They left life as they knew it behind to start fresh in the land of the Last Frontier.Their cabin on Cub Lake was only accessible by bush plane in the summer or snow machine during the winter, making life challenging. They knew their learning curve would be steep. What they didn't realize was living on a homestead in the wilderness of Alaska would make them face obstacles they had never experienced before.This new chapter forced them to take every skill that they had learned in their lives to the next level. Hunting, fishing, gardening, and flying would all become key to thriving off-the-grid. Arctic temperatures and wild animals in the Alaska bush provided countless adventures. These tales may make you laugh, make you cry, and might possibly inspire you to follow your own dreams!While enjoying the majestic nature surrounding them, they also learned to work together like never before. The two of them have dealt with everything from crazy chickens to bears, and ultimately even looked death squarely in the eyes. Throughout it all, Ann knew there was no place she would rather be than with Shon when he suggested, "Follow Me to Alaska."

    The technique is controlled, not ostentatious, and one senses here a conscious link to the work of older poets such as Larkin and Levertov. Karr's strength lies in her delicate and meticulous control of detail. Characteristically, she describes a cat's nighttime prowl with humor and precision: `` . . . he pounced and rabbit-kicked my head. / I had to disentangle from my hair / all four sets of claws, then tossed him / out into the pyramid of boxes / we'd erected in the yard.'' Such loving attention to seemingly insignificant events is reminiscent of the early work of Adrienne Rich and the use of imagery is similarly evocative (``When the moon / clicked over the sun like a black lens / over a white eye. . . ''). Karr's work generally falls into clipped stanzas, the lines flowing over for an effect of ironic tension appropriate for much of the ``devilish'' material with which she is concerned. While the poet's unflinching consciousness stands out in this text, the poetic voice is not completely developed. (Apr.)

    Set in a ramshackle farmhouse in North Carolina, Life Without Water tells the story of a young Cedar and her mother, Sara, and as the girl's tries to repair the emotional damage done by the death of her beloved brother in Vietnam.

    Diksha Dwivedi’s father was one of the martyrs of that war. In this beautiful, extremely moving book, she tells the story of the Kargil war through the letters and diaries of her father and other soldiers who fought there. Intimate and emotional, Letters from Kargil is the most human and personal portrait of the war ever written.

    --Hanoi to Hoboken: a round trip ticket --Living with other women --Take a lesbian to lunch --The last straw --The shape of things to come --Roxanne Dunbar --Gossip --Leadership vs. stardom --The last picture show --A manifesto for the feminist artist --Love song for feminists from Flamingo Park --I am a woman --The good fairy --It's all Dixie cups to me --The lady's not for burning.

    In this book, she recounts something of what she learned and experienced while carrying on this work. It will be of interest and encouragement to those working in similar circumstances.

    Marvin's haunting, passionate poems explore themes of loss, of the vulnerability of womanhood in a world hostile to it, and of the fraught, strangely compelling landscape of adolescence.

    Written by Blaine T. Bettinger, PhD, JD, and Debbie Parker Wayne, CG, CGL, the book provides family historians and genealogists who have just begun to explore genetic genealogy practical, easy to understand information that they can apply to their research. As Wayne notes in her blog, Deb’s "Delvings in Genealogy," “DNA can seem complex to many of us, but this book will guide you and help build your knowledge level one step at a time.” At their own pace, readers learn the basic concepts of genetic genealogy. They then build on that knowledge as they study the testing, analysis, and application of YDNA, X-DNA, mitochondrial DNA (mtDNA), and autosomal DNA (atDNA) to reach and support genealogical conclusions. Each chapter includes exercises with answer keys for hands-on practice. Blaine Bettinger is an intellectual property attorney in Syracuse, New York. The author of The Genetic Genealogist blog, he is a genealogy educator, a trustee of the New York Genealogical and Biographical Society, and organizer of the Shared cM Project, a crowdsourced project examining the associations between genetic data and genealogical relationships. Debbie Parker Wayne is a professional genealogist who has conducted research for individuals as well as for the PBS series “Finding Your Roots” with Henry Louis Gates Jr. and other television shows. She is an award-winning author, the coordinator for genetic genealogy institute courses, and the DNA Project Chair for the Texas State Genealogical Society.

    In this innovative diet book, Sass—the bestselling co-author of Flat Belly Diet! and Flat Belly Diet! Cookbook, and the official nutrition consultant for the New York Rangers and Tampa Bay Rays—dishes out a tried-and true weight-loss program that features exciting combinations of delicious, easy-to-find foods, leaving dieters feeling full and satisfied as they shed those extra pounds. Weight loss can be a struggle for everyone, but Sass’s new diet book makes it easy.Shaklee Corp. offers an unrelated line of Cinch™ weight loss management products. See www.shaklee.com/cinch

    Their neighbours prove a mixed bag, including the towering, kindly Jed Armstrong, a farmer whose land 'marches with' theirs, the local vicar and his family, and the three gossipy Pringle sisters, who travel by donkey-drawn cart and get their knives into one and all. After a bumpy start, with a disagreeable cook and her nincompoop daughter as their only help, Susan and Oliver begin to settle in nicely, and find themselves in the midst of romance, confusion, and earthy hilarity.Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson, and they may well have influenced one another's writing. First published in 1936 (under the pseudonym B. Mollett) and out of print for more than 80 years, Susan Settles Down is one of her most cheerful and vivid romantic comedies. This new edition features an introduction by Elizabeth Crawford.

    There's Alex, miserable in his cold and calmly professional marriage, unable to leave because of his two children. Next comes Andrew, recently home from ten years in America, leaving an ex-wife and a beloved daughter on the other side of the world. And finally there's Barbara, the enchanting and lustrous object of their affections, formally self-possessed but strangely aimless and unfulfilled.With elegance and acuity, Madeleine St John chronicles their progress through numerous false starts, reversals, and misapprehensions. The result is a deeper understanding of longing and its significant companion -- loss.

    From painting and sculpture to installation, video art, and performance, it examines the roles played by the body in art, from being the subject of portraiture to becoming an active presence in participatory events.Organized thematically, the book focuses on subjects such as nature and technology, the grotesque, identity politics, and the place of the individual in society. Featuring work by artists such as Matthew Barney, Marlene Dumas, Olafur Eliasson, Oleg Kulik, and Ernesto Neto, it shows how the body continues to be pivotal to the understanding and expression of our place in the universe.

    Like Helen Garner, she has a steady, careful eye, and uses it to bring back news of glorious, rackety life.’Susan JohnsonMe: ‘Are you going to be a good boy this year?’Boomer: ‘Uh huh. I have no interest in toilet humour.’Me: ‘You don’t?’Boomer: ‘No. No interest at all. I mean, I think “it’s funny”when, in The Bad Book, Terence takes off all his clothes.And when Horrid Henry shows his undies. But I wouldthink to myself, “That is something I should not do”.’Between juggling work, joint custody and the ordinary demands of motherhood, Jo tries to work out why her son Leo (aka Boomer) is finding it hard to fit in. His wit wins him friends, but the rituals of friendship—like learning to compromise—are proving challenging. Is it because he’s an only child? Could he be gifted?When Leo is diagnosed with Asperger’s Syndrome, Jo fears what it means—and sees herself, and her family, through new eyes. Trapped in a cycle of doubt and discovery, she wonders how you can stay true to who you are and fit in. What the hell is ‘normal’ anyway?This is the bittersweet story of a twenty-first-century family, and why being different isn’t a disability—it just takes some getting used to.

    Now, in her stirring new memoir Confessions of a Childfree Woman, Drut-Davis tells the story behind that national TV appearance and recounts the painful aftermath.Along the way, Drut-Davis exposes and explores our culture’s rampant pronatalism and the stigma we continue to attach to childless women. By taking us deep into her own life and the emotions—positive and negative—surrounding her bold choice, Drut-Davis lays bare our society’s myth that true fulfillment and happiness can come only through procreation.Reflecting on her 70 years, Drut-Davis takes a fair look at what she’s lost by not having children, but her focus always returns to all she has gained: a life lived with no regrets.