In any Austen novel that would be the end of the story, but for the real-life woman who became an Australian farming entrepreneur, it was just the beginning.John Macarthur took credit for establishing the Australian wool industry and would feature on the two-dollar note, but it was practical Elizabeth who managed their holdings—while dealing with the results of John’s manias: duels, quarrels, court cases, a military coup, long absences overseas, grandiose construction projects and, finally, his descent into certified insanity.Michelle Scott Tucker shines a light on an often-overlooked aspect of Australia’s history in this fascinating story of a remarkable woman.

    Humane, evocative and magical, The Cobra's Heart makes the case for Kapuscinski as a great writer as well as a great journalist.

    Marilyn Hacker's poems have been praised for their technical virtuosity, forthright feminism, political acuity, and unabashed eroticism.Included are selections from Hacker's first book, Presentation Piece (1974), the Lamont Poetry Selection of the Academy of American Poets and a National Book Award Winner; Separations (1976); Taking Notice (1980), which was claimed as an integral part of the burgeoning feminist and lesbian canon; Assumptions (1985), which explored the conundrums of gender, race, and identity in contemporary life; and Going Back to the River (1990), which received a Lambda Literary Award.

    Poems for the Millennium captures the essence of that change, and unlike any anthology available today, it reveals the revolutionary concepts at the very heart of twentieth-century poetry. International in its coverage, these volumes depart from the established poetic modes that grew out of the nineteenth century and instead bring together the movements that radically altered the ways that art and language express the human condition.The first volume offers three "galleries" of individual poets—figures such as Mallarmé, Stein, Rilke, Tzara, Mayakovsky, Pound, H.D., Vallejo, Artaud, Césaire, and Tsvetayeva. Included, too, are sections dedicated to some of the most significant pre-World War II movements in poetry and the other arts: Futurism, Expressionism, Dada, Surrealism, Objectivism, and Negritude. The second volume will extend the gathering to the present, forming a synthesizing, global anthology that surpasses other collections in its international scope and experimental range.Poet-editors Jerome Rothenberg and Pierre Joris provide informative and irreverent commentaries throughout. They challenge old truths and propose alternative directions, in the tradition of the revolutionary manifestos that have marked the art and poetry of the twentieth century. The result is both an essential source book for experiencing the full range of this century's poetic possibilities and a powerful statement on the future of poetry in the millennium ahead.

    This is a communal effort by the Pushcart Press staff, contributing editors, and hundreds of small presses. For this edition distinguished poets Julie Sheehan and Tom Sleigh served as poetry editors. The result is an introduction to a literary world that few readers have access to, where much of today's important new writing is published, far from the commercial influence of the conglomerates. In reviewing last year's edition, Donna Seaman of Booklist commented: "A brimming, vibrant anthology-the perfect introduction to new writers and adventurous new work by established writers . . . extraordinary in its range of voices and subjects. Here is literature to have and to hold." The Pushcart Prize has been chosen for the Ivan Sandrof Lifetime Achievement recognition by the National Book Critics Circle and the Writers for Writers award from Poets Writers / Barnes Noble.

    This new edition re-present's seminal collection of essays by one of our foremost African-American thinkers. These audacious essays range from short, impressionistic pieces on urban life and culture to longer political statements on the Cuban revolution, black sexuality, and the artist's role as a force for social change. But more than a collection of occasional pieces, Home is truly an ideological autobiography.

    This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole.A Friends Fund Publication.

    In this first volume of her autobiography, New Zealand novelist Janet Frame tells of her childhood as the daughter of an impoverished railway worker and a mother who aspired to publish poetry.Despite material privations and family conflicts, the world of the imagination was accorded a supreme place in the Frame household, and it was at this time that Janet Frame acquired her lifelong love for Romantic poetry and her tactile sense of the power of words.Amongst evocations of New Zealand landscape and the recall of childhood perceptions, we learn of the tragic death by drowning of her sister Myrtle, her brother's epilepsy - and begin to feel the dark undercurrents that were to suck Janet Frame under in the years before she found herself as a writer.

    Marlene Carvell's striking first novel is a timely look at a true story of a mixed-race teen caught up in an exploration of his past, his culture, and his identity.

    This picture book tells the story of Nobel Peace Prize nominee Greta Thunberg—the Swedish teenager who has led a global movement to raise awareness about the world’s climate crisis—using allegory to make this important topic accessible to young children.

    Packer blends outrageous humor with sound advice as he guides readers and explains why manners and etiquette are important—because people who know how to handle themselves in social situations come out on top, get what they want, feel good about themselves, and enjoy life to the fullest.This revised and updated edition describes the basics of polite behavior in all kinds of situations at home, in school, online, and in the world.

    It was there that Iffy, Bessie, Fatty and Billy experienced a plague of frogs one summer, stumbled upon a garden full of dancing statues, found a skull with its front teeth missing - and discovered just what it was that mad Carty Annie was collecting so secretly in those jars of hers.But at the end of that long, hot summer of 1961, one of the four children disappeared.Over thirty years later, returned detective Will Sloane, never able to forget the unsolved case, returns to Wales to resume his search for the truth. His investigation will draw him into a number of interlocking mysteries, each one more puzzling than the last.Written in a rich, sensuous and lyrical prose style full of the sights and sounds of childhood, 'A Jar Full of Angels' is a mesmerising, evocative - and wholly unforgettable - novel of psychological suspense.

    He explains why the United States is now the "borrower and spender of last resort," makes the case that this is an untenable arrangement, and argues that global economic security depends on the ability of emerging economies to develop robust financial systems based on domestic currencies.Sharply and clearly argued, Wolf’s prescription for fixing global finance illustrates why he has been described as "the world's preeminent financial journalist."

    Miikwan and Dez are best friends. Miikwan is Anishinaabe; Dez is Inninew. Together, the teens navigate the challenges of growing up in an urban landscape – they’re so close, they even completed their Berry Fast together. However, when Dez’s grandmother becomes too sick, Dez is told she can’t stay with her anymore. With the threat of a group home looming, Dez can’t bring herself to go home and disappears. Miikwan is devastated, and the wound of her missing mother resurfaces. Will Dez’s community find her before it’s too late? Will Miikwan be able to cope if they don’t?

    Now comes a new edition that includes many pieces cut from the original as well as fresh material added by the author. Here finally, after twenty-two years of gathering dust, is the complete version of the groundbreaking bestseller.In this, her best-loved work, Anne Cameron has created a timeless retelling of northwest coast Native myths that together create a sublime image of the social and spiritual power of woman. Cameron weaves together the lives of legendary and imaginary characters, creating a work of fiction with an intensity of style matched by the power of its subject.