Buckley--into helping set him freeIn the 1960s, Edgar Smith, in prison and sentenced to death for the murder of teenager Victoria Zielinski, struck up a correspondence with William F. Buckley, the founder of National Review. Buckley, who refused to believe that a man who supported the neoconservative movement could have committed such a heinous crime, began to advocate not only for Smith's life to be spared but also for his sentence to be overturned.So begins a bizarre and tragic tale of mid-century America. Sarah Weinman's Scoundrel leads us through the twists of fate and fortune that brought Smith to freedom, book deals, fame, and eventually to attempting murder again. In Smith, Weinman has uncovered a psychopath who slipped his way into public acclaim and acceptance before crashing down to earth once again.From the people Smith deceived--Buckley, the book editor who published his work, friends from back home, and the women who loved him--to Americans who were willing to buy into his lies, Weinman explores who in our world is accorded innocence, and how the public becomes complicit in the stories we tell one another.Scoundrel shows, with clear eyes and sympathy for all those who entered Smith's orbit, how and why he was able to manipulate, obfuscate, and make a mockery of both well-meaning people and the American criminal justice system. It tells a forgotten part of American history at the nexus of justice, prison reform, and civil rights, and exposes how one man's ill-conceived plan to set another man free came at the great expense of Edgar Smith's victims.

    Stewart decided to search for his biological father. His quest would lead him to a horrifying truth and force him to reconsider everything he thought he knew about himself and his world.Written with award-winning author and journalist Susan Mustafa, The Most Dangerous Animal of All tells the story of Stewart's decade-long hunt. While combing through government records and news reports and tracking down relatives and friends, Stewart turns up a host of clues—including forensic evidence—that conclusively identify his father as the Zodiac Killer, one of the most notorious and elusive serial murderers in history.For decades, the Zodiac Killer has captivated America's imagination. His ability to evade capture while taunting authorities made him infamous. The vicious specificity of his crimes terrified Californians before the Manson murders and after, and shocked a culture enamored with the ideals of the dawning Age of Aquarius. To this day, his ciphers have baffled detectives and amateur sleuths, and his identity remains one of the twentieth century's great unsolved mysteries.The Most Dangerous Animal of All reveals the name of the Zodiac for the very first time. Mustafa and Stewart construct a chilling psychological profile of Stewart's father: as a boy with disturbing fixations, a frustrated intellectual with pretensions to high culture, and an inappropriate suitor and then jilted lover unable to process his rage. At last, all the questions that have surrounded the case for almost fifty years are answered in this riveting narrative. The result is a singular work of true crime at its finest—a compelling, unbelievable true story told with the pacing of a page-turning novel—as well as a sensational and powerful memoir.

    He took to crime almost immediately, starting with petty theft before graduating to robbing drug dealers. Eventually a man nicknamed "DaVinci" taught him the centuries-old art of counterfeiting. After a stint in jail, Williams emerged to discover that the Treasury Department had issued the most secure hundred-dollar bill ever created: the 1996 New Note. Williams spent months trying to defeat various security features before arriving at a bill so perfect that even law enforcement had difficulty distinguishing it from the real thing. Williams went on to print millions in counterfeit bills, selling them to criminal organizations and using them to fund cross-country spending sprees. Still unsatisfied, he went off in search of his long-lost father, setting in motion a chain of betrayals that would be his undoing. In The Art of Making Money, journalist Jason Kersten details how Williams painstakingly defeated the anti-forging features of the New Note, how Williams and his partner-in-crime wife converted fake bills into legitimate tender at shopping malls all over America, and how they stayed one step ahead of the Secret Service until trusting the wrong person brought them all down.

    Alexander Litvinenko is brazenly poisoned in central London. Twenty two days later he dies, killed from the inside. The poison? Polonium; a rare, lethal and highly radioactive substance. His crime? He had made some powerful enemies in Russia.Based on the best part of a decade's reporting, as well as extensive interviews with those closest to the events (including the murder suspects), and access to trial evidence, Luke Harding's A Very Expensive Poison is the definitive inside story of the life and death of Alexander Litvinenko. Harding traces the journey of the nuclear poison across London, from hotel room to nightclub, assassin to victim; it is a deadly trail that seemingly leads back to the Russian state itself.Harding argues that Litvinenko's assassination marked the beginning of the deterioration of Moscow's relations with the west and a decade of geo-political disruptions--from the war in Ukraine, a civilian plane shot down, at least 7,000 dead, two million people displaced and a Russian president's defiant rejection of a law-based international order. With Russia's covert war in Ukraine and annexation of the Crimea, Europe and the US face a new Cold War, but with fewer certainties.This is a shocking real-life revenge tragedy with corruption and subterfuge at every turn, and walk-on parts from Russian mafia, the KGB, MI6 agents, dedicated British coppers, Russian dissidents. At the heart of this all is an individual and his family torn apart by a ruthless crime.

    A terrorist attack on Australian soil. For seventeen hours Islamic State-inspired gunman Man Haron Monis held his captives in a terrifying drama that paralysed Sydney and kept a nation glued to its television screens. Two hostages were killed and three seriously wounded. The others would have their lives changed for ever.Despite the police leadership declaring it was well prepared for a terrorist attack, many shortcomings on the night revealed a response that fell seriously short of that promise. Deborah Snow lays bare what happened behind the scenes in the cafe as the hostages tried to keep themselves alive while waiting for a police response that didn't come. She also takes us into the police command posts as communications, equipment and decision-making structures broke down. Hurtling towards its inevitable and tragic conclusion, Siege draws us into a vortex of police missteps, extraordinary bravery and profound grief to reveal what happened during that awful day. Shocking, compelling and revealing Siege will take its place as the classic account of these events.

    Ripley, the unbelievable thirty-year run of a shape-shifting con man.The career con man who convincingly passed himself off as Clark Rockefeller was born in a small village in Germany. At seventeen, obsessed with getting to America, he flew into the country on dubious student visa documents and thus began his journey of deception.Over the next thirty years, boldly assuming a series of false identities, he moved up the social ladder through exclusive enclaves on both coasts, culminating in a stunning twelve-year marriage to a rising-star businesswoman with a Harvard MBA who believed she'd wed a member of the infamously wealthy Rockefeller family. The impostor charmed his way into exclusive clubs and financial institutions - working on Wall Street, showing off an extraordinary art collection - until his marriage ended, and he was arrested for kidnapping his daughter, which exposed his past of astounding deceptions as well as a connection to the bizarre disappearance of a California couple in the mid-1980s.

    “A tantalizing whodunit” (Boston Globe) and a “riveting, wonderfully vivid account [that] takes you into the underworld of obsessed art detectives, con men, and thieves” (Jonathan Harr, author of The Lost Painting), The Gardner Heist is true crime history at its most spellbinding.

    The key suspect is a police officer in NC. It is written by Paula May, who was the lead detective in the case.

    Within days, five black and Latino teenagers confess to her rape and beating. In a city where urban crime is at a high and violence is frequent, the ensuing media frenzy and hysterical public reaction is extraordinary. The young men are tried as adults and convicted of rape, despite the fact that the teens quickly recant their inconsistent and inaccurate confessions and that no DNA tests or eyewitness accounts tie any of them to the victim. They serve their complete sentences before another man, serial rapist Matias Reyes, confesses to the crime and is connected to it by DNA testing.Intertwining the stories of these five young men, the police officers, the district attorneys, the victim, and Matias Reyes, Sarah Burns unravels the forces that made both the crime and its prosecution possible. Most dramatically, she gives us a portrait of a city already beset by violence and deepening rifts between races and classes, whose law enforcement, government, social institutions, and media were undermining the very rights of the individuals they were designed to safeguard and protect.

    Chapman, "acclaimed true-crime journalist Linda Wolfe brings to life the long-forgotten story of three tragic individuals whose fate once rocked America. Enterprising and ambitious, Lucretia Winslow Chapman had aspirations that exceeded those of many early-nineteenth-century women. An accomplished teacher, she founded at the age of twenty-nine one of Philadelphia's first boarding schools for girls. A year later, her school a success, she married a prominent local scientist, William Chapman, and with him had five children, all while helping her husband with his scientific endeavors and continuing to teach.But Lucretia's energy (termed "masculine" at the time) would prove no match for Lino Espos y Mina, one of the most extraordinary con artists in American history. Lino appeared at the Chapman home one evening in 1831, asking for a room and introducing himself as the son of an important Mexican governor and the owner of vast silver and gold mines. Intrigued by the handsome Latino stranger, Lucretia agreed to take him in, and it wasn't long before they became lovers. Little more than a month after the affair began, Dr. Chapman was dead.At first his death was attributed to natural causes. But once the relationship between the scientist's widow and the newcomer became known, the authorities began to suspect that Chapman had been poisoned. Soon both Lucretia and Lino were charged with murder. Their separate trials -- each featuring sex, scandal, deception, and the striking courtroom tactics of remarkable lawyers -- produced two very different outcomes and riveted the young American nation.With exceptional skill, Wolfe braids trial transcripts, intimate love letters, and period recollections into a compelling historical thriller that reads with a surprisingly contemporary feel. "The Murder of Dr. Chapman: The Legendary Trials of Lucretia Chapman and Her Lover "is a captivating blend of history, mystery, and detection that culminates in a courtroom drama as timely as any in today's headlines.

    Vollmann asks in cities and villages around the globe: "Why are you poor?" In the tradition of James Agee's Let Us Now Praise Famous Men, Vollmann's Poor People struggles to confront poverty in all its hopelessness and brutality, its pride and abject fear, its fierce misery and its quiet resignation. Poor People allows the poor to speak for themselves, explaining the causes and consequences of their impoverishment in their own cultural, social, and religious terms.There is the alcoholic mother in Buddhist Thailand, sure that her poverty is punishment for transgressions in a former life, and her ten-year-old daughter, whose faith in her own innocence gives her hope that her sin in the last life was simply being rich. There is the Siberian-born beggar who pins her woes on a tick bite and a Gypsy curse more than a half century ago, and the homeless, widowed Afghan women who have been relegated to a "respected" but damning invisibility. There are Big and Little Mountain, two Japanese salarymen who lost their jobs suddenly and now live in a blue-tarp hut under a Kyoto bridge. And, most haunting of all, there is the faded, starving beggar-girl, staring empty-eyed on the back steps of Bangkok's Central Railroad Station, whose only response to Vollmann's query is simply, "I think I am rich."The result of Vollmann's fearless journey is a look at poverty unlike any other. Complete with more than 100 powerfully affecting photographs--taken of the interviewees by the author himself--this series of vignettes and searing insights represents a tremendous step toward an understanding of this age-old social ill. With intense compassion and a scrupulously unpatronizing eye, Vollmann invites his readers to recognize in our fellow human beings their full dignity, fallibility, pride, and pain, and the power of their hard-fought resilience.

    A page-turning true story of international scandal and corruption at the very highest levels of corporate America, this thriller unveils botched crimes, courtroom drama, suicide attempts, and an immense tangle of lies and deception.

    In 2011, a twenty-six-year-old libertarian programmer named Ross Ulbricht launched the ultimate free market: the Silk Road, a clandestine Web site hosted on the Dark Web where anyone could trade anything—drugs, hacking software, forged passports, counterfeit cash, poisons—free of the government’s watchful eye. It wasn’t long before the media got wind of the new Web site where anyone—not just teenagers and weed dealers but terrorists and black hat hackers—could buy and sell contraband detection-free. Spurred by a public outcry, the federal government launched an epic two-year manhunt for the site’s elusive proprietor, with no leads, no witnesses, and no clear jurisdiction. All the investigators knew was that whoever was running the site called himself the Dread Pirate Roberts. The Silk Road quickly ballooned into $1.2 billion enterprise, and Ross embraced his new role as kingpin. He enlisted a loyal crew of allies in high and low places, all as addicted to the danger and thrill of running an illegal marketplace as their customers were to the heroin they sold. Through his network he got wind of the target on his back and took drastic steps to protect himself—including ordering a hit on a former employee. As Ross made plans to disappear forever, the Feds raced against the clock to catch a man they weren’t sure even existed, searching for a needle in the haystack of the global Internet.Drawing on exclusive access to key players and two billion digital words and images Ross left behind, Vanity Fair correspondent and New York Times bestselling author Nick Bilton offers a tale filled with twists and turns, lucky breaks and unbelievable close calls. It’s a story of the boy next door’s ambition gone criminal, spurred on by the clash between the new world of libertarian-leaning, anonymous, decentralized Web advocates and the old world of government control, order, and the rule of law. Filled with unforgettable characters and capped by an astonishing climax, American Kingpin might be dismissed as too outrageous for fiction. But it’s all too real.

    Their deaths had no connection to each other. Each woman was different. Each murder, though violent and brutal, was unlike the other three women. Other than the fact that all four women were young and beautiful with active love lives, they had little in common until they were murdered and their cases remained unsolved to this day. In death they would all share similar newspaper headlines and together they formed The DC Dead Girls Club. * On September 13, 1929, Virginia McPherson’s estranged husband found her body in her apartment. When police ruled her death a suicide, a maverick police officer, Washington daily newspapers, and three U.S. Senators cried foul. * The body of thirty-one-year-old Mary Baker was found in a culvert next to Arlington National Cemetery on April 12, 1930. Her case would be called “the Mystery of 101 Clues” and would end in a bizarre trial that only added another layer to the enigma. * Beulah Limerick was a nineteen-year-old good time girl whose diary recounted her trysts with eighteen different lovers. When she was found dead in her bed on December 31, 1930, it was assumed she died of natural causes. Hours later, a mortician discovered a bullet hole in her head. * On November 4, 1935, Corinna Loring disappeared two days before she was to marry Richard Tear, a handsome orderly at a mental hospital. The twenty-six-year-old was loved by all in the tiny Washington D.C. suburb of Mount Rainier, Maryland, where she sang in the church choir and taught Sunday school. Her death would be the biggest mystery of all.

    Before the concrete was dry on the new roads, however, a specter began haunting them--the highway killer. He went by many names: the “Hitcher,” the “Freeway Killer,” the “Killer on the Road,” the “I-5 Strangler,” and the “Beltway Sniper.” Some of these criminals were imagined, but many were real. The nation’s murder rate shot up as its expressways were built. America became more violent and more mobile at the same time.Killer on the Road tells the entwined stories of America’s highways and its highway killers. There’s the hot-rodding juvenile delinquent who led the National Guard on a multistate manhunt; the wannabe highway patrolman who murdered hitchhiking coeds; the record promoter who preyed on “ghetto kids” in a city reshaped by freeways; the nondescript married man who stalked the interstates seeking women with car trouble; and the trucker who delivered death with his cargo. Thudding away behind these grisly crime sprees is the story of the interstates--how they were sold, how they were built, how they reshaped the nation, and how we came to equate them with violence.Through the stories of highway killers, we see how the “killer on the road,” like the train robber, the gangster, and the mobster, entered the cast of American outlaws, and how the freeway--conceived as a road to utopia--came to be feared as a highway to hell.