Astonishing in the sheer detail it amasses, the book is the first comprehensive attempt to catalogue and analyze the crimes of Communism over seventy years.Revolutions, like trees, must be judged by their fruit, Ignazio Silone wrote, and this is the standard the authors apply to the Communist experience--in the China of the Great Helmsman, Kim Il Sung's Korea, Vietnam under Uncle Ho and Cuba under Castro, Ethiopia under Mengistu, Angola under Neto, and Afghanistan under Najibullah. The authors, all distinguished scholars based in Europe, document Communist crimes against humanity, but also crimes against national and universal culture, from Stalin's destruction of hundreds of churches in Moscow to Ceausescu's leveling of the historic heart of Bucharest to the widescale devastation visited on Chinese culture by Mao's Red Guards.As the death toll mounts--as many as 25 million in the former Soviet Union, 65 million in China, 1.7 million in Cambodia, and on and on--the authors systematically show how and why, wherever the millenarian ideology of Communism was established, it quickly led to crime, terror, and repression. An extraordinary accounting, this book amply documents the unparalleled position and significance of Communism in the hierarchy of violence that is the history of the twentieth century.

    This book, by the noted historian who served as a consultant for the film, adds new dimensions to this famous legend.

    The historical record is unclear on whether Champlain was baptized Protestant or Catholic, but he fought in France's religious wars for the man who would become Henri IV, one of France's greatest kings, and like Henri, he was religiously tolerant in an age of murderous sectarianism. Champlain was also a brilliant navigator. He went to sea as a boy and over time acquired the skills that allowed him to make twenty-seven Atlantic crossings without losing a ship.But we remember Champlain mainly as a great explorer. On foot and by ship and canoe, he traveled through what are now six Canadian provinces and five American states. Over more than thirty years he founded, colonized, and administered French settlements in North America. Sailing frequently between France and Canada, he maneuvered through court intrigue in Paris and negotiated among more than a dozen Indian nations in North America to establish New France. Champlain had early support from Henri IV and later Louis XIII, but the Queen Regent Marie de Medici and Cardinal Richelieu opposed his efforts. Despite much resistance and many defeats, Champlain, by his astonishing dedication and stamina, finally established France's New World colony. He tried constantly to maintain peace among Indian nations that were sometimes at war with one another, but when he had to, he took up arms and forcefully imposed a new balance of power, proving himself a formidable strategist and warrior.Throughout his three decades in North America, Champlain remained committed to a remarkable vision, a Grand Design for France's colony. He encouraged intermarriage among the French colonists and the natives, and he insisted on tolerance for Protestants. He was a visionary leader, especially when compared to his English and Spanish contemporaries -- a man who dreamed of humanity and peace in a world of cruelty and violence.This superb biography, the first in decades, is as dramatic and exciting as the life it portrays. Deeply researched, it is illustrated throughout with many contemporary images and maps, including several drawn by Champlain himself.

    It was also the basis for the movie, The Lost Command, starring Anthony Quinn. In his autobiography, Larteguy writes that he got the name of the book from when he was traveling with the Foreign Legion in the Sahara and came across an old Roman column at an oasis. Inscribed on the column from 2000 years before was "Titus Caius Germanicus, centurion of the Xth Legion" and underneath it from a more recent time, "Friedrich Germanicus, of the 1st R.E.P. (French Paratroop Regiment)."The story begins in May 1954 with the defeat of the French army at Dien Bien Phu. The Vietnamese victors march their French prisoners into communist re-education camps. During their time in captivity, the French paratroop officers who survive the ordeal to be repatriated, bond together and try to utilize communist "revolutionary war" tactics in order to win their next war in Algeria. The book ends with the French centurions fighting the Battle of Algiers with propaganda, torture, terror and any tactic in order to win so that the last remnants of their empire could survive. -http://www.geocities.com/jean_lartegu...

    For a hundred years and more after the Revolution, millions of peasants lived on as if in a timeless world, their existence little different from that of the generations before them.The author of this lively, often witty, and always provocative work traces how France underwent a veritable crisis of civilization in the early years of the French Republic as traditional attitudes and practices crumbled under the forces of modernization. Local roads and railways were the decisive factors, bringing hitherto remote and inaccessible regions into easy contact with markets and major centers of the modern world. The products of industry rendered many peasant skills useless, and the expanding school system taught not only the language of the dominant culture but its values as well, among them patriotism. By 1914, France had finally become La Patrie in fact as it had so long been in name.

     In May 1942, the Japanese were poised to take Port Moresby in New Guinea. At all costs the Americans had to stop them. Admiral Frank Fletcher was dispatched with two aircraft carriers - Yorktown and Lexington - with orders to destroy the Japanese invasion force. The fate of the Pacific was in the balance. 'Coral Sea 1942' tells the dramatic story of that conflict. The battle spread over five days as each side desperately searched for the other. At first, all Fletcher could find were side shows. He smashed a secondary invasion at Tulagi. He sank the light carrier Shōhō protecting the invasion fleet. But only on the fifth day did he find his real prey: the carriers Shōkaku and Zuikaku. The Zuikaku fled to hide under thick cloud, while the Shōkaku was pounded by American bombers and torpedo planes. Crippled, she too fled. Meanwhile the Japanese carrier planes mounted attack after attack on the Yorktown and Lexington. The latter was mortally damaged by volcanic-sized explosions in her fuel tanks. But the great Coral Sea victory came at a price. Pilots died in dog-fights; crippled planes fell into the sea; damaged planes crashed onto carrier flight decks; and pilots found themselves stranded on remote islands. But the battle was an American triumph. Japan entered it as an aggressor at the peak of her imperial power. She left the battle with her dominance shattered. The tide had turned. 'Coral Sea 1942' is a brilliantly concise and insightful guide to one of the greatest naval battles of the 20th-century. Richard Freeman graduated in mathematics before following a career in distance education. He now writes on naval history. His other books include ‘Britain’s Greatest Naval Battle’ and ‘A Close Run Thing: The Navy and the Falkland War’. Endeavour Press is the UK's leading independent publisher of digital books.

    But recent decades have brought a marked change in sensibility. The Revolution is no longer judged in terms of historical necessity but rather by “timeless” standards of morality. In this succinct essay, Sophie Wahnich explains how, contrary to prevailing interpretations, the institution of Terror sought to put a brake on legitimate popular violence—in Danton’s words, to “be terrible so as to spare the people the need to be so”—and was subsequently subsumed in a logic of war. The Terror was “a process welded to a regime of popular sovereignty, the only alternatives being to defeat tyranny or die for liberty.”

    Manuel returns to his native village after working on a sugar plantation in Cuba only to discover that it is stricken by a drought and divided by a family feud. He attacks the resignation endemic among his people by preaching the kind of political awareness and solidarity he has learned in Cuba. He goes on to illustrate his ideas in a tangible way by finding water and bringing it to the fields through the collective labor of the villagers. In this political fable, Roumain is careful to create an authentic environment and credible characters. Readers will be emotionally moved as well as ideologically persuaded.

    The war that followed would decide the fate of the entire North American continent—not just between Great Britain and France, but for the Spanish and Native Americans as well.Fought across virgin wilderness, from Nova Scotia to the forks of the Ohio River, the French and Indian War is best remembered for dogged frontier campaigns to capture such strategic linchpins as Forts Ticonderoga, Duquesne, and Niagara; legendary treks by Rogers' Rangers; and the momentous battle of Quebec on the Plains of Abraham. Here are the stories of Jeffery Amherst, the loyal soldier who did his king's bidding at the expense of his home and family; the marquis de Montcalm, Canada's champion who had to fight his own governor as well as the British; and William Pitt, the man who brashly proclaimed that only he could save England. We also encounter George Washington, Benjamin Franklin, William Shirley, Edward Braddock, and, of course, Major Robert Rogers, a legend misunderstood who stands both revered and damned.Against the backdrop of Fortress Louisbourg in Nova Scotia, the forests surrounding Lake George in upstate New York, the Caribbean, and the fall of Quebec, Borneman poses interesting what-if questions, examining controversies that continue to this day: Did the dashing Brigadier General James Wolfe frantically wave his hat to signal retreat or to urge his troops onward to victory? What if Spain had come to the aid of France sooner? What if the affable Lord Howe had lived?The French and Indian War: Deciding the Fate of North America presents the triumphs and tragedies of this epic struggle for a continent, placing them in the larger context of France and Great Britain's global conflict—what Samuel Eliot Morison called truly the first world war—and emphasizes that the seeds of discord sown in its aftermath would give root to the American Revolution.

    It was a period marked by lavish displays of wealth, a dazzling cultural mix, and the advent of Christianity. The splendor and squalor of the city, the spectacles, and the day’s routines are reconstructed from an immense fund of archaeological evidence and from vivid descriptions by ancient poets, satirists, letter-writers, and novelists—from Petronius to Pliny the Younger. In a new Introduction, the eminent classicist Mary Beard appraises the book’s enduring—and sometimes surprising—influence and its value for general readers and students. She also provides an up-to-date bibliographic essay. “Carcopino’s pledge to his readers was to open up to them some traces of the world that lay underneath the grandeur that remains the public face of ancient Rome. . . . No one has ever done it better.”—Mary Beard, from the Introduction

    8-page color illustrations.

    The gift is a perfect example of what Mauss calls a total social phenomenon, since it involves legal, economic, moral, religious, aesthetic, and other dimensions. He sees the gift exchange as related to individuals and groups as much as to the objects themselves, and his analysis calls into question the social conventions and economic systems that had been taken for granted for so many years. In a modern translation, introduced by distinguished anthropologist Mary Douglas, The Gift is essential reading for students of social anthropology and sociology.

    Yet in recent decades scholars have argued that the Revolution was brought about by social forces, politics, economics, or culture--almost anything but abstract notions like liberty or equality. In Revolutionary Ideas, one of the world's leading historians of the Enlightenment restores the Revolution's intellectual history to its rightful central role. Drawing widely on primary sources, Jonathan Israel shows how the Revolution was set in motion by radical eighteenth-century doctrines, how these ideas divided revolutionary leaders into vehemently opposed ideological blocs, and how these clashes drove the turning points of the Revolution.Revolutionary Ideas demonstrates that the Revolution was really three different revolutions vying for supremacy--a conflict between constitutional monarchists such as Lafayette who advocated moderate Enlightenment ideas; democratic republicans allied to Tom Paine who fought for Radical Enlightenment ideas; and authoritarian populists, such as Robespierre, who violently rejected key Enlightenment ideas and should ultimately be seen as Counter-Enlightenment figures. The book tells how the fierce rivalry between these groups shaped the course of the Revolution, from the Declaration of Rights, through liberal monarchism and democratic republicanism, to the Terror and the Post-Thermidor reaction.In this compelling account, the French Revolution stands once again as a culmination of the emancipatory and democratic ideals of the Enlightenment. That it ended in the Terror represented a betrayal of those ideas--not their fulfillment.

    The book opens in America, where the boy's father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called "Commies." The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem's personal interpreter; as the growing conflict between North and South intensifies, so does turmoil within Marco's family, as his mother struggles to grapple with bipolar disorder.Visually powerful and emotionally potent, Such a Lovely Little War is both a large-scale and intimate study of the Vietnam war as seen through the eyes of the Vietnamese: a turbulent national history interwined with an equally traumatic familial one.

    Includes an introduction by George C. Herring.