Nearly fourteen years ago Sirowitz began turning his mother's advice into poetry--never showing her exactly what came of her ranting and raving about a ketchup jar: Deformed FingerDon't stick your finger in the ketchup bottle, Mother said. It might get stuck, &then you'll have to wait for your father to get home to pull it out. Hewon't be happy to find a dirty fingernailsquirming in the ketchup that he's going to useon his hamburger.He'll yank it out so hardthat for the rest of your life you won'tbe able to wear a ring on that finger.And if you ever get a girlfriend, & you hold hands, she's bound to ask youwhy one of your fingers is deformed, & you'll be obligated to tell her how you didn't listen to your mother, & insisted on playing with the ketchup bottle, & she'll get to thinking, he probably won'tlisten to me either, & she'll push your hand away. Since then Sirowitz has become a regular in New York City's downtown poetry scene, was awarded a residency at the MacDowell artists colony, performed live on MTV's "The Spoken Word: Unplugged," appeared on Public Television's "United States of Poetry" series, and received a grant from the National Endowment of the Arts to continue writing about his mother.No one, not even Estelle Sirowitz, could have predicted the incredibleallure and success of his dead-pan delivery and dead-on depictions of a mother's words of doom: from A Bum's LifeYou're going to be a bum, Mother said, if you're not one already, but you'llsoon find out that even a bumhas to work hard convincing peoplethat he's really poor. When it rainsyou can't stand out there holdingan umbrella, & ask for money, butyou have to get wet, because the moreyou drip, the more sympathy you'll get.... Like nursery rhymes for adults, the poems included in Mother Said are addictive. Read them once and you'll have to read them twice.Hear Sirowitz read them, and you'll find yourself reciting them to your friends--mimicking as best you can his Queens accent and his dry delivery. Who knows, you may even find yourself reciting them to your own mother."

    West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities--to their portrayal in the media--and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http: //sarahblake.site.wesleyan.edu.

    It explores love, personal growth, creativity, spirituality, vulnerability, and motherhood in the art medium of words, all the while creating a rich portrait of a deeply empathetic, talented, and whimsical artist. Esoteric, mysterious, and unfailingly beautiful, The Apricot Memoirs is an invitation to dig deep, embrace the uncomfortable, and free your creativity, unbound.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    Laird boldly engages with topics ranging from fatherhood and marriage to mass destruction and the cosmos. Go Giants is a brash, brave, and wildly imaginative new collection.From Go Giants:Go in peace to love and serve the.Go and get help. Go directly to jail.Go down in flames. Go up in smoke.Go for broke. Go tell Aunt Rhody.Go tell the Spartans. Go to hell.Go into detail. Go for the throat.

    Like a literal road atlas, the poems carry lines and themes from one to the next. Like Atlas holding up the world, they hold patterns of all kinds aloft with an attention that transforms. The poems also are an atlas of the known world, capturing the way events repeat across time and place, as in one poem that links the image of her sister, pausing in her work as housekeeper, with the contours of a maid in a Vermeer painting and a woman just "made over" on that day's episode of Oprah. Vandenberg's poems use family artifacts, memory, and imagination to plot the intersections of love, death, history, art, and desire. In the first section, "Trade Routes," about connections, each poem moves back one generation to investigate the ways events reverberate across time. The second section, "The Red Fields of Lisse (A Love Story)," focuses on a former partner, a hemophiliac with AIDS, and tulips. The third section, "Catalog of Want," contains poems about desire in various guises. The last section, "A Place Ten Years Away," reexamines the themes of the first three sections.

    It takes its legitimate place with the great works of the century of like kind, Ezra Pound's "Cantos," Louis Zukofsky's "A," Charles Olson's "Maximus," and Robert Duncan's "Passages." Its own specific character is, however, brilliantly singular."Robert Creeley"A late harvest of seeds sown by Blake, L. Frank Baum, the Bible, and Zukofsky, all in a new architecture, a wholly new voice, and even a new chemistry of words and images. It is for those who can see visions, and for those who know how to look well and be taught that they can see them."Guy Davenport

    His parents divorced, his girlfriend dumped him, every one he knows seems to be hooking up but him. Then David meets Kris - a mysterious beauty with a dark past who actually likes him. Ignoring the advice of his privileged, drug-dealing friends - and pretty much everybody else - David pursues Kris seriously only to find that her past holds life-threatening danger for them both.

    I wish I could go back in tie and give to myself 20 years ago. I would have been a ten times better CEO. I recommend it to every entrepreneur I talk to. This is an absolute MUST read." - Jeff Davis, Founder & Chairman, 12 Mavens Behind Every Successful Founder is a Powerful Force Multiplier. Today's Entrepreneurs and business owners are always on, often overworked, bordering on burnout, suffering from decision fatigue, and trying to juggle it all while keeping their health and home life thriving and their businesses growing. Today's Executive Assistants are business-savvy leaders and are not content to sit on the sidelines. They want in on the action. They want to know that what they are doing is a value-add to their Executive and to the business as a whole. Yet, too often, EAs are kept at a distance and left unfulfilled. Sound familiar? Entrepreneurs and Executive Assistants need each other to survive and thrive. Entrepreneurs need a Force Multiplier (aka Executive Assistant), a strategic partner who will bring order to the chaos and take on the miscellaneous 80 percent of their workload - and who will help them create the foundation that will allow them to build a life and business without limits. Executive Assistants need a Founder (aka an Entrepreneur), a visionary, a driven, growth-minded leader who will reignite their passion for their career, challenge them to think bigger, and allow them to use their project management and leadership skills, along with their business acumen, to help create the foundation that will allow them both to build a life and career without limits. If you are an Executive Assistant interested in learning how to build a dynamic and fulfilling career, or a leader looking to hire or establish a better relationship with your right hand, then this book is for you. The Founder and the Force Multiplier: How Entrepreneurs and Executive Assistants Achieve More Together explores the partnership between the Entrepreneur and the Executive Assistant. Listen to it together. Compare notes. Use it as a catalyst for engaging in fierce conversations. The power of the partnership only works when you are both committed to challenging each other and growing together every day. Founder Adam Hergenrother and his Chief of Staff, Hallie Warner, have worked side by side for over eight years. Adam brings the vision and Hallie follows through. They don't have it all figured out; they are far from perfect, and they've had their share of growing pains over the years.Throughout this book, they share what's worked for them, what they've learned along this journey, and some best practices that they recommend you implement immediately to get results. It is their hope that the lessons you learn here will help you find success and fulfillment in your business, your career, and your life as a whole. Without a doubt, together you will achieve more. Let's get started. "I have been at Amazon for 3.5 years, and I am proud to say that I have been hired as an A to an Executive here starting next Monday! This book has been so informative and helpful in preparing me for the role - I wish I had discovered it prior to my interview! Thankfully I landed the job, and I'm sure that I will continue to reference this book as I settle into my new role." - Kathleen Dawson, Executive Assistant, Amazon "If you are part of an executive/executive assistant relationship, this book will challenge you to consider the current value of that relationship and encourage you to raise the bar.

    Eliot, published individually from 1936 to 1942, and in book form in 1943; it was considered by Eliot himself to be his finest work. Each of the quartets has five "movements" and each is titled by a place name -- BURNT NORTON (1936), EAST COKER (1940), THE DRY SALVAGES (1941), and LITTLE GIDDING (1942). Eliot's insights into the cyclical nature of life are revealed through themes and images woven throughout the four poems. Spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. The work addresses the connections of the personal and historical present and past, spiritual renewal, and the very nature of experience; it is considered the poet's clearest exposition of his Christian beliefs. (The Merriam-Webster Encyclopedia of Literature)

    This small collection of poems explores how time influences loving another, loving yourself and loving the life you own. This quick but fulfilling read, explores these topics in three sections: the head, the heart and the lungs.

    When she is thrown from her horse while on a country ride, a dashing, raven-haired soldier, just home from the war, gallantly rescues her as a knight-of-old.At twenty-two with no dowry, Elizabeth knows she will never marry into the aristocracy, but the soldier, Darian, would be a good match. Harboring fantastical thoughts, she hopes to see him at the Duke’s provincial ball the following week.See him she does, for Darian is the Marquess of Bingington, heir to the duke—and totally out of her league. Totally.

    You haven't even learned it:ecstasy and suffering make the same face.--from "The Offering"May Day is both a distress call and a celebration of the arrival of spring. In this rich and unusually assured first collection, the poet Gretchen Marquette writes of the losses of a brother gone off to war in Afghanistan and Iraq, and a great love--losses that have left the world charged with absence and grief. But there is also the wonder of the natural world: the deer at the edge of the forest, the dog reliably coaxing the poet beyond herself and into the city park where by tradition every May Day is pageantry, a festival of surviving the long winter. "What does it mean to be in love?" one poem asks. "As it turns out, / the second best thing that can happen to you / is a broken heart."May Day introduces readers to a new poet of depth and power.

    In one of the most original books of poetry to appear in the last decade, Jackself spins a kind of 'fictionalized autobiography' through nursery rhymes, riddles and cautionary tales, and through the many 'Jacks' of our folktale, legend, phrase and fable - everyman Jacks and no one Jacks, Jackdaw, Jack-O-Lantern, Jack Sprat, Cheapjack and Jack Frost. At once playful and terrifying, lyric and narratively compelling, Jackself is an unforgettable exploration of an innocence and childhood lost in the darker corners of Reiver country and of English folklore, and once more shows Polley as one of the most remarkable imaginations at work in poetry today.

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.