Rich in surprising encounters and vivid characters, Between East and West brilliantly illuminates the soul of these lands and the shaping power of their past.

    The New York Times wrote that Swir's poetry pointed toward a "ferocious internal life."A member of the Resistance during the Nazi occupation and a military nurse in a makeshift hospital during the Warsaw Uprising, Swir once waited an hour fully expecting to be executed. Affected deeply by her experience, she wrote a poetry which rejected the grand gestures of war in favor of a world cast in miniature, a world in which the body and individual survive.Co-translated by Nobel Laureate Czeslaw Milosz and Leonard Nathan, with an introduction by Milosz, who writes: “What is the central theme of these poems? Answer: Flesh. Flesh in love and ecstasy, in pain, in terror, flesh afraid of loneliness, giving birth, resting, feeling the flow of time or reducing time to one instant. By such a clear delineation of her subject matter, Anna Swir achieves in her sensual, fierce poetry a nearly calligraphic neatness.”Reviews:“The poems delight in all things physical, painting a passionate picture of the soul as a reified, pulsating entity that argues with the body.”—San Francisco Review“Talking to My Body is an extremely rewarding book... Her best poems are so original as to deliver that mild shock we've come to recognize as real poetry.”—Boston Book Review

    Experience Krakow's scintillating nightlife, admire the elegance of Warsaw's 'Palace on the Water' or explore the amber stalls along the crooked medieval lanes of Gdansk; all with your trusted travel companion. Get to the heart of Poland and begin your journey now! Inside Lonely Planet Poland Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - including culture, history, art, literature, poetry, cinema, music, politics, landscapes, wildlife Over 60 maps Covers Warsaw, Mazovia and Podlasie, Krakow, Malopolska, the Carpathian Mountains, Silesia, Wielkopolska, Gdansk and Pomerania, Warmia and Masuria, and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Poland , our most comprehensive guide to Poland, is perfect for both exploring top sights and taking roads less travelled. Looking for a guide focused on Krakow? Check out Lonely Planet Pocket Krakow, a handy-sized guide focused on the can't-miss sights for a quick trip. Looking for more extensive coverage? Check out our Lonely Planet Eastern Europe guide for a comprehensive look at all the region has to offer. Authors: Written and researched by Lonely Planet,. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves.

    He presents the ideological innovations and ethnic cleansings that abetted the spread of modern nationalism but also examines recent statesmanship that has allowed national interests to be channeled toward peace.“A work of profound scholarship and considerable importance.”—Timothy Garton Ash, St. Antony’s College, University of Oxford“Timothy Snyder’s style is a welcome reminder that history writing can be—indeed, ought to be—a literary pursuit.”—Charles King, Times Literary Supplement“A brilliant and fascinating analysis of the subtleties, complexities, and paradoxes of the evolution of nations in Eastern Europe. It has major implications for all of us who want to understand the processes of state collapse and nation-building in the world.”—Samuel P. Huntington, Harvard Academy for International and Area Studies“Snyder’s ultimate query in this fresh and stimulating look at the path to nationhood is how the bitter experiences along the way, including the bitterest—ethnic cleansing—are to be overcome.”—Robert Legvold, Foreign Affairs

    Across divides of language, religion, region, and history, ordinary women and men felt a common attachment to their empire, while bureaucrats, soldiers, politicians, and academics devised inventive solutions to the challenges of governing Europe s second largest state. In the decades before and after its dissolution, some observers belittled the Habsburg Empire as a dysfunctional patchwork of hostile ethnic groups and an anachronistic imperial relic. Judson examines their motives and explains just how wrong these rearguard critics were.Rejecting fragmented histories of nations in the making, this bold revision surveys the shared institutions that bridged difference and distance to bring stability and meaning to the far-flung empire. By supporting new schools, law courts, and railroads, along with scientific and artistic advances, the Habsburg monarchs sought to anchor their authority in the cultures and economies of Central Europe. A rising standard of living throughout the empire deepened the legitimacy of Habsburg rule, as citizens learned to use the empire s administrative machinery to their local advantage. Nationalists developed distinctive ideas about cultural difference in the context of imperial institutions, yet all of them claimed the Habsburg state as their empire.The empire s creative solutions to governing its many lands and peoples as well as the intractable problems it could not solve left an enduring imprint on its successor states in Central Europe. Its lessons remain no less important today."

    It is the second Paul Muller novel set in Europe before World War II. Muller is recruited to become a spy to resist Hitler's campaign to absorb Austria into the German Reich and, from his perch in Vienna, finds himself at the epicenter of the desperate struggle to preserve Austrian independence. Muller plays a dangerous game in helping Austria oppose Hitler's demands and he hatches a bold plan to divert Austria's gold reserves so they stay out of Hitler's grasp. The novel captures this gripping drama in rich and vivid detail as political pressures mount and the threat of war looms. A Spy in Vienna re-creates for readers the fraught atmosphere of 1930's, when the threat of Nazi violence hung over Europe. Aficionados of that epoch will relish the authenticity of the novel, which reawakens the tensions and turbulence of the era, with its undercurrent of violence and fear. The narrative recaptures the urgency of the crisis as repeated confrontations escalated to an explosive conclusion. Today, sitting at the safe remove of eighty years, we know the outcome. Hitler's bald aggression prevailed; his takeover of Austria became a crucial stepping stone leading to World War II. But the characters in the novel know none of this; for them, the events they are caught up in are frightening and bewildering, confronting them with dire choices and fearful consequences. The novel transports the reader into that contemporary maelstrom of intrigue and danger—combining real history with a compelling story. Admirers of Paul Muller in Danzig will revel in his new adventures in Vienna, as once again he confronts Nazi tyranny.

    Only as the statue topples does he recognize the face of Richard Wagner. This is just the beginning in Weil's novel, which traces the transformation of ordinary lives in Nazi-occupied Prague.

    Poles driven out of eastern regions controlled by the Russians move into the homes hastily abandoned by their previous inhabitants. In an area of the city graced with beech trees and a stately cathedral, the stories of old and new residents intertwine: Hanemann, a German and a former professor of anatomy, who chooses to stay in Danzig after the mysterious death of his lover; the Polish family of the narrator, driven out of Warsaw; and a young Carpathian woman who no longer has a country, her cheerful nature concealing deep wounds.Through his brilliantly defined characters, stunning evocation of place, and memorable descriptions of a world that was German but survives in Polish households, Chwin has created a reality that is beyond destruction.

    Yet all around him things are ending: His parents' marriage is crumbling, his father loses his job during the closing of the Alameda naval base, his family faces eviction from their house, and his beloved grandmother is dying.As betrayal and poverty take their toll, Conrad's efforts to create a new family for himself lead us on a journey alternately hilarious and desolating. Filled with tenderness and a cast of unforgettable characters, The Color Midnight Made is at heart a profound portrait of America.

    Poems consider women's roles in society, childhood, home, nature, language, communications, the past, and mortality.

    Vaishali, the capital of the Confederacy and that of the illustrious Lichchavis was not only a center of commerce and political activity but also the blessed motherland of Amrapali.The Legend of Amrapali is the story of mayhem and turmoil brought about by the obstinate desires of one man – a man blinded by the intoxication of power. It is a story of sinister plots and political wizardry, of chaste love and unbridled passion, of naked ambitions and dogged loyalties that lead to the transformation of an innocent young girl into one of the most revered, even worshipped, and occasionally feared personalities of her times. A gripping cocktail of fantasy, fiction, fable and history that retains its charismatic appeal through the centuries gone by!

     You’re about to begin a journey that will end in only one way—with you standing naked in an abandoned ravine watching as your old wardrobe slowly burns. Let this be your illustrated Iliad for dressing better. Don’t sleep. Read Fuck Yeah Menswear. Refer to it. Cite it in your dissertation. Owning this book sends a very clear message to your peers, coworkers, and loved ones: “I’m trill as fuck.”

    The launch of Dalkey’s Best European Fiction series was nothing short of phenomenal, with wide-ranging coverage in international media such as Time magazine, the New York Times, Wall Street Journal, Chicago Tribune, Financial Times, and the Guardian; glowing reviews and interviews in print and online magazines such as the Believer, Bookslut, Paste, and the Huffington Post; radio interviews with editor Aleksandar Hemon on NPR stations in the US and BBC Radio 3 and 4 in the UK; and a terrific response from booksellers, who made Best European Fiction 2010 an “Indie Next” pick and created table displays and special promotions throughout the US and UK.For 2011, Aleksandar Hemon is back as editor, along with a new preface by Colum McCann, and with a whole new cast of authors and stories, including work from countries not included in Best European Fiction 2010.UK, WALES: Wiliam Owen Roberts, The ProfessionalsUK, ENGLAND: Hilary Mantel, The Hearts Fails without WarningTURKEY: Ersan Üldes, Professional BehaviorSWITZERLAND: Verena Stefan, Doe a DeerSPAIN (Catalan): Mercè Ibarz, Nela and the VirginsSPAIN (Castilian): Enrique Vila-Matas, Far From HereSLOVENIA: Drago Jančar, The ProphecySERBIA: Vladimir Arsenijević, One Minute: Dumbo’s DeathRUSSIA: Andrei Gelasimov, The Evil EyeROMANIA: Lucian Dan Teodorovici, Goose ChasePORTUGAL: Gonçalo Manuel Tavares, Six TalesPOLAND: Olga Tokarczuk, The Ugliest Woman in the WorldNORWAY: Frode Grytten, Hotel by a RailroadNETHERLANDS: Manon Uphoff, DesireMONTENEGRO: Ognjen Spahić, Raymond is No Longer with Us—Carver is DeadMOLDOVA: Iulian Ciocan, Auntie FroseaMACEDONIA: Blaže Minevski, Academician Sisoye’s Inaugural SpeechLITHUANIA: Danutė Kalinauskaitė, Just ThingsLIECHTENSTEIN: Stefan Sprenger, DustLATVIA: Nora Ikstena, Elza Kuga’s Old-Age DementiaITALY: Marco Candida, Dream DiaryIRELAND (Irish): Éilís Ní Dhuibhne, TrespassesIRELAND (English): Kevin Barry, Doctor SotICELAND: Kristín Eiríksdóttir, Holes in PeopleHUNGARY: László Krasznahorkai, The BillGERMANY: Ingo Schulze, Oranges and AngelGEORGIA: Zurab Lezhava, Sex for FridgeFRANCE: Eric Laurrent, American DiaryFINLAND: Anita Konkka, The ClownESTONIA: Toomas Vint, Beyond the Window a Park is DimmingDENMARK: Peter Adolphsen, Fourteen Small StoriesCZECH REPULIC: Michal Ajvaz, The Wire BookCYPRUS: Nora Nadjarian, ExhibitionCROATIA: Mimi Simić, My GirlfriendBULGARIA: Alek Popov, PlumbersBOSNIA & HERZEGOVINA: Goran Samardžić, VarneeshBELGIUM: François Emmanuel, Lou DancingBELARUS: Victor Martinovich, TabooAUSTRIA: Dieter Sperl, Random WalkerALBANIA: Arian Leka, Brothers of the Blade

    Drawing on the memories of her parents-both Holocaust survivors-and the fragmented stories of other family members lost in the war, she explores the impact of their legacy on her own life. Through her vivid prose and stunning illustrations, Eisenstein crafts a tale that is emotionally rich and visually arresting. "I Was a Child of Holocaust Survivors" harkens back to Art Spiegelman's "Maus" but breaks new ground in combining graphic novel and memoir. Mixing sadness with bittersweet humor, Eisenstein describes her experiences growing up in the wake of the World War II. But more than a book about the Holocaust and its far-reaching shadow, this moving, searingly honest testament speaks to the universality of memory and loss. Anyone who sees this book will be deeply affected by its beautiful, highly evocative writing and its brilliantly original, haunting artwork.

     Habermas argues that Western societies have succeeded to some extent in stabilizing the economic fluctuations associated with capitalism, but this has created a new range of crisis tendencies which are expressed in other spheres. States intervene in economic life and attempt to regulate markets, but they find themselves confronted by increasing and often conflicting demands. As individuals become increasingly disillusioned, the state is faced with the possibility of a mass withdrawal of loyalty or support - a 'legitimation crisis'. Widely recognized as a classic of contemporary social and political analysis, Legitimation Crisis sheds light on a range of issues which are central to current debates, from the decline of class conflict and the disillusionment with established political institutions to the crisis of the welfare state. It remains essential reading for students of sociology, politics and the social sciences generally.