mimi on The Drew Carey Show) and Cindy Ratzlaff (marketing genius behind the launch of The South Beach Diet) have been best friends for more than thirty years, and have helped each other navigate the ups and downs of their lives with humor and grace.In this entertaining and inspiring book, they share the tried-and-true techniques they call "the seven best gifts a woman can give herself." They reveal how they learned to value themselves just the way they are—women in full bloom, sensual, vibrant, wise and more beautiful than ever—and they'll show you how you can, too.With these seven gifts you'll discover how to:• Claim your beauty and feel your power• Clean your mental closet and find your queen voice • Admire yourself for who you've become• Build deep, fulfilling friendships with other women• Establish firm boundaries that will strengthen all your relationships• Learn the simple trick to finally being happy • Place the crown firmly on your headWith humor, comfort and inspiration, Queen of Your Own Life offers easy step-by-step actions to blast away at the societal tall tale that young is beautiful and old is just old. If you've been feeling that the best part of your life may be behind you, then this book will prove to you just how untrue that is, and that the door to being happy is not only never closed, but just waiting for you to fling it open. Remember, you don't have to be twenty to have your whole life ahead of you. Now is the time to become Queen of Your Own Life!

    Loosely based on Parker?s life, and co-written with famed Hollywood playwright Arnaud d?Usseau, The Ladies of the Corridor exposes the limitations of a woman?s life in a drama teeming with Parker?s signature wit.

    It features a stunning array of personalities, from the women peering worriedly over the side of the Mayflower to feminists having a grand old time protesting beauty pageants and bridal fairs. Courageous, silly, funny, and heartbreaking, these women shaped the nation and our vision of what it means to be female in America. By culling the most fascinating characters — the average as well as the celebrated — Gail Collins, the editorial page editor at the New York Times, charts a journey that shows how women lived, what they cared about, and how they felt about marriage, sex, and work. She begins with the lost colony of Roanoke and the early southern "tobacco brides" who came looking for a husband and sometimes — thanks to the stupendously high mortality rate — wound up marrying their way through three or four. Spanning wars, the pioneering days, the fight for suffrage, the Depression, the era of Rosie the Riveter, the civil rights movement, and the feminist rebellion of the 1970s, America's Women describes the way women's lives were altered by dress fashions, medical advances, rules of hygiene, social theories about sex and courtship, and the ever-changing attitudes toward education, work, and politics. While keeping her eye on the big picture, Collins still notes that corsets and uncomfortable shoes mattered a lot, too. "The history of American women is about the fight for freedom," Collins writes in her introduction, "but it's less a war against oppressive men than a struggle to straighten out the perpetually mixed message about women's roles that was accepted by almost everybody of both genders." Told chronologically through the compelling stories of individual lives that, linked together, provide a complete picture of the American woman's experience, America's Women is both a great read and a landmark work of history.

    Picardie's unprecedented research illuminates Chanel’s path from little-known seamstress to the aristocracy of style in this stunning look at the fashion icon, illustrated with more than sixty color and black-and-white images.

    Buckley Jr. on the Fall of the Berlin WallSir Martin Gilbert on D-DayMartin Goldsmith on the Beatles Coming to AmericaKweisi Mfume on the Emancipation Proclamation