This is it, the 1st since the official & monumental study by Monypenny & Buckle which appeared deecades ago. Blake deals with Disraeli's political style & above all with the legend that he was moved by a consistent philosophy of Tory radicalism which he conceived in his youth & later put into practice. In place of this, he presents a man moved far less by principle than by sheer zest for "the great game", loving power & skillfully maneuvering to get & hold it. Paradoxically, Blake shows how this may have made him far more effective in steering the Tory party into new paths than any man of principle could have been. Disraeli presents a lively portrait of an extraordinary man & of his age. Without ever deviating far from his subject, Blake illuminates the whole arena of Victorian politics. The character he presents is more subtle & fascinating than the conventional image. Altho his origins were less obscure than he liked people to believe, his youth was extraordinarily disreputable for a future Prime Minister & an aura of raffishness hindered him until late in his career. The book follows Disraeli's slow climb to power from the time when the young novelist & dandy failed repeatedly to get into Parliament at all, thru his period as a neglected backbencher until finally achieving the Leadership of the Tory Party in the House of Commons &, late in life, becoming Victoria's confidant & perhaps most favored Prime Minister. Many characters crowd into the book: the brilliant young men of "Young England"; Disraeli's family, friends, wife & mistresses; his colleagues & opponents in parliament, including Peel, whom he destroyed as an effective political leader, & Gladstone, who hated him; Queen Victoria, whose relationship with him verges on the comic to those reading it some generations later; & the great landed families into whose society Disraeli was finally admitted. A whole vanished world comes to life in this book. In its center stands the brilliant, enigmatic figure of one who was perhaps the most atypical inhabitant, but who has come to symbolize, for Americans at least, the Victorian Age.

    Goldman covers all of the major developments: • The rise and decline of the city’s downtown and ethnic neighborhoods • The impact of racial change and suburbanization• The role and function of the arts in the life of the community• Urban politics, urban design, and city planningWhile describing the changes that so drastically altered the form, function, and character of the city, Goldman, through detailed descriptions of special people and special places, gives a sense of intimacy and immediacy to these otherwise impersonal historical forces. City on the Edge unflinchingly documents and describes how Buffalo has been battered by the tides of history. But it also describes the unique characteristics that have encouraged an innovative cultural climate, including Buffalo’s dynamic survival instinct that continues to lead to a surprisingly and inspiringly high quality of community life. Finally, it offers a road map, which—if followed—could point the way to a new and exciting future for this long-troubled city.

    In Makeshift Metropolis, Rybczynski has drawn upon a lifetime of observing cities to craft a concise and insightful book that is at once an intellectual history and a masterful critique. Makeshift Metropolis describes how current ideas about urban planning evolved from the movements that defined the twentieth century, such as City Beautiful, the Garden City, and the seminal ideas of Frank Lloyd Wright and Jane Jacobs. If the twentieth century was the age of planning, we now find ourselves in the age of the market, Rybczynski argues, where entrepreneurial developers are shaping the twenty-first-century city with mixed-use developments, downtown living, heterogeneity, density, and liveliness. He introduces readers to projects like Brooklyn Bridge Park, the Yards in Washington, D.C., and, further afield, to the new city of Modi’in, Israel—sites that, in this age of resource scarcity, economic turmoil, and changing human demands, challenge our notion of the city. Erudite and immensely engaging, Makeshift Metropolis is an affirmation of Rybczynski’s role as one of our most original thinkers on the way we live today.

    

    A unique memoir of the first half of the twentieth century as seen through the eyes of one born to be an absolute monarch, the book begins with the author's vivid account of the last, decadent days of the Ching Dynasty, and closes with an introspective self-portrait of the last Ching emperor transformed into a retiring scholar and citizen of the People's Republic of China.In detailing the events of the fifty years between his ascension to the throne and the final period of his life as a quiet-living resident of Beijing, Pu Yi reveals himself to be first and foremost a survivor, caught up in the torrent of global power struggles and world conflict that played itself out on the Asian continent through many decades of violence and upheaval.The firsthand description of the dramatic events of Pu Yi's life was the basis for the internationally acclaimed 1987 Bernardo Bertolucci film The Last Emperor which was named Best Picture of the Year by the American Academy of Motion Picture Arts and Sciences. From Emperor to Citizen readily lends itself to cinematic adaptation as a personal narrative of continuously significant and revealing episodes.Becoming emperor and then forced to abdicate with the establishment of the Republic of China in 1911, all before he is seven years old, Pu Yi continues to live in the Forbidden City for another decade, still treated as the Son of Heaven by the moribund Ching court, but in reality a virtual prisoner with little genuine human contact apart from his beloved nurse Mrs. Wang, his teacher Chen Pao-shen and his English teacher Reginald Johnston.When at the age of nineteen Pu Yi is finally forced to vacate his isolated existence within the Forbidden City, he begins his long odyssey as the dependent of the occupying imperial Japanese regime, first in Tientsin, and eventually installed as "emperor" of the Japanese puppet state styled Manchukuo in China's northeast provinces. With the defeat of Japan and the end of the Second World War, Pu Yi faces a very uncertain future as he is shunted off to Russia for five years before returning to a new China transformed by revolution, where he is confined in the Fushun War Criminal Prison. Here he undergoes several years of rehabilitation, "learning how to become a human being," as he calls it, before receiving an official pardon and being allowed to finally live as an ordinary citizen of Beijing.This autobiography is the culmination of a unique and remarkable life, told simply, directly and frankly by a man whose circumstances and experiences were like no other.

    Even fewer people are talented enough to write said memoir. By the grace of the literary gods, Pete Jordan is both." -San Francisco Bay GuardianPart personal memoir, part history of cycling, part fascinating street-level tour of Amsterdam, In the City of Bikes is the story of a man who loves bikes in a city that loves bikes.