As Tala’s wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.Moving between the vast enclaves of Middle Eastern high society and the stunning backdrop of London’s West End, I Can’t Think Straight explores the clashes between East and West, love and marriage, conventions and individuality, creating a humorous and tender story of unexpected love and unusual freedoms.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    A young lieutenant directs rehearsals of the Restoration comedy, The Recruiting Officer. With a cast of convicts, opposition from sadistic officers and a leading lady who is due to be hanged, Australia's first theatrical production is in trouble from the start.

    Althea, the eldest sister and substitute matriarch, is a force to be reckoned with and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband Proctor are arrested, and in a heartbeat the family goes from one of the most respected in town to utter disgrace. The worst part is, not even her sisters are sure exactly what happened. As Althea awaits her fate, Lillian and Viola must come together in the house they grew up in to care for their sister’s teenage daughters. What unfolds is a stunning portrait of the heart and core of an American family in a story that is as page-turning as it is important.

    Presents the script of a 1988 play about a group of women in Chinquapin, Louisiana, who learn to draw upon their underlying strength and love to meet the challenges of life.

    Martha Livingstone, a court-appointed psychiatrist, is charged with assessing the sanity of a young novitiat accused of murdering her newborn. Miriam Ruth, the Mother Superior, determindly keeps young Agnes from the doctor, arousing Livingstone's suspicions further. Who killed the infant and who fathered the tiny victim? Livingstone's questions force all three women to re-examine the meaning of faith and the power of love leading to a dramatic, compelling climax. A hit on Broadway and later on film."Riveting, powerful, electrifying drama...the dialogue crackles."-New York Daily News"Outstanding play [that]...deals intelligently with questions of religion and psychology."-The New York Times"Unquestionably blindingly theatrical...cleverly executed blood and guts evening in the theatre."-New York Post

    The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.--from the introduction by Claudia RankineClaudia Rankine's first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible?Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles's intentions. One year later, the second scene brings Charlotte and Charles into the artist's studio, and their confrontation raises both the stakes and the questions of what--and who--is actually on display.Rankine's The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.

    Mazie has dreamed of being on Broadway since she could walk. Growing up in her small Nebraska town, that always seemed like an impossible dream. But when Mazie's grandmother dies and leaves her a letter and enough money for a six-week stay in New York City, Mazie jumps at the chance to follow her dream, leaving behind everything--and everyone--she's ever known. Of course, nothing can prepare Mazie for the loudness and chaos of the city. She's homesick for her family and the familiarity of her momma's cooking, and lovesick for Jesse--the boyfriend whose heart she broke when she left. But Mazie is determined to make her time in New York count. She is determined to succeed. With her money running out, and faced with too many rejections to count, Mazie finally lands a role. But there's a catch: the tour is an industrial musical designed to sell farm equipment, bringing Mazie right back to the cornbelt of her hometown she was all too eager to escape.Mazie is the story of a girl caught between two lives--and two loves--as she navigates who she is, what matters most, and the cost of following her dream.

    Yet despite the progress of the recent past, gay men still find themselves asking, "Are we really better off?" The inevitable byproduct of growing up gay in a straight world continues to be the internalization of shame, a shame gay men may strive to obscure with a façade of beauty, creativity, or material success. Drawing on contemporary psychological research, the author's own journey to be free of anger and of shame, as well as the stories of many of his friends and clients, The Velvet Rage outlines the three distinct stages to emotional well-being for gay men. Offering profoundly beneficial strategies to stop the insidious cycle of avoidance and self-defeating behavior, The Velvet Rage is an empowering book that will influence the public discourse on gay culture, and positively change the lives of gay men who read it.

    Recommended for all collections." - Choice

    With this act of violence--which is loosely based on the notorious 1955 killing of Emmett Till--James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a boy like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast.In his award-winning play, Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated--and in which even a killer receives his share of compassion.

    Carson Smith is resigned to spending his summer in Billings, Montana, helping his mom take care of his father, a dying alcoholic he doesn't really know. Then he meets Aisha Stinson, a beautiful girl who has run away from her difficult family, and Pastor John Logan, who's long held a secret regarding Carson's grandfather, who disappeared without warning or explanation thirty years before. Together, Carson and Aisha embark on an epic road trip to find the answers that might save Carson's dad, restore his fragmented family, and discover the "Porcupine of Truth" in all of their lives.

    No one is more excited than Cripple Billy, an unloved boy whose chief occupation has been grazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. And as news of his audacity ripples through his rumor-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order.

    He just has to stick to a lie he never meant to tell, that the notoriously troubled Connor Murphy was his secret best friend.Suddenly, Evan isn't invisible anymore--even to the girl of his dreams. And Connor Murphy's parents, with their beautiful home on the other side of town, have taken him in like he was their own, desperate to know more about their enigmatic son from his closest friend. As Evan gets pulled deeper into their swirl of anger, regret, and confusion, he knows that what he's doing can't be right, but if he's helping people, how wrong can it be?No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose. And a website. He's confident. He's a viral phenomenon. Every day is amazing. Until everything is in danger of unraveling and he comes face to face with his greatest obstacle: himself.A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.

    Lee's fascinating play . . . goes far beyond cheap satire, ultimately becoming a compassionate and stimulating exploration of one man's existential crisis . . . She proves unexpectedly adept at strict naturalism . . . [A] mournful and inquisitive play."—New York Times"She sacrifices nothing; bodies, voices, jokes, food, tragedy, cities are all artistic fodder, as are her various selves and the mirthful, bloody life of her imagination."—New YorkerProvocative playwright Young Jean Lee lends her shrewd perspective to this atypical take on the family drama. A father and his three sons unite and unravel, both aware of and undone by privilege and its pressure. When inherent social expectation conflicts with a desire to remain stagnant, the resulting identity confusion is new territory for the tightknit family. Strikingly observant and curiously drawn, Lee departs from her experimental style to create a naturalistic observation of the most socially unobstructed of our species, the straight white male.Young Jean Lee has been hailed as "one of the best experimental playwrights in America" by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over twenty cities around the world. Her other plays include We're Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.