Years later, the writer’s stepson reflects upon his stepmother and the strange stories she used to tell him. Meanwhile, a surgeon’s lover vows to kill him if he does not leave his wife. Before she can follow-through on her crime of passion, though, the surgeon will cross paths with another remarkable woman, a cabaret singer whose heart beats delicately outside of her body. But when the surgeon promises to repair her condition, he sparks the jealousy of another man who would like to preserve the heart in a custom tailored bag. Murderers and mourners, mothers and children, lovers and innocent bystanders—their fates converge in a darkly beautiful web that they are each powerless to escape.Macabre, fiendishly clever, and with a touch of the supernatural, Yoko Ogawa’s Revenge creates a haunting tapestry of death—and the afterlife of the living.

    Haunted by a recurrent nightmare, a young English girl travels to Cornwall to trace the source of the dream.

    No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outré. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres. Hence, in this initial showcase of weird fiction you will discover tales of horror, fantasy, science fiction, the supernatural, and the macabre. Contributing authors include Jeffrey Ford, Sofia Samatar, Joseph S. Pulver Sr, John Langan, Richard Gavin, and W. H. Pugmire.

    That is abundantly clear in the stories he spins. No matter where he draws inspiration from, whether the weird tales of Lovecraft, Machen, and Poe or the films of Murnau, Corman, and Argento, the end result is inevitably fresh and new. And wonderfully monstrous.If you love monsters—the macabre, the murderous, the misunderstood; the strange, the sinister, the sympathetic; the cinematic and the literary—you will find plenty to love in Orrin Grey’s Painted Monsters & Other Strange Beasts.

    In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.Contents:The Faery Handbag (2004)The Hortlak (2003)The Cannon (2003)Stone Animals (2004)Catskin (2003)Some Zombie Contingency Plans (2005)The Great Divorce (2005)Magic for Beginners (2005)Lull (2002)

    No pastiches and no stories in his style. Using variety in tone, setting, point of view, time, but no direct reference in the story to Lovecraft or his works. Featuring work by Laird Barron, Brian Evenson, Caitlin R. Kiernan, Jeffrey Ford, Nathan Ballingrud, and many more, with a stunning cover by Hellboy creator Mike Mignola.

    At noon, the murdered child begs for his help. And by nightfall, they have killed a man together and set off into the afterlife, where nothing is what it was, and death is only the beginning of punishment. An eerie story about the nature of death and the self, Midnight Picnic inhabits an American landscape made strange and unfamiliar. From the author of the cult novel Fires, Midnight Picnic is a haunting and disturbing experience.

    Blissed out club kids dying at the speed of sound. The un-dead and the very soon-to-be-dead. They're all here, trying to claw their way free. From the radioactive streets of a war-scarred future, where the nuclear bombs have become self-aware, to the fallow fields of Nebraska where the kids are mainlining lightning bugs, this is a world both alien and intensely human. This is a place where self-discovery involves scalpels and horse tranquilizers; where the doctors are more doped-up than the patients; where obsessive-compulsive acid-freaks have unlocked the gateway to God and can't close the door. This is not a safe place. You can turn back now, or you can head straight into the heart of. the Angel Dust Apocalypse

    Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience.The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."

    Past and present intermingle in these spellbinding stories; reality and illusion rub shoulders .and the results are terrifyingly logical and utterly incredible.Or All the Seas with Oysters • (1958)Up the Close and Doun the Stair • (1958)Now Let Us Sleep • (1957)The Grantha Sighting • (1958)Help! I Am Dr. Morris Goldpepper • (1957)The Sixth Season • (1960)Negra Sum • (1957)Or the Grasses Grow • (1958)My Boy Friend's Name Is Jello • (1954)The Golem • (1955)Summerland • (1957)King's Evil • (1956)Great is Diana • (1958)I Do Not Hear You, Sir • (1958)Author, Author • (1959)Dagon • (1959)The Montavarde Camera • (1959)The Woman Who Thought She Could Read • (1959)

    Stereotypes of Mexican identities and fictions are identified and transcended. Traditional tales rub shoulders with mindbending new worlds. Welcome to the new Mexican fantastic.Eduardo Jiménez Mayo's translations include books by Bruno Estañol, Rafael Pérez Gay, and José María Pérez Gay.Chris N. Brown lives in Austin, Texas. He is a contributor to the blog No Fear of the Future.Bruce Sterling lives in Turin, Italy, and blogs at Wired's Beyond the Beyond.

    WuMorning Terrors — Peter CrowtherMisadventures in the Skin Trade — Don D’AmmassaCircle of Lias — Lawrence C. ConnollyWatching the Soldiers — Dirk StrasserOne in the A.M. — Rachel DrummondA Side of the Sea — Ramsey CampbellPainted Faces — Gerard Daniel HournerMonotone — Lawrence GreenbergDead Leaves — James C. DobbsFrom the Mouths of Babes — Bentley LittleThe Late Mr. Havel’s Apartment — David HerterUnion Dues — Gary BraunbeckEarshot — Glenn IsaacsonFee — Peter Straub

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    In The Grimscribe’s Puppets, Joseph S. Pulver, Sr., has commissioned both new and established talents in the world of weird fiction and horror to contribute all new tales that pay hoame to Ligotti and celebrate his eerie and essential nightmares. Poppy Z. Brite once asked, “Are you out here, Thomas Ligotti?” This anthology proves not only is he alive and well, but his extraordinary illuminations have proven to be visionary and fertile source of inspiration for some of today’s most accomplished authors.List of tales: Livia Llewellyn “Furnace” [5,800]Daniel Mills “The Lord Came at Twilight” [3,950]Michael Cisco “The Secrets of the Universe” [3,360]Kaaron Warren “The Human Moth” [2,700]Joel Lane “Basement Angels” [2,697]Darrell Schweitzer “No Signal” [1,735]Robin Spriggs “THE XENAMBULIST: A Fable in Four Acts” [3,369]Nicole Cushing “The Company Town” [1,700]Cody Goodfellow “The Man Who Escaped This Story” [8,490]Michael Kelly “Pieces of Blackness” [3,750]Eddie M. Angerhuber “The Blue Star” [2,970]Jon Padgett “20 SIMPLE STEPS TO VENTRILOQUISM” [4,490]Mike Griffin “Diamond Dust” [4,900]Richard Gavin “After the Final” [3,100]Scott Nicolay “Eyes Exchange Bank” [9,050]Simon Strantzas “BY INVISIBLE HANDS” [6,200]Paul Tremblay “Where We Will All Be” [4,900]Ally Bird “Gailestis” [4,019]Jeff Thomas “The Prosthesis” [4,835]John Langan “Into the Darkness, Fearlessly” [10,499]Gemma Files “OUBLIETTE” [8,424]

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.