If you would prefer to read the unedited articles in their old format for free, we have provided a list of the article titles under "chapters" below. Simply go to Wikipedia and use their search form to locate each individual article.)Chapters: List of characters in the Hunger Games trilogy, The Hunger Games universe, Katniss Everdeen, Catching Fire, Mockingjay, Peeta Mellark, Suzanne Collins, Haymitch Abernathy, Gale Hawthorne.

    Norma Jeane Baker’stransformation into one of the most emulated and iconic Hollywood stars is anepic American story—one that careens from a troubled childhood into the brightnational spotlight before descending into an irrevocable depression. In thisstunning, one-of-a-kind volume, David Wills offers a captivating photographicjourney through Monroe’s meteoric rise and tragic downfall. Featuring thehighest-quality images of Marilyn available anywhere in the world, from candids to film stills to modeling headshots, the images inMarilyn Monroe: Metamorphosis will reawaken casual fans and collectorsalike to Marilyn Monroe at her living best.

    One of the great stories of friendship and war, the successful novel War Horse not only inspired the award-winning stage play, but also inspired one of the great directors in film history to commit his talent, vision, and resources to make this extraordinary movie, which was shot in the countryside of England."I first fell in love with the story of War Horse because I was moved by the relationship between a boy and an animal in Michael Morpurgo's novel and the screenplay by Richard Curtis and Lee Hall," writes Steven Spielberg in his foreword. "But, ultimately, I made it because of what the book and the screenplay say about courage. I t is about the courage of the horse Joey and what he endures to survive, and the courage of Albert in his attempt to find his best friend in a time of war. With every frame of this film, it was my hope to issue a call for courage in our daily lives. A call to ‘be brave.'"Additional forewords by producer Kathleen Kennedy, novelist Michael Morpurgo, and co-screenwriter Richard Curtis reveal their feelings about the story and the process of moving it from page to screen. The main body of the book is divided into three sections:Part 1: Joey's Journey—A visual retelling, along with script excerpts and filmmakers' comments, of the journey taken by Joey, the horse trained by his beloved Albert, from the striking verdant countryside of Dartmoor, Devon, to training in the British cavalry, to trench warfare in France.Part 2: The Making of War Horse—An insider's glimpse of the movie-making process highlighted with fascinating insights from the international cast and the crew about the casting, locations, costumes, horse training, and much more.Part 3: The History of War Horses—An illuminating section on the role of horses in battle, illustrated with iconic images from history, vivid drawings, paintings and photographs.This beautiful book is a testament to what can be done when people become impassioned about a goal. As producer Kathleen Kennedy expresses in her foreword: "War Horse was one of those unusual productions that comes together in an incredibly short time, and for all the right reasons. Everyone involved understood the film's potential, the richness of the characters, the depth of emotion, and the strength of the story's message."

    With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick's Spartacus in the early 1960s to Martin Scorsese's Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

    From the gore of the infant alien bursting from Kane’s chest to the mounting claustrophobia as Ripley discovers the monster has followed her into the escape shuttle, Alien is a chilling masterpiece.Now, Alien Vault: The Definitive Story of the Making of the Film opens a portal into the making of this legendary film, tracing its path from embryonic concept to fully fledged box office phenomenon.Featured herein are director Ridley Scott’s own annotated storyboards, Polaroids and script pages; the elegant but disturbing concept artwork of H.R. Giger; sketches and construction blueprints for the Nostromo; costume designs by Moebius; a treasure trove of never-before-seen photographs of the cast and crew; and ten meticulously reproduced artifacts, enclosed in vellum envelopes, for readers to remove and examine more closely.Fully authorized and illustrated throughout, Alien Vault is the ultimate tribute to a movie that changed cinema forever.

    It's a little more complicated than that..." All will be revealed in the Official Visual Companion, featuring in-depth interviews, the full screenplay by Whedon and Goddard, stunning production art, and hundreds of color photos!

    It’s about the language of video and how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work just as well when shooting a two-year-old’s birthday party on your phone. Written by Steve Stockman, the director of the award-winning feature Two Weeks, plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn’t Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. In other words, how to shoot video people will want to watch. Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of video production: framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you’ve learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Steve’s website (stevestockman.com) provides video examples to illustrate different production ideas, techniques, and situations, and his latest thoughts on all things video.

    He also surveys the historical origins of the archetypal monsters, such as vampires, zombies, and werewolves, and takes you behind the scenes to discover the secrets of those special-effects wizards who created such legendary frighteners as King Kong, Dracula, and Halloween's Michael Myers. With more than 1000 stunning movie stills and posters, this book is sure to keep even the most intense fright-seekers at the edge of their seats for hours!

    Among this virtual army of hometown participants were numerous professional and amateur photographers, each with full access to the production’s inner workings—for the first time ever this compiles their behind-the-scenes photographs and stories into a treasure trove of Jaws rarities. Included are a foreword by director Steven Spielberg, interviews with production designer Joe Alves, screenwriter Carl Gottlieb, location casting director Shari Rhodes, and more, providing an unprecedented all-access pass to the creation of some of the most memorable and terrifying scenes in film history. This unique compendium is the first to focus on the production’s local participants, telling their stories at last.

    Marilyn Monroe-Leonard Maltin

    Scene 2: Hollywood creates Jean Harlow.Scene 3: Her legend lives forever.At last, the story of how Hollywood shaped a myth and determined a young woman's reality. A town, a remarkable town, became the backdrop for one of Hollywood's most incredible stories, a life rife with glamour, pleasure, power, and--in the end--utter sorrow. Her story lives in the pages and breathtaking pictures of Harlow in Hollywood. When Jean Harlow became the Blonde Bombshell, it was all Hollywood's doing. She was the first big-screen sex symbol, the Platinum Blonde, the mold for every famous fair-haired superstar who would emulate her.

    It has touched more than one generation, as over the years, many parents have shared the magic of this wonderful movie with their children. Seven very special children experienced The Sound of Music firsthand: the seven young actors cast as the von Trapp children. Now, for the first time, they tell their stories about making this celebrated film, from their auditions to rehearsals in Los Angeles to an incredible spring and summer in Salzburg, Austria. What was it like to work with Julie Andrews and Christopher Plummer? How did they learn the songs and dances for the musical numbers? Who almost drowned when the boat tipped over? What was it like to attend the gala Hollywood premiere? What were their lives like after starring in this legendary movie? And how did they become a family in real life, remaining as close as any brothers and sisters for the last 45 years? The answers are revealed at last and as a bonus, they have collected their never-before-seen own home movie footage on a brand-new DVD. It is included here, along with personal cherished memorabilia, such as letters sent home to their families from Europe, a page from the script with edits written in the margin, and a ticket to the premiere. For anyone who is thrilled by the sight of Julie Andrews spinning around on top of a mountain, or who spontaneously bursts out singing "Do-Re-Mi," this captivating behind-the-scenes inside story is a must read.

    Here is a rare and wonderfully insightful chance to experience all of these films, and the history and process of moviemaking in general, through the words and wit of the master director. Richard Schickel’s canny and intelligent interviews guide us through Scorsese’s life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics. The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences’ expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese’s career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable appreciation of one of our most admired film directors.

    Taking place in Paris, the film follows Gil Pender, a screenwriter, who is forced to confront the shortcomings of his relationship with his fiancée and their divergent goals, which become increasingly exaggerated as he travels back in time each night at midnight. The movie explores themes of nostalgia and modernism.

    This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of Fight Club from a philosophical perspective. Topics discussed include:Fight Club, Plato's cave and Descartes' cogito moral disintegration identity, gender and masculinity visuals and narration.Including annotated further reading at the end of each chapter, Fight Club is essential reading for anyone interested in the film, as well as those studying philosophy and film studies.

    He could help to deliver a baby in the morning and witness the last moments of a dying man in the afternoon. He deals with road accidents, knife attacks, domestic violence, drug overdoses, neglect and suffering.And you think you’re having a bad day at work?His experiences spawned two volumes of memoir, both of which are collected here.

    In this new edition, Kim Newman brings his seminal work completely up-to-date, both reassessing his earlier evaluations and adding a second part that assess the last two decades of horror films with all the wit, intelligence and insight for which he is known. Since the publication of the first edition, horror has been on a gradual upswing, and taken a new and stronger hold over the film industry.Newman negotiates his way through a vast back-catalogue of horror, charting the on-screen progress of our collective fears and bogeymen from the low budget slasher movies of the 60s, through to the slick releases of the 2000s, in a critical appraisal that doubles up as a genealogical study of contemporary horror and its forebears. Newman invokes the figures that fuel the ongoing demand for horror - the serial killer; the vampire; the werewolf; the zombie - and draws on his remarkable knowledge of the genre to give us a comprehensive overview of the modern myths that have shaped the imagination of multiple generations of cinema-goers.Nightmare Movies is an invaluable companion that not only provides a newly updated history of the darker side of film but a truly entertaining guide with which to discover the less well-trodden paths of horror, and re-discover the classics with a newly instructed eye.

    Featuring exclusive production artwork, behind-the-scenes photography, and in-depth cast-and-crew interviews, this four-book collection is a must have for any fan of Mighty Marvel movies! Includes IRON MAN: THE ART OF IRON MAN THE MOVIE HC, IRON MAN: THE ART OF IRON MAN 2 HC, THOR: THE ART OF THOR THE MOVIE HC and CAPTAIN AMERICA: THE ART OF CAPTAIN AMERICA - THE FIRST AVENGER HC.

    Kael called movies "the most total and encompassing art form we have," and she made her reviews a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. To read The Age of Movies, the first new selection in more than a generation, is to be swept up into an endlessly revealing and entertaining dialogue with Kael at her witty, exhilarating, and opinionated best. Her ability to evoke the essence of a great artist-an Orson Welles or a Robert Altman-or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here in this career spanning collection are her appraisals of the films that defined an era-among them Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville-along with many others, some awaiting rediscovery, all providing the occasion for masterpieces of observation and insight, alive on every page.

    They spent five years working on this movie. This book tells the story of how the filmmakers started with the original Hergé artwork and books and ended up with what is seen on-screen. It features early concept drawings, previs sequences, models, costume designs and final stills from the film. The book focuses on the creative process, showing the many designs that made it into the movie and others that didn’t. It highlights the attention to detail, skill and creativity of all the artists involved in the making of the movie. The story is told by the artists themselves, who talk about their inspirations, techniques and experiences. Through them we gain a true insight into the creative thinking behind this groundbreaking feature film.

    Hundreds of rare and previously unseen stills help to create a rich souvenir of Hammer’s legacy, from the X certificate classics of the 1950s to the studio’s latest productions. Written and compiled by the official Hammer Films historian Marcus Hearn, and featuring exclusive contributions from the actors and filmmakers associated with the company, this is the most lavish book ever published on the legendary House of Horror. Highlights include:  - Letters to and from some of the company's stars  - Pages from Peter Cushing's scrapbooks  - Pages from the scrapbook of managing director Michael Carreras  - Pre-production artwork, and poster artwork from films that were never made  - Production designs - Rare and previously unpublished photos

    Its tale begins with a small team of craftspeople, engineers, and artists who pioneered analog effects that had never before been attempted or realized on the screen for Star Wars. Industrial Light & Magic continues their story through the effects facility’s mind-bending work, over the following three decades, on more than three hundred films—from optical printing to the digital and computer-generated-effects era. A behind-the-scenes record of the state-of-the-art innovations that have driven moviemaking magic, the book features candid stories from the filmmakers, artists, and technicians who were there, breaking barriers and changing the history of cinema with their early work on cultural landmarks, such as the Star Wars saga, the Indiana Jones series, E.T., Terminator 2, and Jurassic Park. Industrial Light & Magic: The Art of Innovation is the first and only book to focus on the company’s work during the last sixteen years, detailing its creative and technological innovations on dozens of blockbuster films. Through firsthand accounts of the problem solving that has pushed the art form of visual effects to its limits and created visual experiences that could only have been dreamed of in the past, the book features extensive commentary by George Lucas, Dennis Muren, John Knoll, Scott Farrar, Roger Guyett, Ben Snow, Rob Coleman, Lorne Peterson, and many others. Their accounts are supplemented by more than 400 images from many of ILM’s breakthrough movies, such as the Pirates of the Caribbean trilogy, Transformers, Iron Man, and the Star Wars Prequel Trilogy, offering a crash course on the most groundbreaking visual effects created today. Praise for Industrial Light & Magic: “If you loved the movies, chances are good you’ll love this book.” —Georgia Times-Union

    Yet the man who could be accessible and charming on screen retreated to a deeply private world he created behind closed doors.    Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford’s career in diverse media—from film to television to radio—and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances.     This biography by Glenn Ford’s son, Peter Ford, offers an intimate view of a star’s private and public life. Included are exclusive interviews with family, friends, and professional associates, and snippets from the Ford family collection of diaries, letters, audiotapes, unpublished interviews, and rare candid photos. This biography tells a cautionary tale of Glenn Ford’s relentless infidelities and long, slow fade-out, but it also embraces his talent-driven career. The result is an authentic Hollywood story that isn’t afraid to reveal the truth.Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers

    1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition.Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions.With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.

    Gorgeous images showcase the many memorable characters and dangerous situations Harry and his friends have encountered in their battle against Lord Voldemort (TM). All the pages in this keepsake edition can be removed from the book and displayed. As a bonus, the book includes 9 oversized collectible film posters. A must-have for all Harry Potter fans. The seventh movie opened on November 19th, 2010 to a huge audience around the country. There is no doubt the highly anticipated eighth movie out July 15th, 2011 with garner the same reaction.

    For more than forty years, generations of movie lovers have relied upon Leonard Maltin to help them decide what to watch. Comprehensive, trustworthy, and the most established guide on the market, Leonard Maltin's 2012 Movie Guide includes:More than 10,000 DVD and 14,000 video listings An updated index of leading performers and an index of leading directors Old and new theatrical and video releases rated **** to BOMB Reviews of little-known sleepers, foreign films, rarities, and camp classics All-new personal recommendations for movie lovers And sources for buying and renting DVDs

    With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle.As David Seidler writes in his introduction, "The King's Speech is about a great deal more than a speech impediment. It is about friendship. I'm talking about mentoring and support and a great deal of humor. We lose these deep, meaningful friendships at our peril."The Newmarket Press Book includes:A fascinating introduction by screenwriter David Seidler about how and why an idea that came to him almost thirty years ago evolved into the award-winning screenplayComplete Shooting ScriptComplete cast and crew credits

    From horror to romance, noir to slapstick, adventure to tragedy, western to new wave, this selection gathers the greats of 20th century cinema into one indispensable guide to movie gold. The collection is arranged chronologically and in an extra-handy format. Film entries include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. From Metropolis to Modem Times, A Clockwork Orange to Bunuel's The Young and the Damned, from the blockbusters to lesser-known masterpieces, thumb through and transform a quiet evening into an unforgettable screen encounter.

    From diagrams of Phineas and Ferb's craziest inventions, to fun quizzes and trivia, to unfinished comic panels for readers to get creative, this awesome new hardcover format is sure to be a hit with fans of the imaginative stepbrothers.

    Through detailed readings of more than 100 films set in suburbs, small towns, on the road, in the desert, borderlands and the vast, empty West, the author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom--and fears of loneliness, exile and dissolution. Through such films as Out of the Past, They Live by Night and A Touch of Evil, this critical study examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community.

    From Coney Island to Catalina Island and from Brooklyn to Beverly Hills, Lloyd’s timeless movies reflect visions of early 20th-century America unequalled on the silver screen and exemplified in the historical settings found in such classics as Safety Last, Girl Shy, The Freshman, and Speedy. Tracing Lloyd’s career from his early work to owning and operating his own studio, this account illuminates Lloyd’s mastery of his oeuvre—an actor and director more popular than Keaton, more prolific than Chaplin, and who sold more tickets than any other comedian of his era, as well as a comedic genius whose expert staging and editing have influenced films for decades.

    If you love movies—and the writers who engage them—and just happen to have followed two of the highest circulating daily papers in the country, then you probably recognize the name of the intellectually dazzling writer who has been penning pieces on American and foreign films for over thirty years. And if you called the City of the Big Shoulders home in the 1970s or 1980s and relied on those trenchant, incisive reviews from the Chicago Reader and the Chicago Tribune to guide your moviegoing delight, then you know Dave Kehr. When Movies Mattered presents a wide-ranging and illuminating selection of Kehr’s criticism from the Reader—most of which is reprinted here for the first time—including insightful discussions of film history and his controversial Top Ten lists. Long heralded by his peers for both his deep knowledge and incisive style, Kehr developed his approach to writing about film from the auteur criticism popular in the ’70s. Though Kehr’s criticism has never lost its intellectual edge, it’s still easily accessible to anyone who truly cares about movies. Never watered down and always razor sharp, it goes beyond wry observations to an acute examination of the particular stylistic qualities that define the work of individual directors and determine the meaning of individual films. From current releases to important revivals, from classical Hollywood to foreign fare, Kehr has kept us spellbound with his insightful critical commentaries. When Movies Mattered will secure his place among our very best writers about all things cinematic.

    Directed by Kenneth Branagh (Henry V, Harry Potter and the Chamber of Secrets) and starring Chris Hemsworth (Star Trek), Natalie Portman (Star Wars) and Academy Award Winner Anthony Hopkins (Silence of the Lambs), THOR promises to be one of 2011's biggest blockbusters, continuing the story set up in IRON MAN, IRON MAN 2 and THE INCREDIBLE HULK, and leading into THE FIRST AVENGER: CAPTAIN AMERICA and THE AVENGERS.

    Directed by Joe Johnston (Jurassic Park 3) and starring Chris Evans (Fantastic Four), Hugo Weaving (The Matrix, Lord of the Rings) and Academy Award Winner Tommy Lee Jones (The Fugitive), CAPTAIN AMERICA: THE FIRST AVENGER promises to be one of 2011's biggest blockbusters, continuing the story set up in IRON MAN, IRON MAN 2, THE INCREDIBLE HULK and THOR, and leading into summer 2012's THE AVENGERS.

    During those tumultuous years horror cinema flourished, proving as innovative and unpredictable as the decade itself. Representative titles include Night of the Living Dead, The Haunting, Carnival of Souls, Repulsion, The Masque of the Red Death, Targets and The Conqueror Worm. An historical overview chronicles the explosive growth of horror films during this era, as well as the emergence of such dynamic directorial talents as Roman Polanski, George Romero, Francis Ford Coppola and Peter Bogdanovich.

    Only on such rare occasions as Ingmar Bergman's The Virgin Spring, John Boorman's Deliverance and Quentin Tarantino's Kill Bill has the rape-revenge movie transcended what is commonly assumed to be its intrinsically regressive nature.

    Moreover, with its emphasis on soldiers returning from war with post-traumatic stress syndrome, facing an uncertain economic climate, and strained domestic lives, the film speaks with emotional power directly to contemporary issues, including the devastating injuries and insecurites faced by soldiers returning home from combat in Afghanistan and Iraq today. Among the topics discussed are American neorealism, aesthetics, war and homecoming, and more.

    His roles in Bride of Frankenstein, The Mummy, The Black Cat, and many others - most now considered classics of the genre - ensured his reputation as 'The King of Horror'.Born William Henry Pratt in Camberwell, South London in 1887 Karloff defied family expectations and rejected a life in Government service. Instead he emigrated to Canada were he finally found work as a professional actor. After years touring Western Canada and the United States he arrived in

    If she can just get out of the house. Life isn't exactly a walk in the park for this working mom, with two restless kids under six, a neurotic agent, a demanding studio head, and a loveable "under-employed" actor for a husband- And then of course, there is Michael. AN AGORAPHOBIC'S GUIDE TO HOLLYWOOD: HOW MICHAEL JACKSON GOT ME OUT OF THE HOUSE is an irreverent, behind-the-scenes look at show business. It tells the true story of how an agoraphobic screenwriter learns to overcome her fear of stepping outside of the house, and starts to live her life again-thanks to a top secret project, and the most important assignment of her career.

    Marys, Ohio, in 1901, spending most of his teenage years in the company of hoboes. Drifting across the country as a "road kid," he spent those years scrambling into boxcars, sleeping in hobo jungles, avoiding railroad cops, begging meals from back doors, and haunting public libraries. After six years on the road, he jumped off a railroad car in Kent, Ohio, with wild aspirations of becoming a writer. While chasing his dream, Tully worked as a chain maker, boxer, newspaper reporter, and tree surgeon. All the while he was crafting his memories of the road into a dark and astonishing chronicle of the American underclass.After moving to Hollywood and working for Charlie Chaplin, Tully began to write a stream of critically acclaimed books mostly about his road years, including Beggars of Life, Circus Parade, Blood on the Moon, Shadows of Men, and Shanty Irish. He quickly established himself as a major American author and used his status to launch a parallel career as a Hollywood journalist. Much as his gritty books shocked the country, his magazine articles on movies shocked Hollywood. Along the way, he picked up such close friends as W. C. Fields, Jack Dempsey, Damon Runyon, Lon Chaney, Frank Capra, and Erich von Stroheim. He also memorably crossed paths with Jack London, F. Scott Fitzgerald, George Bernard Shaw, James Joyce, and Langston Hughes.The definitive biography of a remarkable writer, Jim Tully: American Writer, Irish Rover, Hollywood Brawler compellingly describes the hardscrabble life of an Irish American storyteller, from his immigrant roots, rural upbringing, and life as a hobo riding the rails to the emergent dream factory of early and Golden Age Hollywood and the fall of his fortunes during the Great Depression.Many saw the dark side of the American dream, but none wrote about it like Jim Tully.

    It places the burgeoning world of cinema in the context of social and cultural developments that have taken place since its beginnings. Organized chronologically, the book traces the evolution of cinematic development, from the earliest days of film projection to the multiscreen cinemas and super-technology of today. Illustrated, in-depth text charts every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and groundbreaking effects of the 21st century. Cinema: The Whole Story is an indispensable book for all those who love watching and reading about films and who want to understand more about the world of cinema.

    CohanHis full name was Spencer Bonaventure Tracy. He was called “The Gray Fox” by Frank Sinatra; other actors called him the “The Pope.”Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength.In his several comedy roles opposite Katharine Hepburn (Woman of the Year and Adam’s Rib among them) or in Father of the Bride with Elizabeth Taylor, Tracy was the sort of regular American guy one could depend on.Now James Curtis, acclaimed biographer of Preston Sturges (“Definitive” —Variety), James Whale, and W. C. Fields (“By far the fullest, fairest, and most touching account . . . we have yet had. Or are likely to have” —Richard Schickel, The New York Times Book Review, cover review), gives us the life of one of the most revered screen actors of his generation.Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend. We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf.We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation, and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a screwball comedy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star.We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do a comedy, made Woman of the Year. Its unlikely costar: Katharine Hepburn.We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star.And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught to communicate orally with the hearing and speaking world.Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . . A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor.

    As a Story Consultant and former VP of Current Programs at CBS/Paramount, most of the author’s work with writers has focused on creating standout scripts by elevating story.

    With 18 stories, gilded pages, and over 250 pieces of both spot and full-page art, this storybook is a must-have for fans! Book Details: Format: Hardcover Publication Date: 7/5/2011 Pages: 312 Reading Level: Age 3 and Up

    If you take your fright flicks on the ghastlier side, you remember his more gory goblins, from the Silicates on the Island of Terror to the mad slasher of the Tower of Evil, and the interstellar shocks delivered by Inseminoid. A master of both worlds, Richard Gordon has been a behind-the-scenes titan of terror for over a half-century, collaborating during his years of active production (1956-1981) with some of the field's most formidable names: Boris and Bela, Peter Cushing and Christopher Lee, Michael Gough, Terence Fisher and more. Go on a film-by-film excursion through his cinematic chamber of horrors in this definitive book-length interview....

    They go deep underground to discover all sorts of weird, wonderful, and far-out facts about making and being in movies. Get an insider’s view of special effects, costumes, bloopers, what actors do when they’re not on set, and more. Thrill-o-rama!

    And often he has to become an amateur sleuth as well. To locate a fragment of a film long considered to have vanished, Valentino has to jet to remote locations or to find ancient Hollywood producers and bit players. But there can be danger as well: people sometimes are willing to kill to insure that a film stays lost.

    This collection features 17 easy piano arrangements of songs from the popular London and Broadway musical based on the classic Disney film. Songs include: Anything Can Happen * Being Mrs. Banks (Parts 1 and 2) * Chim Chim Cher-ee * Feed the Birds * Let's Go Fly a Kite * A Man Has Dreams * Practically Perfect * A Spoonful of Sugar * Step in Time * Supercalifragilisticexpialidocious * Temper, Temper * and more.

    Cult Cinema: An Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including its primary audiences, myriad genres, and the theoretical perspectives that inform a film's "cult" status. After addressing the well-known aspects of cult cinema -- midnight movies, exploitation films, fans of various cult subgenres, issues of censorship, cult-film festivals, and fanzines -- the authors unravel many of cult cinema's deeper mysteries, tackling such issues as representations of gender, transgression, subcultures, and meta-cults (cult movies about cult movies).Topics are presented in sections that are organized thematically around issues relating to reception, aesthetics, and theories. Individual chapters are accompanied by insightful analysis of notable films, including such cult classics as The Rocky Horror Picture Show, Donnie Darko, Blade Runner, Plan 9 From Outer Space, El Topo, Eraserhead, Suspiria, and many others. For cinephiles and scholars alike, Cult Cinema: An Introduction is the ticket to the most complete source of information about a fascinating phenomenon in the history of film.

    Her passionately lived life made her a prime target for the tabloid gossip doyens of the day. This biography recounts the early West Coast life of this superstar as well as her coronation on Broadway, her work in silent film, and her sexual liaisons that helped her gain her notoriety. It also covers her eventual disappearance from public life, her alcoholism and her death, which went largely unnoticed. She was buried in 1955 in a pauper's grave. The book includes first-hand personal anecdotes and observations from recently discovered tapes, which were recorded by a confidant of Lorraine's.

    In that topsy-turvy world, she appeared in films with The Marx Brothers, Greta Garbo, Clara Bow, Katherine Hepburn, Shirley Temple, Claudette Colbert, Fredric March, Charles Laughton, Norma Shearer, Bobby Breen, Tyrone Power, James Cagney, Humphrey Bogart, and Bette Davis. She was sought after by producers Darryl F. Zanuck, David O Selznick, and Jack Warner, and shepherded by directors such as Mervyn LeRoy, William Wellman, Richard Boleslawski, and George Cukor through six films nominated by the Academy of Motion Picture Arts and Sciences as Best Production of the Year. Marilyn appeared in some of the most famous films from Hollywood's Golden Years, including Imitation of Life, David Copperfield, Les Misérables, Anthony Adverse, Showboat, Marie Antoinette, Angels With Dirty Faces, and All This and Heaven Too. Greta Garbo warned her, "In Hollywood, don't count on anything!" After appearing in more than fifty films, Marilyn emerged from the sound stages to embark on worldwide journeys that spanned encounters with General MacArthur in his battle with sea serpents to a thrilling return onstage under the spotlights. Actress, songwriter, and author, Marilyn Knowlden was more than a little girl in big pictures; she achieved a lasting legacy that still thrills audiences today.

    1950) has been working toward the creation of a stop-motion animated film featuring an eclectic cast of fully articulated characters. In keeping with the artist’s distinctive style, the figures used in the animation combine found materials with meticulously carved wood and are art objects in their own right. They inhabit a curious and complex universe and act together to tell a fragmented tale in a unique idiom. The book delves into this visionary world through Frame’s photographs of his sculptural pieces, stage settings, and vignettes.

    With stills, photos from the sets, and in-depth exploration of both iconic and contemporary projects, from Psycho and the French New Wave classic The Week End to Chicago and Zhang Yimou's saga Hero . Get access to lauded professionals, who provide you with the perspective to think like the pros and create compelling visual stories. Apply the perspective you'll gain to your own work with practical tips, or just sit back and coast along this thoughtful, behind-the-scenes road.

    The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best. Fully indexed, 224 photographs.

    The book analyzes its cultural impact and provides a vivid portrait of the director, an ardent Communist and grand provocateur.Will Aitken's novels include Realia and Terre Haute. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.

    The original book, which was published in 1968, when the battle between these two great marques was still ongoing, forms the basis of the new project, but the text is completely rewritten and much expanded to include material that was not available at the time. Above all, this new is incomparable visually, and contains an exceptionally comprehensive and well-balanced selection of photographs, both color and black and white, portraying the two teams and their rivals, the races, drivers, engineers and mechanics in the greatest detail on and off the track, in the paddock at race meetings, in factories and in workshops.

    Ince was a film industry revolutionary. With a career that began in vaudeville and ended with the entire movie studio system credited to his name, the influential producer changed the industry forever. Known for his intense work ethic and vast array of talents that ranged from actor to producer to cinematographer, Ince became known as one of the hardest working businessmen in Tinseltown, churning out more than 100 films during his career. However, today he is perhaps best remembered fo

    Films reviewed include 1992's breathtaking masterpiece of offensive virtual reality The Lawnmower Man, the sparkled vampire spectacle Twilight: New Moon, the manly manliness of the ever-manly film Predator, the crime against humanity that is Aliens vs. Predator: Requiem, the poster film for nihilism, Rambo, and many more.

    Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle.Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.

    

    From her first job with Benny Goodman to singing with Frank Sinatra; from romances with Ronald Reagan and Kirk Douglas to her marriage with Universal mogul Jennings Lang; and from the glamor of New York City to life in a Beverly Hills mansion, this memoir is a rare insider's view of show business history.