Best of
Poetry

1943

Four Quartets


T.S. Eliot - 1943
    Eliot, published individually from 1936 to 1942, and in book form in 1943; it was considered by Eliot himself to be his finest work. Each of the quartets has five "movements" and each is titled by a place name -- BURNT NORTON (1936), EAST COKER (1940), THE DRY SALVAGES (1941), and LITTLE GIDDING (1942). Eliot's insights into the cyclical nature of life are revealed through themes and images woven throughout the four poems. Spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. The work addresses the connections of the personal and historical present and past, spiritual renewal, and the very nature of experience; it is considered the poet's clearest exposition of his Christian beliefs. (The Merriam-Webster Encyclopedia of Literature)

This Is My Beloved


Walter Benton - 1943
    After working on a farm, in a steel mill, as a window washer, as a salesman, and at various other jobs, he entered Ohio University in 1931, and in due course was graduated. He then spent five years as a social investigator in New York. During the second World War he served in the United States Army, being commissioned a lieutenant of the Signal Corps in the autumn of 1942 and later being promoted to a captaincy. After the war he returned to New York and devoted his time to writing.This Is My Beloved, the remarkable diary in verse that has become one of the most popular books of poetry, was his first published volume, though his work was already familiar to readers of Poetry, Fantasy, the Yale Review, and the New Republic. Never a Greater Need, a second selection of his poems, was issued in 1948. Walter Benton died in 1976.

Naqsh e Faryadi / نقش فریادی


Faiz Ahmad Faiz - 1943
    It contains his earliest poems - in nazm, ghazal and qita form - that set him on course to becoming the greatest and most-read Urdu poet of the 20th century.

Dáin do Eimhir = Poems to Eimhir


Somhairle MacGill-Eain - 1943
    At the heart of the poems is a sense of lamentation for lost love and opportunity yet they are also sharply political.