Some of them are crimes of the most heinous nature. But, in our world, more often than not, the girl is made to be the culprit. Society disregards every atrocity the girl has been forced to go through, and to top it off, finds a twisted logic to blame her for it. This is a story about a girl like that. Kavya and Aahaan, two best friends, studying in a highly reputed school of Delhi, enjoy the innocent years of their childhood without a care in the world. They have their entire lives in front of them. But that's where the utopia ends. In this book, Aakash Neeraj Mittal talks about a very important social issue and makes an honest attempt towards changing the existing mindset through this moving story, which will leave you clamouring, "It Wasn't Her Fault".

    The police find blood evidence of foul play, and are convinced Seth murdered you, but it all turns out to be a misunderstanding until your bank confirms you wired your life’s savings to a vulgar old man you’ve never met. You confront the old man and are shocked to learn he has videos that prove you were involved in a deeply sexual relationship with him last week. But you’re about to realize these are the least of your problems!

    These fundamentals of design, once the exclusive domain of professional typographers, have become an essential starting point for anyone looking for a fresh way to communicate. Practical information about creating letters and type often amounts to a series of guidelines for executing a particular process, font program, or style. But what makes lettering and type endlessly fascinating is the flexibility to interpret and sometimes even break these rules. Lettering & Type is a smart-but- not-dense guide to creating and bending letters to one's will. More than just another pretty survey, it is a powerful how-to book full of relevant theory, history, explanatory diagrams, and exercises. While other type design books get hung up on the technical and technological issues of type design and lettering, Lettering & Type features the context and creativity that shape letters and make them interesting. Authors and designers Bruce Willen and Nolen Strals examine classic design examples as well as exciting contemporary lettering of all stripes—from editorial illustrations to concert posters to radical conceptual alphabets. Lettering & Type is ideal for anyone looking to move beyond existing typography and fonts to create, explore, and use original or customized letterforms. This latest addition to our best-selling Design Briefs seriesfeatures a foreword by Ellen Lupton and hundreds of images and examples of work by historical and contemporary designers, artists, and illustrators, including Marian Bantjes, Stefan Sagmeister, Matthew Carter, Christoph Niemann, Steve Powers (ESPO), House Industries, Christian Schwartz, Margaret Kilgallen, James Victore, Abbott Miller, Sibylle Hagmann, Ed Fella, and many more. Throughout the book interviews with type designers, artists, and graphic designers provide real-world perspective from contemporary practitioners.

    Featuring more than 1,300 international typographic identities, by around 250 design studios, this is an indispensable handbook for every design studio, providing a valuable resource to draw on in branding and corporate identity projects. Retaining the striking black-and-white aesthetic and structure of Logo (also by Michael Evamy) and Symbol, Logotype is an important and essential companion volume.

    He's got to find a cure. That’s right—Adam's 13 years old, and he's about to change the world.From the Publisher: The follow-up to D.K. Brantley’s I’m 12 Years Old And I Saved The World, this book tackles the difficult topics of childhood cancer, dealing with death, and battling addiction. I’m 13 Years Old And I Changed The World is an open admission that bad things happen to good people. And while you often can’t fix the bad situation, you can make it better if you’re willing to be a friend.We hope this book comforts those who are dealing with childhood cancer, death, or addiction and increases empathy for all.

     When the two women grow close to the truth, the case turns deadly. Also, Blue joins Jessica White and her very capable husband to stop a team of serial killers. Blue's cousin, Jake Caliber, lends a hand and the team also gets help from a hit man name of Tanner. From REMINGTON KANE, the author of The TANNER Series.

    In this book, Mari Grinde Arntzen asks how and why this is—how can fashion simultaneously attract us to its glamour and repel us with its superficiality and how being called “fashionable” can be at once a compliment and an insult. Arntzen guides us through the major figures and brands of today’s fashion industry, showing how they shape us and in turn why we love to be shaped by them. She examines both everyday, affordable “fast fashion” brands, as well as the luxury market, to show how fashion commands a powerful influence on every socioeconomic level of our society. Stepping into our closets with us, she thinks about what happens when we get dressed: why fashion can make us feel powerful, beautiful, and original at the same time that it forces us into conformity. Stripping off the layers of the world’s fifth largest industry, garment by garment, she holds fashion up as a phenomenon, business, and art, exploring the questions it forces us to ask about the body, image, celebrity, and self-obsession. Ultimately, Arntzen asks the most direct question: what is fashion? How has it taken such a powerful hold on the world, forever propelling us toward its concepts of beauty?

    And rightly so: in our increasingly visual culture, it is an omnipresent form of creativity, something we are all influenced by whether we like it or not. Every logo, every poster, every CD cover confronts us with graphic design in some shape or form. It is the basis of all visual communication and arguably the most pervasive creative discipline of our times. designers arranged in an A to Z order. Each of the designers is featured over two double-page spreads, which are extensively illustrated with examples of their work. Alongside these examples, a 400 word text by the selecting curator explains his/her choice and illuminates the depicted work. The reproductions are further complemented with extended captions and biographical information on the designer. designers. Showcasing talents from Minneapolis to Macao, Area opens the door to the work of emerging designers practising in more than 25 countries around the world. It reflects a unique multitude of styles, ideas, and influences: an endless range of creativity from the playful, digital graphics of Eboy in Berlin, to the regional aesthetics of Chaz Mavyanne Davies of Zimbabwe or Ahn Sang-Soo of Korea; from the political awareness of Iran's Reza Abedini, to the more sober and traditional designs of the Italy's Leonardo Sonnoli. were also asked to choose what they consider a design 'classic, ' i.e. a piece of printed design from any era that is of particular significance to them. These 'classic' pieces are showcased in the shorter, second part of the book, each accompanied by a brief text explaining how the 'classic' piece fits into the selecting curator's general view and philosophy of graphic design. design, Area promises to be unique in its exciting design, its clear and interesting concept, its truly global scope, and its fresh and unconventional content

    All designers have their own way of working and their own combinations of the thousands of techniques one can apply when planning a new design project. But there are some dos and don'ts that always figure in any heated debate about what one should or should not accept as the right way to create the best graphic design. This book looks at key dos and don'ts, bringing them together in the form of a classically structured almanac. Packed with practical advice, but presented in a light-hearted fashion, the advisory rather than dictative approach means designers can take or leave the advice presented in each rule as is typical of most creatives with their own strong views on what does and does not constitute good design practice. Individual entries will either bring forth knowing nods of agreement or hoots of derision, depending on whether or not the reader loves or hates hyphenation, has a pathological fear of beige, or thinks that baseline grids are boring. Thou Shall Not Use Comic Sans is the must-have collection of the best advice that any graphic designer should have at his fingertips, with each entry combining a specific rule with a commentary from a variety of experienced designers from all fields of the graphic design industry. Grouped into six, color-coded categories-typography, color, layout, imagery, production, and the practice of design-but presented numerically and in mixed groups, the reader can either dip in at random or use the book as the source of a daily lesson in how to produce great graphic design.

    An attempt to debunk the various misconceptions, half truths and, in some cases, outright lies which permeate the industry of design. Lovingly designed and written both passionately and irreverently, Ward pulls from his ten years of experience to tackle lighter subjects such as design fetishists, Helvetica's neutrality and urgent briefs, alongside discussions on more worthy topics such as the validity of design education, the supposed death of print, client relationships and pitch planning. In addition, the book features contributions and insights from more than a dozen other established practitioners such as Milton Glaser, Stefan Sagmeister, Christoph Niemann and David Carson making it a must for students, recent graduates and seasoned practitioners alike.

    I know from experience. In the summer of 2016, I decided to learn hand lettering to create coloring pages for my book, Broken Crayons Still Color. I watched every video I could find and tried all the recommended techniques. However, no matter what I did, even with the best of pens, my lettering looked horrible. Let's admit it: Learning calligraphy is not as easy as some of the artists online make it look. And I was frustrated. I continued my research and discovered faux calligraphy. I decided to use it, along with block lettering, to create my hand-drawn coloring pages. What is Faux Calligraphy? It's fake calligraphy. In my opinion, it is the easiest way to get started. You can achieve a beautiful outcome almost right away, even with your own handwriting. In this book, Calligraphy for Beginners, I will walk you through the steps of how to get started as well as the mistakes to avoid. In calligraphy, your letters will have thick downstrokes and thin upstrokes. With faux calligraphy, you simply add the thickness to your downstrokes after you write the letters. It's a three-step process you'll learn in chapter three. Traditional calligraphy and brush lettering require months of consistent practice to train your hand and develop the muscle memory required to achieve the thick and thin strokes. Even after years of practice, I continue to improve every day. And, honestly, I notice the difference in my lettering if I don't practice consistently for several weeks. Therefore, if you want to achieve a beautiful outcome right away or need to use lettering for a project immediately (like I did), faux calligraphy is a great way to get started. It's a fun way to add text to coloring pages and create beautiful artwork, hand-lettered cards, bookmarks, and so much more. Bonus: As a bonus to this book, you get free access to my faux calligraphy online class ($39 value). To make it as easy as possible for you, I filmed a video demonstrating every letter in the alphabet. Plus, you can download my practice sheets to print off for reference and blank practice sheets for your own lettering. Click the buy button and let's get started!

    This photo-heavy book also traces the history of Japanese tattooing, putting the iconography and kanji symbols in their proper context so readers will be better informed as to what they mean and have a deeper understanding of irezumi. Featured tattoos range from traditional tebori (hand-poked) and kanji tattoos to anime-inspired and modern works—as well as everything in between. For the first time, Japanese tattooing is put together in a visually attractive, informative, and authoritative way. Along with the 350+ photos of tattoos, Japanese Tattoos also features interviews with Japanese tattoo artists on a variety of topics. What's more, it contains interviews with clients, who are typically overlooked in similar books, allowing them to discuss what their Japanese tattoos mean to them. Those who read this informative tattoo guide will be more knowledgeable about Japanese tattoos should they want to get inked or if they are merely interested in Japanese art and culture.

    In this thrilling version, David works in a call centre in India, and Goliath is Scottish crime lord Tommy McNunn. When Scottish crime lord Tommy ‘McNunn’ commits the perfect murder, killing a corrupt policeman and framing his death on a rival, DCI Campbell McKenzie knows there is little he can do to stop a gang war and prevent McNunn taking over the whole of Scotland. However, when Tommy McNunn accidentally drives into an old age pensioner, destroys the man’s car and refuses to apologise, his ambitions are soon to be thwarted. In a modern day retelling of the biblical story ‘David Versus Goliath’, the meek topple the mighty, brains conquer brawn and good overcomes bad. DCI McKenzie versus his arch rival, Tommy McNunn. Who will win? In another classic IAN CP IRVINE thriller, just when you think you know the truth, your world is turned upside down. Hold on tight, cancel the rest of your day and take a deep, deep breathe. You'll need it. About the book. 'Say You're Sorry!' is the latest crime thriller written by Ian C.P. Irvine, one of the UK's top cyber security experts. Based upon real facts, 'Say You're Sorry!' is a page-turning, thrilling and chilling exposé of just how much our daily lives are now controlled by computers, and how an cyber expert with the right knowledge, could, if they wished, ruin your life. A cyber crime conspiracy thriller at the top its game, after reading this, you'll never want to switch on your mobile phone again. Read it now, ...or you'll be sorry you missed it! You can't say you haven't been warned... Once you've read it, this is the book you will want to recommend to your friends! The action in the book is split between Scotland and India, so if you are in India, and like crime thrillers, this is the one to read!

    This book provides comprehensive single source coverage of the full spectrum of systems of electric power generation, transmission and distribution, including the operation and managemen.t of such system

    As the Agency investigates the source of the disclosures, an old Office of Strategic Services file and the former Director of Central Intelligence become the focal point of their research. A race is on to find the file's secrets. If al-Qaeda's wins, they can acquire "suitcase" thermonuclear devices to attack America. If the CIA gets there first, they can make a deal with a Russian billionaire and trade the missing treasure for the weapons al-Qaeda craves. The political awakening of Duncan Hunter continues as he battles radical fundamentalists across the globe, he thwarts the terrorists' best plans and eliminates their leaders. He survived their latest attempts to kill him when he's finally cornered, captured, and dragged to an al-Qaeda lair. Inside lurks certain doom at the hand of his bitterest foe.