When she wasn't stalking the streets of Greenwich Village wearing a brassiere made from tomato cans, she was enthusiastically declaiming her poems to sailors in beer halls or posing nude for Man Ray or Marcel Duchamp. In an era of brutal war, technological innovation, and cataclysmic change, the Baroness had resolved to create her own destiny -- taking the center of the Dadaist circle, breaking every bond of female propriety . . . and transforming herself into a living, breathing work of art.

    Contributors include Peter Straub, Burton Hatlan (King's former English professor), Fritz Leiber, Alan Ryan, Deborah Notkin, Don Herron, and others.

    Presents a collection of horror short stories, among them Soft, Green Winter, and The Cleaning Machine.Contents:The Cleaning MachineRatmanLipidleggin'To Fill the Sea and AirGreen WinterBe Fruitful and MultiplySoftThe Last One Mo' Once Golden Oldies RevivalThe Years the Music DiedDat-Tay-VaoDoc JohnsonBucketsTrapsMusclesMenage a TroisCutsBonus storiesPerformanceNight DiveMemoirs of the EffsterRumorsHunters

    Lavishly illustrated and expertly informed it details everything the novice needs to know about the genre and everything the well-read fan is calling out for. This encyclopedia divulges just what constitutes fantasy and where the parameters lie, and celebrates the finest and lesser-known works that make up the genre, be they books, movies, television shows or iconic images.

    -- Alan Dundes. Propp's work is seminal...[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

    From the gore of the infant alien bursting from Kane’s chest to the mounting claustrophobia as Ripley discovers the monster has followed her into the escape shuttle, Alien is a chilling masterpiece.Now, Alien Vault: The Definitive Story of the Making of the Film opens a portal into the making of this legendary film, tracing its path from embryonic concept to fully fledged box office phenomenon.Featured herein are director Ridley Scott’s own annotated storyboards, Polaroids and script pages; the elegant but disturbing concept artwork of H.R. Giger; sketches and construction blueprints for the Nostromo; costume designs by Moebius; a treasure trove of never-before-seen photographs of the cast and crew; and ten meticulously reproduced artifacts, enclosed in vellum envelopes, for readers to remove and examine more closely.Fully authorized and illustrated throughout, Alien Vault is the ultimate tribute to a movie that changed cinema forever.

    Essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theater, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film, the struggles between high and popular culture, and changing attitudes towards human identity, life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

    'For the specialist in the study of narrative structure, this is a solid and very perceptive exploration of the issues salient to the telling of a story-whatever the medium. Chatman, whose approach here is at once dualist and structuralist, divides his subject into the 'what' of the narrative (Story) and the 'way'(Discourse)... Chatman's command of his material is impressive.'

    It begins with an overview of film production, moves on to a consideration of the formal elements and techniques, covers film criticism and concludes with a brief section highlighting the key moments in film history. Illustrated with over 500 frame enlargements, many in colour, "Film Art" has been updated to include analysis of some of the most interesting films of recent years including "Raging Bull" and "Desperately Seeking Susan".

    What would Terry Gilliam’s Watchmen have been like, and how did Darren Aronofsky almost end up directing the movie? Why was Nicolas Cage paid $20 million for not playing Superman?Also covered are Steven Spielberg’s Night Skies, Stanley Kubrick’s Childhood’s End, Philip Kaufman’s Star Trek: Planet of the Titans, Kevin Smith’s Six Million Dollar Man, Tim Burton’s Superman Lives and James Cameron’s Alien 5!

    and Thomas F. Monteleone have reapeatedly transformed teh landscape of the modern horror story with their acclaimed Borderlands anthologies. Now in an indispensable new collection, they present twenty-five all-original tales of terror by today's acclaimed masters and the best new voices in horror fiction, including: Stephen KingWhitley StrieberJohn FarrisTom PiccirilliDavid J. SchowBentley Little...and many others.Shocking and cutting edge, these tales of doom, depravity, and menace will chill your blood and haunt your soul. From fantastic supernatural terrors to the very real horrors waiting outside your own front door, these stories expand the boundaries of fear and madness...--back coverContents:Rami temporalis / Gary Braunbeck --All hands / John R. Platt --Faith will make you free / Holly Newstein --N0072-JKI / Adam Corbin Fusco --Time for me / Barry Hoffman --The growth of Alan Ashley / Bill Gauthier --The goat / Whitt Pond --Prisoner 392 / Jon F. Merz --The food processor / Michael Canfield --Story time with the BlueField strangler / John Farris --Answering the call / Brian Freeman --Smooth operator / Dominick Cancilla --Father Bob and Bobby / Whitley Strieber --A thing / Barbara Malenky --The planting / Bentley Little --Infliction / John McIlveen --Dysfunction / Darren O. Godfrey --The thing too hideous to describe / David J. Schow --Slipknot / Brett Alexander Savory --Magic numbers / Gene O. Neill --Head music / Lon Prater --Around it still the sumac grows / Tom Piccirilli --Annabell / L. Lynn Young --One of those weeks / Bev Vincent --Stationary bike / Stephen King.

    

    As told by Corman himself and graduates of “The Corman Film School,” including Peter Bogdanovich, James Cameron, Francis Ford Coppola, Robert De Niro, and Martin Scorsese, this comprehensive oral history takes readers behind the scenes of more than six decades of American cinema, as now-legendary directors and actors candidly unspool recollections of working with Corman, continually one-upping one another with tales of the years before their big breaks.Crab Monsters is supplemented with dozens of full-color reproductions of classic Corman movie posters; behind-the-scenes photographs and ephemera (many taken from Corman’s personal archive); and critical essays on Corman’s most daring films—including The Intruder, Little Shop of Horrors, and The Big Doll House— that make the case for Corman as an artist like no other. Praise for Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses: “This new coffee table book, brimming with outrageous stills from many of Corman’s hundreds of films, looks at the wild career of the starmaker who was largely responsible for so much of the Hollywood we know today.” —New York Post “Vividly illustrated.” —People “An enthusiastic ode to colorful, seat-of-your-pants filmmaking, this one’s hard to beat.” —Booklist (starred review) “It includes in-depth aesthetic appreciations of ten of Corman’s movies, which, taken together, make a compelling case for Corman as an artist.” —Hollywood.com “Author Nashawaty deftly describes how Corman’s legacy is far more nuanced than most realize.” —American Way magazine “Outrageously entertaining . . .”  —Parade magazine “Endlessly fascinating.” —PopMatters.com “You’d think it’d be impossible for any writer to put together a Roger Corman biography that's anywhere near as fun as his movies, but Entertainment Weekly writer/critic Chris Nashawaty has done just that.”  —Complex magazine

    Over the course of his career, he has remained true to a vision of the innocent lost in darkness and confusion, balancing hallucination and surrealism with a sense of Americana that is as pure and simple as his compelling storylines. In this volume, Lynch speaks openly about his films as well as about his lifelong commitment to painting, his work in photography, his television projects, and his musical collaborations with Angelo Badalamenti.

    Wiley and Mr. Bona have found just the right tone for writing about this most particular of American phenomena.