The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me," culture uses art to dream the deaths of beautiful women.

    Violet's story is of young innocent love for a local lad taking an unfortunate twist, while Claudine is a thoroughly twenty-first-century character: daughter of a loving father with a less loving stepmother, she marries in haste after her father's death, and is at a turning point in her life when she starts to find out the true story of Violet. Is happiness a possibility for these women in their separate and very different worlds?

    Funny, passionate, and compelling prose on what it means to be queer and happy about it in a world that is still arguing about what it means to be queer.

    A novel from the Beat generation.

    His research helped to define--and continues to give depth to--the area of American studies concerned with the links between scientific and technological advances, and the way society and culture both determine these links. The Machine in the Garden fully examines the difference between the pastoral and progressive ideals which characterized early 19th-century American culture, and which ultimately evolved into the basis for much of the environmental and nuclear debates of contemporary society.This new edition is appearing in celebration of the 35th anniversary of Marx's classic text. It features a new afterword by the author on the process of writing this pioneering book, a work that all but founded the discipline now called American Studies.

    Memories of his own life and of his friends, colleagues and enemies - from Roald Dahl and philosopher A.J. Ayer to Margaret Thatcher.

    She is excited, exhausted—and about to meet royalty. . . .So begins the unforgettable story of Charlotte Bill, who would care for a generation of royals as their parents never could. Neither Charlotte—LaLa, as her charges dub her—nor anyone else can predict that eldest sons David and Bertie will each one day be king. LaLa knows only that these children, and the four who swiftly follow, need her steadfast loyalty and unconditional affection.But the greatest impact on Charlotte’s life is made by a mere bud on the family tree: a misunderstood soul who will one day be known as the Lost Prince. Young Prince John needs all of Lala’s love—the kind of love his parents won’t…or can’t…show him.From Britain’s old wealth to the glittering excesses of Tsarist Russia; from country cottages to royal yachts, and from nursery to ballroom, Charlotte Bill witnesses history. The Royal Nanny is a seamless blend of fact and fiction—an intensely intimate, yet epic tale spanning decades, continents, and divides that only love can cross.

    His crime? Taking on the highest powers in the land with his open letter "J'accuse"—and losing. Forced to leave Paris with nothing but the clothes he is standing in and a nightshirt wrapped in newspaper, Zola flees to England with no idea when he will return.This is the little-known story of Zola's time in exile. Rosen has traced Zola's footsteps from the Gare du Nord to London, examining the significance of this year. The Disappearance of Émile Zola offers an intriguing insight into the mind, the loves, and the politics of the great writer during this tumultuous era in his life.

    An essential collection of poetry--the best of her creative body of work by the internationally celebrated and bestselling author of Fear of Flying and Any Woman's Blues.

    This volume includes books 5-8.Book V, The BeretsBook VI, The GeneralsBook VII, The New BreedBook VIII, The Aviators

     Neal I was the one to walk away. When opportunity came knocking on my door, I answered it. At the time, I thought it was the best thing for me to do. I’d build up my empire, gather up my wealth, and come back to give her everything she ever wanted. Only, it’s not that easy. It’s never that easy. She no longer trusts me and for good reason, too. As far as she’s concerned, I abandoned her. But, I’m not about to give up. This time, she’s mine and I’m not leaving without my Queen. Kara  Everything was just fine until he showed up. I worked a typical nine-to-five job and I was fine with that. Okay, maybe pushing pills at a pharmacy was slowly driving me insane, but at least it paid the bills. Besides, one day, I was going to be a successful author. I just needed to get over a serious case of writer’s block. Which wasn’t helped by the fact that my ex-boyfriend, my first and only crush, just suddenly came waltzing into my life after a ten-year hiatus. Oh, and get this, he thinks he can just pick up where he left off. Not going to happen. Fool me once, shame on you. Fool me twice, shame on me. This is a full-length standalone novel brimming with temptation and high heat. It features a hot-as-hell alpha male on a mission fight like hell to win his woman back . It has no cheating, no cliffhangers and this one is for you if you love big weddings and happily ever afters!

    It is a perfect companion to Patrick Suskind's bestseller Perfume.

    Here, in this compelling history from acclaimed historian Marshall B. Davison, is its story: from prehistory to its conquest by Julius Caesar; from its invasion by the Franks, who gave us the name we use today, to the reign of Charlemagne; from the rule of the Bourbon monarchs, who reached their apex under the Sun King, Louis XIV, to the bloody days of the French Revolution; from the ruthless rise and reign of Napoleon Bonaparte to the brutal Nazi occupation during World War II. This book is a must-read for any Francophile.

    But Robert Ferguson’s new biography tells a different tale; for where the novels are sexually explicit and brutally frank—woundingly so to those close to Miller—they are also the fantasies of a man escaping from his past, and from himself.

    Acknowledged as perhaps the masterpiece of materialist criticism in the English language, this omnibus ranges over British literary history from George Eliot to George Orwell to inquire about the complex ways economic reality shapes the imagination.