Cologne's Museum Ludwig was the first museum of contemporary art to devote a substantial section to international photography. The L. Fritz Gruber collection, from which this book is drawn, is one of the most important in Germany and one of the most representative anywhere in the world, constituting the core of the museum's holdings. This book provides a fascinating insight into the collection's rich diversity; from conceptual art to abstraction to reportage, all of the major movements and genres are represented via a vast selection of the century's most remarkable photographs. From Ansel Adams to Piet Zwart, over 850 works are presented in alphabetical order by photographer, with descriptive texts and photographers' biographical details.

    Tramping through China by train, bus, boat, motorcycle, mule or hitching on the back of anything that moved. On a budget so scant that he drew sympathetic stares from peasants. Backpacking photographer Tom Carter somehow succeeded in circumnavigating over 35,000 miles (56,000 kilometers) across all 33 provinces in China during a 2-year period, the first foreigner on record ever to do so.What Carter found along the way, and what his photographs ultimately reveal, is that China is not just one place one people, but 33 distinct geographical regions populated by 56 different ethnicities, each with their own languages, customs and lifestyles.Despite increased tourism and surging foreign investment, the cultural distances between China and the West remain as vast as the oceans that separate them. Carter's book, CHINA: Portrait of a People, was published as a means to visually introduce China to the world by providing a glimpse into the daily lives of the ordinary people who don't make international headlines yet whom are invariably the heart and soul of this country.MEDIA REVIEWS"One of China's most extraordinary explorers." --The World of Chinese"Part of the strength of this book is its independent spirit. It's not a travel guide showing China dressed in its Sunday best, or a photojournalistic approach documenting the underbelly of the country, but rather a peek at the sights Carter has seen and a corrective to both the glowing promotional images and negative media shots that we are all familiar with." -- China Daily"Tom Carter is an extraordinary photographer whose powerful work captures the heart and soul of the Chinese people." -- Anchee Min, author of Red Azalea"Tom Carter's photo book is an honest and objective record of the Chinese and our way of life... his camera leads us through 33 wide-sweeping scenes of the real and the surreal." -- Mian Mian, author of Candy"Capturing the diversity of [China's] 56 ethnic groups is a remarkable achievement ... There are a number of shots in this book that could easily grace the pages of National Geographic ... Unless you want to undertake your own two-year trek through some of the mainland's most difficult terrain to take your own shots, this is a study well worth having on your bookshelf." -- South China Morning Post"In these 900 images, Carter shows just how diverse the Chinese really are, with their different facial features, skin hues, lifestyles, cultures and occupations. What ensues is an engaging and enlightening photo essay of 1.3 billion people." -- Asian Geographic Passport"A striking, kaleidoscopic vision of China's lands and people." -- The Beijinger"Through Carter's journey of self-discovery, we end up discovering a little more about ourselves -- and a land so vast, so disparate, that 638 pages of photos barely manage to scratch the surface. Still, CHINA: Portrait of a People is a very good place to start peeling back the layers." -- Time Out Hong Kong"Travel photos taken by a stranger seldom fascinate. But 800 color images captured by Tom Carter as he spent two years on the road, traveling 56,000 kilometers through all of China's 33 provinces, make a dramatic exception ... Carter's weighty book takes an effort to carry home from a store. But anyone interested in China should love owning it." -- Cairns Media Magazine"Getting a full picture of China - a vast country with an enormous population, a place that is experiencing sweeping cultural and economic changes - is, of course, impossible. But Tom Carter comes close. ... It's a remarkable book, compact yet bursting with images that display the diversity of a nation of 56 ethnic groups." -- San Francisco Chronicle"In China: Portrait of a People, Tom Carter shows us that there are actually dozens of Chinas. The American photojournalist spent two years traveling 35,000 miles through every province of China by bus, boat, train, mule, motorcycle, and on foot." -- Christian Science Monitor

    Techniques for using simple accessories such as bounce cards and diffusers, as well as how to improve a lighting scenario by enhancing it rather than overwhelming it, show photographers how to master this challenging aspect of portraiture.

    This work reveals the growth of an artist who saw no artificial boundary between art and the paying job and who succeeded in putting her indelible stamp on the visual imagination.

    First published in French in 1932, this new edition brings one of Brassa's finest works back into print. The back alleys, metro stations, and bistros he photographed are at turns hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers. "Paris by Night" is a stunning portrait of nighttime in the City of Light, as captured by its most articulate observer. 62 photos.

    This new edition retains the thematic structure and text features of its predecessors but also expands coverage on photojournalism, digital imaging techniques, race and colonialism. The content is updated with additional international and contemporary examples and images throughout and the inclusion of colour photos. Features of this new edition include:*Key concepts and short biographies of major thinkers*Updated international and contemporary case studies and examples*A full glossary of terms, a comprehensive bibliography*Resource information, including guides to public archives and useful websites

    Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore records a territory in which the ordinary flow of time-or the forward march of the assembly line-appears to have been thrown spectacularly into reverse. For Moore, who throughout his career has been drawn to all that contradicts or seems to threaten America's postwar self-image (his previous projects include portraits of Cuba and Soviet Russia), Detroit's decline affirms the carnivorousness of our earth, as it seeps into and overruns the buildings of a city that once epitomized humankind's supposed supremacy. In Detroit Disassembled, Moore locates both dignity and tragedy in the city's decline, among postapocalyptic landscapes of windowless grand hotels, vast barren factory floors, collapsing churches, offices carpeted in velvety moss and entire blocks reclaimed by prairie grass. Beyond their jawdropping content, Moore's photographs inevitably raise the uneasy question of the long-term future of a country in which such extreme degradation can exist unchecked. (20110821)

    Completed by his wife and partner in M&Co, noted children's book author Maira Kalman, (un)Fashion will startle, amuse, engross, and enchant as it adds posthumously to Tibor Kalman's reputation as one of the graphic design geniuses of the 20th century.From cardboard shoes in Africa to body paint in New Guinea, from chimney sweeps in France to an Indian Elvis, (un)Fashion scans the globe to show how real people dress: at work, on the street, or for ceremonial occasions. With virtually no text, (un)Fashion pokes gentle fun at the elitism of the fashion world, presenting its provocative observations through dynamic images by some of the world's foremost photojournalists.

    Born in 1908, he studied painting before embarking on a career in photography in the 1930s. In 1940 he was captured by the Germans and spent three years in prisoner-of-war camps before escaping to join the Paris underground. With Robert Capa, David Seymour and others, he founded the photographic agency Magnum in 1947. Since then his work has taken him all over the world - from Europe to India, Burma, Pakistan, China, Japan, Indonesia, Bali, Russia, the Middle East, Cuba, Mexico, the United States and Canada. This new collection of work by Cartier-Bresson, created on the occasion of his ninety-fifth birthday, provides the ultimate retrospective look at a lifetime's achievement. It includes the first photographs taken by him, a significant number of which have never been published, rarely seen work from all periods of his life, classic photographs that have become icons of the medium, and a generous selection of drawings, paintings and film stills. The book also features personal souvenirs of Cartier-Bresson's youth, his family and the founding of Magnum. Cartier-Bresson's extraordinary images are shaped by an eye a

    The book reveals how much we've come to know about our fascinating world through the pages and unforgettable imagery of National Geographic, and taps key voices from the forefront of ocean and space exploration, climate science, archaeology, mountaineering, and many other disciplines to peer with us over the horizon and see where we are heading in the future.

    He was Robert Capa, the brilliant and daring photojournalist, and Collier's magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces -- John G. Morris, Magnum Photos' first executive editor, called Capa "the century's greatest battlefield photographer" -- and his writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.

    Since its 1970 s renaissance in the iconic album designs of bands such as the Grateful Dead, the skull has found its way into the visual vocabulary of urban life, adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion. Repurposed and recast by artists, illustrators and designers, it has become one of the most iconic cultural symbols of our time. In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become today s ultimate anti-establishment icon. From Black Sabbath to Cypress Hill, skater punk graffiti to Gothic tattoos, from high-couture to Hello Kitty and Dali to Damien Hirst, this book is the ultimate collection of cool and iconic skull motifs. Drawing together artwork from music, fashion, street art and graphic design The Book of Skulls is a celebration of one of today s most iconic cultural symbols.

    In his spare time, Theron took photos of Maddie doing what she does best: standing on things. From bicycles to giant watermelons to horses to people, there really isn't anything that Maddie won't stand on with grace and patience. The poignant Instagram photos of this beautiful dog and her offbeat poses have captured the imagination of all those who long for a road trip with a good dog for company. Maddie on Things celebrates the strange talent of one special dog and will resonate with any dog lover who appreciates the quirky hearts (and extraordinary balance) of canines.

    Now legendary, these men have emerged as the most prominent figures of the famed Mexican mural movement, which lasted from the '20s through the early '70s and was hailed as the most significant achievement in public art of the 20th century. The dramatic story of the movement is told here in a fascinating history of the artists, accompanied by over 100 spectacular color reproductions of the murals. Showcasing popular as well as lesser-known works from around the US and Mexico, this is the first high-quality paperback to do justice to a subject that will captivate every lover of Mexican art and culture, Rivera fan, and art historian, as well as anyone who appreciates a beautiful, intelligent art book.

    The book traces his immense impact on the portrayal of the leading stars year by year, from his arrival in California in 1925 until his departure in 1943. During that time he photographed all of the greatest personalities, at Metro-Goldwyn-Mayer, Warner Brothers, and Columbia as well as independently. The prints come from the Chapman Collection, one of the most extensive archives of original Hurrell photographs in the world, and they include a number of rarities and surprises. Although some photos by Hurrell are familiar and frequently reproduced, most of the images in this book will come as a revelation, since they have not been published in over half a century. The genesis of the pictures is examined in a remarkable text by Mark A. Vieira, himself a highly regarded portrait photographer, who came to know Hurrell well during the photographer's later years. Vieira explains in detail Hurrell's technical feats of lighting and retouching. And drawing on firsthand accounts, he vividly re-creates the lively interplay between the photographer and his subjects at the shooting sessions in which these portraits were taken.