This official publication contains 500 exclusive images, from the earliest pencil sketches and conceptual drawings to magnificent full-color paintings that shaped the look of the film. All the principal locations, costumes, armor and creatures are covered in stunning detail, including concepts, storyboards and images that did not make it into the final film.As well as a wealth of sketches, paintings and digital images, The Art of The Fellowship of the Ring contains photographs showing how the creative process was realized and a number of stills from the film. Contributors include Alan Lee and John Howe, the two artists who inspired Peter Jackson's vision of Middle-earth and who worked with him to bring his trilogy to the big screen. They and a dozen other designers who created all of these diverse elements explain how they contributed to the development of the film, giving a fascinating insight into how Middle-earth was brought to life.With text compiled from exclusive interviews with director Peter Jackson, special effects supervisor Richard Taylor, designers Grant Major, Ngila Dickson, Paul Lasaine and others, this unique book celebrates the pivotal contribution made by a handful of people which help turn the first Lord of the Rings movie into an award-winning global success.

    Hailed by critics worldwide, part one of the movie trilogy was a box-office smash, one of the most successful films of the decade. Peter Jackson's "fierce, imaginative movie takes high-flying risks and inspires with its power and scale," wrote Newsweek. "In every way this is moviemaking on a grand scale," wrote the San Francisco Chronicle, while Time proclaimed the "grandeur, moral heft and emotional depth" of the film, which received thirteen Academy Award(R) nominations. Including more than 300 photographs from all three films, most unique to this book, and exclusive interviews with all the cast and crew, Brian Sibley's fascinating book takes every fan inside the process of adapting J.R.R. Tolkien's masterwork for the screen. For the first time in history, three major movies were made at the same time, a triumphant and monumental undertaking that took the world by storm. Here can be found details about the hundreds of dedicated artists, craftspeople and cast and crew members who labored for years -- adding authenticity at every stage -- to bring one of the greatest stories ever told to an eager film audience. Sibley takes us inside the process of filmmaking to show us how the magic is made -- from the director, writers and actors to wardrobe, makeup, miniatures, music and digital special effects, it's all here."It was tiring, physically and mentally, but never dull. Three movies, one big story, and so much variety: one day shooting scenes of intimate heart-wrenching drama, the next, vast battle scenes involving hundreds of extras. Every day brought an opportunity to create something new on this enormous canvas that is The Lord of the Rings." -- Peter Jackson

    The complete retelling of favorite Disney movies in a true read-aloud style.

    The handsome and highly eccentric Nash made an astonishing discovery early in life and stood on the brink of international acclaim. But his white-hot ascent into the intellectual stratosphere drastically changed course when Nash's intuitive brilliance was undermined by schizophrenia. Facing challenges that have destroyed many others, Nash fought back, with the help of his devoted wife Alicia. After decades of hardship, he triumphed over tragedy, and received the Nobel Prize in 1994. A living legend, Nash continues to pursue his work today." Directed by Ron Howard and produced by Brian Grazer, this Universal and DreamWorks production stars Russell Crowe as John Nash. The screenplay of A Beautiful Mind was written by Akiva Goldsman and based in part on the biography of Sylvia Nasar. The cast also includes Ed Harris, Jennifer Connelly, Paul Bettany, and Judd Hirsch.

    From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient."Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried."

    The Great Movies collects one hundred of these essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to that film with a fresh set of eyes and renewed enthusiasm–or perhaps to an avid first-time viewing. Ebert’s selections range widely across genres, periods, and nationalities, and from the highest achievements in film art to justly beloved and wildly successful popular entertainments. Roger Ebert manages in these essays to combine a truly populist appreciation for our most important form of popular art with a scholar’s erudition and depth of knowledge and a sure aesthetic sense. Wonderfully enhanced by stills selected by Mary Corliss, film curator at the Museum of Modern Art, The Great Movies is a treasure trove for film lovers of all persuasions, an unrivaled guide for viewers, and a book to return to again and again.The Great Movies includes: All About Eve • Bonnie and Clyde • Casablanca • Citizen Kane • The Godfather • Jaws • La Dolce Vita • Metropolis • On the Waterfront • Psycho • The Seventh Seal • Sweet Smell of Success • Taxi Driver • The Third Man • The Wizard of Oz • and eighty-five more films.From the Hardcover edition.

    The complete, lavishly illustrated companion to the Sex and the City film.

    There were three extraordinary children in the Tenenbaum family; Chas Tenenbaum (Ben Stiller) was a financial expert and started buying real estate in his early teens; Margot Tenenbaum (Gwyneth Paltrow) was an acclaimed playwright and won a Pulitzer Prize in the 9th grade; Richie Tenenbaum (Luke Wilson) was a champion tennis player ranked 2nd in the world by the age 17. They were brilliant. They were famous. They were unlucky enough to be the children of a man named Royal Tenenbaum (Gene Hackman). Now for the first time in 25 years, they're all living together under the same roof. After having largely gone their separate ways they're looking to mend fences--and themselves in the process.

    In this study, Yvonne Tasker explores the way the film weaves together gothic, horror and thriller conventions to generate both a distinctive variation on the cinematic portrayal of insanity and crime, and a fascinating intervention in the sexual politics of genre.

    Winner of Best Non-Fiction for 2002 Award from the Los Angeles Times Book Review! Samuel Fuller was one of the most prolific and independent writer-director-producers in Hollywood. His 29 tough, gritty films made from 1949 to 1989 set out to capture the truth of war, racism and human frailties, and incorporate some of his own experiences. His film Park Row was inspired by his years in the New York newspaper business, where his beat included murders, suicides, state executions and race riots. He writes about hitchhiking across the country at the height of the Great Depression. His years in the army in World War II are captured in his hugely successful pictures The Big Red One, The Steel Helmet and Merrill's Marauders . Fuller's other films include Pickup on South Street; Underworld U.S.A., a movie that shows how gangsters in the 1960s were seen as "respected" tax-paying executives; Shock Corridor, which exposed the conditions in mental institutions; and White Dog, written in collaboration with Curtis Hanson ( L.A. Confidential ), a film so controversial that Paramount's then studio heads Jeffrey Katzenberg and Michael Eisner refused to release it. In addition to his work in film, Samuel Fuller (1911-1997) wrote eleven novels. He lived in Los Angeles with his wife and their daughter. A Third Face was completed by Jerome Henry Rudes, Fuller's longtime friend, and his wife, Christa Lang Fuller. "Fuller wasn't one for tactful understatement and his hot-blooded, incident-packed autobiography is accordingly blunt ... A Third Face is a grand, lively, rambunctious memoir." Janet Maslin, The New York Times; "Fuller's last work is a joy and an important addition to film and popular culture literature." Publishers Weekly; "If you don't like the films of Sam Fuller, then you just don't like cinema." Martin Scorsese, from the book's introduction

    Thats the tragedy. So the Brentmeister General is now prepared to share with us the scenes of his daily life. The scenarios that really illustrate the principles of great team management. His morale-boosting comedy (remember when he got Dawn to actually believe she was sacked?), his fund of earthy wisdom (there should be no ego when youre pulling together to do something good) along with glimpses of the fervent soul beyond the work-related arena, the impassioned singer-songwriter of the potentially highly successful band Foregone Conclusion (a.k.a. supported by Texas). These scripts will show how anyone can be a great boss and a funny person, how to use humour to boost morale, how to have a laugh at work, with women, at us. Investment in people. Thats what its all about really. The staff. Letting them know that they are our most important commodity. Its like, if youre cleaning a floor, and youre up against it, then come to me, and Ill help us clean our floor togethernot literally. Including 500 screengrabs from the series and unseen email correspondence between David Brent and his BBC Producer, The Office: The Scripts is the definitive comedy script book, providing fans with an invaluable opportunity to relive their favourite moments over and over again.

    The poster art from the noir era has a bold look and an iconography all its own. During noir's golden age, studios commissioned these arresting illustrations for even the lowliest "B" thriller. The Art of Noir is the first book to present this striking artwork in a lavishly produced, large-format, full-color volume. The more than 300 dazzling posters and other promotional material range from the classics to rare archive films such as The Devil Thumbs a Ride and Blonde Kiss. With rare offerings from around the world and background information on the illustrators, The Art of Noir is the ultimate companion for movie buffs and collectors, as well as artists and designers.

    In this book, Ernest Larsen examines the film's sophistcated narrative structure and the new spin it puts on an old genre.

    Screenplay for the film.

    A Story of Disney Princess Ariel's Love

    The Emperor and the Wolf is an in-depth look at these two great artists and their legacy that brims with behind-the-scenes details, many never before known, about their tumultuous lives and stormy relationships with the studios and with one another. More than just a biography, though, The Emperor and the Wolf is also an impromptu history of Japanese cinema -- its development, filmmakers, and performers -- and a provocative look at postwar American and Japanese culture and the different lenses through which two great societies viewed each other.

    If the gore epics, women-in-prison films, and shockumentaries showcased within their mildewed walls didn't live up to their outrageous billing, the audience shouted, threw food, and even vandalized the theaters. For dedicated lovers of extreme cinema, buying a movie ticket on the Deuce meant putting your life on the line. Authors Bill Landis and Michelle Clifford came to know those grindhouses better than anyone else, and although the theaters were gone by the mid-1980s, the films remained. In Sleazoid Express, Landis and Clifford reproduce what no home video can -- the experience of watching an exploitation film in its original fight-for-your-life Deuce setting. Both a travelogue of the infamous grindhouses of yore and a comprehensive overview of the sleaze canon, Sleazoid Express offers detailed reviews of landmark exploitation classics and paints intimate portraits of directors whose notorious creations played the back end of triple bills for years on end. With wit, intelligence, and an unflinching eye, Landis and Clifford offer the definitive document of cinema's most intense and shocking moments as they came to life at a legendary place.

    Now Sex and the City, the first true comedy about sex and love from a female point of view (and the show that made cosmopolitans and designer shoes part of every single woman's night out), lives on in this luscious, uniquely entertaining, and one-of-a-kind book. Sex and the City: Kiss and Tell, the official companion book, celebrates the show with behind-the-scenes stories on all six seasons and original interview with each of the primary actors. Ever wonder which designer made that outrageous outfit of Carrie's? What real-life stories inspired those shocking episodes? How many dates the fabulous foursome have really been on? Packed with over 750 full-color photographs, this stunning volume will answer all these questions and more with information not available anywhere eels. Topped off with a introduction by Sarah Jessica Parker, Sex and the City: Kiss and Tell will excite anyone who has experienced even the slightest flirtation with the sexiest, funniest show on television.

    This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.

    Dangerous Men takes a close look at the images of manhood during this pre-Code era, which coincided with an interesting time for men-the culmination of a generation-long transformation in the masculine ideal. By the late twenties, the tumult of a new century had made the nineteenth century's notion of the ideal man seem like a repressed stuffed shirt, a deluded optimist. The smiling, confident hero of just a few years before fell out of favor, and the new heroes who emerged were gangsters, opportunists, sleazy businessmen, shifty lawyers, shell-shocked soldiers-men whose existence threatened the status quo. In this book, LaSalle highlights such household names as James Cagney, Clark Gable, Edward G. Robinson, Maurice Chevalier, Spencer Tracy, and Gary Cooper, along with lesser-known ones such as Richard Barthelmess, Lee Tracy, Robert Montgomery, and the magnificent Warren William. Together they represent a vision of manhood more exuberant and contentious-and more humane-than anything that has followed on the American screen.

    He was a notoriously private man, rarely granting interviews. For the first time, his life will be portrayed in over 200 images from film, photographs, and the words and full-color paintings of Christiane Kubrick, his wife for over 42 years.Never before seen photographs offer a unique perspective on a man, his times, and his films -- from his very first, Day of Flight (1950), through to his last and unrealized project, finished by Steven Spielberg, A.I. (2001)."Stanley Kubrick": A Life in Pictures explores the many and varied aspects of its subject -- the director, the producer, the photographer, the writer and, not least of all, the man himself.

    (Di Caprio) worked as a doctor, a lawyer, and as a co-pilot for a major airline-all before his 18th birthday. A master of deception, he was also a brilliant forger, whose skill gave him his first real claim to fame: At the age of 17, Frank Abagnale, Jr. became the most successful bank robber in the history of the United States. FBI Agent Carl Hanratty (Hanks) made it his prime mission to capture Frank and bring him to justice, but Frank was always one step ahead of him, baiting him to continue the chase.With more than 100 color images, the companion book includes the complete script and behind-the-scenes photographs of this amazing true tale.

    This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.

    With his trademark glasses, toothy grin, and character that vividly reflected the era of the 20s, Lloyd became the most popular comedian on the screen, producing more movies than Keaton and Chaplin combined. He created the language of thrill comedy, influencing not only his contemporaries, but also modern directors and writers as well - his race-to-the-rescue scene in Girl Shy was the model for the final sequence of The Graduate. This book is a vivid, behind-the-scenes account of Lloyd's movie making - the innovative techniques, the development of the elaborate and thrilling comic sequences, and the idea process - from his early days in silent film through his work in talking pictures. With glorious, never-before-published photographs, film stills from the archives of the Harold Lloyd Estate and Film Trust, and a text by film historian Jeffrey Vance and Lloyd's granddaughter Suzanne, the book paints a portrait of a master filmmaker and comedian.

    The master director's familiarity with Northern California greatly influenced his decision to use Bay Area locations in several of his landmark motion pictures, and more importantly was often the source of inspiration for many of these same cinema classics.Three of Hitchcock's masterpieces were set in the San Francisco area: Shadow of a Doubt, Vertigo, and The Birds. In addition, Rebecca, Suspicion, Marnie, Topaz, Psycho, and Family Plot utilized Bay Area locations and/or were inspired by Northern California events and settings. Footsteps in the Fog examines these famous films, taking the reader on a journey around the Bay Area, while weaving together cinemagraphic intrigue, Bay Area history and lore, and the timeless elegance of San Francisco and its picturesque surroundings.Over 400 historical and contemporary photos are featured in the book, including impromptu off-camera images and shots from the films themselves—many never before seen!Footsteps in the Fog can be used as a companion to viewing the Northern California Hitchcock films, as a guide for visiting the sites and settings used in these motion pictures, and as a source of biographical information about Alfred Hitchcock's personal connections to San Francisco and the Bay Area. Hitchcock loved Northern California; he often entertained Hollywood celebrities at his ranch and vineyard outside of Santa Cruz, and frequented such San Francisco institutions as Jack's Restaurant, the Fairmont Hotel, the Top of the Mark, and the historic Bercut Brothers' Grant Market.Hitchcock fans everywhere will rejoice as they revisit and rediscover the locations and settings used in the great director's most beloved films.

    Elmo's on Halloween night sporting Groucho Marx-style nose glasses. "This is the one night a year where Judd Nelson feels normal," says Tony. In this scene, Rob's sax-synching is so powerhouse that Demi, who's newly crimped hair makes her look like an albino Pointer Sister, is compelled to dry hump the jukebox. "I'm obsessed with this moment coming up," says Marcus, "where Rob starts clapping and says,'Let's rock!' I think he looks so awkward." Just then, his wife traipses in looking like Pat Benatar from the "Love Is a Battlefield" video. When Rob notices she's with another man, all hell breaks loose. "Get your hands off of my wife!" threatens Rob. "With narcissists," explains Dr. Beaverman, "everything belongs to them. They see everything as an extension of themselves. They are not independent objects." Dr. B takes a swig of Snapple and adds, ". . . .unlike whatever Demi's got stuffed into her bra which seems to have a mind of its own." "And check out that metallic lip gloss," says Tony. "It looks like she just went down on C3PO in the bathroom."-- Screening Party on "St. Elmo's Fire"It started as a series of articles for the British version of "Premiere", and "Instinct Magazine", but soon took on a life of it's own. Dennis Hensley, author of the bestseller Misadventures in the (213), has been getting together with 5 friends to watch and debate, rant, criticize, and reminisce about films that are both recognized classics and guilty pleasures. Partway through this deconstruction of memorable cinema, you will encounter this musing on Armageddon: "What girl would make out with her boyfriend in front of her dad?" wonders Tony, as Liv straddles Ben and sucks his face off while Willis and company look on. "She mounted him in a sundress in front of her dad."If you're tired of plodding through earnest studies of film's impact on society, these words alone should convince you that this book is anything but.

    Ernest Janning, one of the most influential German legal minds of the pre war era, and other influential Nazis face a military tribunal in the second wave of post war trials at Nuremberg. Issues at the forefront of this trial reverberate through h

    100+ photos, many in color.

    Aragorn, Legolas, and Gimli must choose the Paths of the Dead to bring desperate aid to the besieged city of Minas Tirith in Gondor, where Gandalf and Pippin have gone to rally the steward Denethor. Merry, forbidden to accompany his friends or the army of Rohan in their long march to war, joins a mysterious rider banished to a similar fate. Spectacular imagery illuminates the story as it proceeds to the Battle of Pelennor Fields and beyond.

    We've diligently compiled a list of 140 of the most influential movies of the 1980s that's sure to please popcorn gobblers and highbrow chin-strokers alike. The 80s was a time for adventurers, an era of excess, pomp, and bravado. In the era when mullets and shoulder pads were all the rage, moviegoers got their kicks from flicks as wide-ranging as Blade Runner, Indiana Jones, When Harry Met Sally, and Blue Velvet. Without a doubt, sci-fi was the most important genre of the decade, with non-human characters like E.T. winning the hearts of millions while the slimy creatures from Aliens became the stuff of nightmares and movies like Ghostbusters and Back to the Future fused comedy and sci-fi to the delight of audiences everywhere. In fact, the 1980s saw the invention of a new reality, a movie-world so convincingly real-no matter now far-fetched-that spectators could not help but abandon themselves to it. Now that's entertainment, folks.

    They took many adventurous road trips together in those early years, de Dienes shooting Norma Jeane in every possible natural setting in his original, inspired style. He soon built up a huge portfolio of stunning photographs of the smiling brunette that helped to launch her modeling career and, a few years later, a film career that was to make her a legend.

    It contains the original screenplay, production stills, and full credits for the country house murder mystery.

    A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment.Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall.Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.

    Mick Martin and Marsha Porter steer you toward the winners and warn you about the losers. DVD & Video Guide 2007 covers it all–more films than any other guide, including your favorite serials, B-Westerns, and made-for-TV movies, and even old television programs! Each entry, conveniently alphabetized for easy access, includes a summary, fresh commentary, the director, major cast members, the year of release, and the MPAA rating, plus a reliable Martin and Porter rating–from Five Stars to Turkey–so you’ll never get caught with a clunker again!THE BEST IN THE FIELD!Including• BRAND-NEW DVD LISTINGS• DIRECTOR AND STAR INDEXES• COMPLETE ACADEMY AWARD LISTINGS• WHERE TO GET THOSE HARD-TO-FIND VIDEOSFrom the Trade Paperback edition.

    Their great body of work spanned almost forty years and includes over 200 films. Over seventy five years since they first began their comedy antics, The Three Stooges still regularly appear on television every day of the week all over the world. The faces of Larry, Moe and Curly are more recognizable than many popular film stars of today. Many of the performers and comedians of today repeatedly borrow from and mimic their great comedy routines. It is only fitting that we pay tribute to their great comedy genius with a detailed study and analysis of all their films from their first, Soup to Nuts in 1930, to their last, Kook's Tour in 1970. This is the definitive source book on The Three Stooges from respected Stooge expert Professor Jon Solomon, and specifically authorized by The Three Stooges company, Comedy III Productions, Inc.

    Originally published or broadcast between 1938 and 1989 in worldwide locations, these pieces confirm that Welles's career was multidimensional and thoroughly inter-woven with Welles's persona. Several of them offer vivid testimony to his grasp on the public imagination in Welles's heyday, including accounts of his War of the Worlds broadcast. Some interviews appear in English for the first time. Two transcriptions of British television interviews have never before appeared in print. Interviewers include Kenneth Tynan, French critic André Bazin, and Gore Vidal. The subjects center on the performing arts but also embrace philosophy, religion, history, and, especially, American society and politics. Welles confronts painful topics: the attempts to suppress Citizen Kane, RKO's mutilation of The Magnificent Ambersons, his loss of directorial authority, his regret at never having run for political office, and his financial struggles. "I would have sold my soul" to play Marlon Brando's role as Don Corleone in The Godfather, he tells a BBC interviewer. Welles deflates the notion of the film director's omnipotence, insisting that it is only in the editing studio that he possesses "absolute control." With scholarly erudition, Welles revels in the plays of Shakespeare and discusses their adaptation to stage and screen. He assesses rival directors and eminent actors, offers penetrating analyses of Citizen Kane, Touch of Evil, Chimes at Midnight, and The Third Man, and declares that he never made a film that lacked an ethical point-of-view. These conversations reveal the majestic mind and talent of Welles from a fresh perspective.

    Now in a new 30th Anniversary edition, E.T.: The Extra-Terrestrial from Concept to Classic is the only official book on the making of the film—the book Spielberg himself calls, “Our E.T. family album.” Lavishly illustrated with more than 200 photos and drawings, E.T.: The Extra-Terrestrial from Concept to Classic includes the complete annotated screenplay by Melissa Mathison, remembrances from the cast and crew, and fascinating little known facts and trivia about the production, making it a must for film buffs and the countless fans who hold this extraordinary motion picture close to their hearts.

    No, the first James Bond film, James Bond: The Legacy is the official, definitive guide to the 007 phenomenon. Loaded with anecdotes, facts, and illustrations, the book provides features on the key actors, from Sean Connery to Pierce Brosnan, directors, costume and set designers, and others working behind the scenes. Without a doubt, this is the book of the Bond World.James Bond: The Legacy takes readers through a comprehensive -- and fun -- history of the movies. The book places the films in the context of their times, showing how producers Albert Cubby Broccoli and Harry Saltzman drew inspiration from the Cold War and from suave, glamorous icons like Hugh Hefner and JFK, and how later world events shaped story lines -- and even how closely the series presaged actual technological developments. As the films move into their fifth decade, the book traces the total Bond impact, through fashion, the Austin Powers films, the Robbie Williams video, and much more, on a whole new generation.Illustrated with over 550 rare photographs, illustrations, and storyboards from the Bond archives, James Bond: The Legacy ties in with major events and promotions marking 007's 40th anniversary. This will be a must-have book for the 2002 holiday season.

    From stupefying stunts to wacky world’s records, all of Ripley’s riveting findings are here, in an easy-to-browse, impossible-to-put-down color volume. Where else could you learn that: • It’s estimated that 10,000,000,000,000,000,000, 000,000,000,000,000 snowflakes have fallen to the Earth since the Earth was formed! • Queen Isabeau of Bavaria used a mixture of boar’s brains, crocodile glands, and wolf blood as skin lotion! • Anna Bread married John Butter in Leeds, England, April 22, 1926! • Phil Turco of Madison, Wisconsin, swallowed 339 goldfish in two hours! Bizarre and amazing categories include Accidents and Disasters, Animals and Insects, Archaeology, Feats and Stunts, Prophecies, Records, the Unexplained, and more. It’s fascinating fun for the whole family.

    Lavishly illustrated with 200 rare posters, movie stills, and book covers, it includes excerpts from a one-on-one personal interview with King.

    "Imagine if, as the camera moved in closer, you actually heard me screeeeaming for my life, " the actor rhapsodizes. "That is horror. That is horror."In Tom Weaver's eighth interview book, Hedison -- and 22 other moviemakers -- talk about their horror and science fiction movie experiences as part of such films and TV series as The Blob, It Came from Outer Space, Tarzan the Ape Man, Star Trek, The Wild Wild West, Somewhere in Time, The Devil Bat, and Forbidden Planet. Among those interviewed are Dan O'Herlihy, Eve Brent, Kate Phillips, John Alvin, Anthony Cardoza, Tod Griffin, Alex and Richard Gordon, Denny Miller, Andrey Dalton, Suzanne Kaaren, and Warren Stevens.

    He was a gambler among gamblers, a heavy drinker in the days when everyone drank seemingly all the time, and a lover to legions of the most attractive women in the most glamorous business in the world, including the great love of his life, Carole Lombard.In this well-researched and revealing biography, Warren G. Harris gives an exceptionally acute portrait of one of the most memorable actors in the history of motion pictures—whose intimates included such legends as Marilyn Monroe, Joan Crawford, Loretta Young, David O. Selznick, Jean Harlow, Judy Garland, Lana Turner, Spencer Tracy, and Grace Kelly—as well as a vivid sense of the glamour and excess of mid-century Hollywood.

    James Mottram now offers the fullest imaginable guide to the film's many complexities. Memento's protagonist Leonard Shelby (Guy Pearce) is on a mission to find the man who murdered his wife. But Leonard suffers from a rare form of amnesia, and in order to keep track of his life he must surround himself with written reminders, some etched on his own flesh . . . This invaluable guidebook steers the reader through the mysteries of the movie's making and its many possible meanings, with expert guidance from Nolan himself and his key creative collaborators.

    In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent film-from the development process to deal making, financing, setting up the production, hiring directors and actors, distributing and marketing your film.

    Those interviewed include such famous names as Lauren Bacall, Kirk Douglas, Sean Connery, Martin Scorsese, Rod Steiger, Dennis Hopper, Tom Hanks, Roman Polanski, Bernardo Bertolucci, Jack Lemmon, Steve Martin and many others. Presented in a lively and accessible manner by Mark Cousins and fully illustrated throughout, the book will appeal to the general reader and those wishing to learn about the craft of film-making. The book provides in-depth discussions on about 40 scenes which illustrate the technical excellence of director or actor in question, flanked by a brief series introduction and a bibliographical section and index. In essence the book will contain around 40 of the most important film scenes from the last 50 years.

    In the process, his opinions have become the standard by which many cinema fans determine what they'll see.In Roger Ebert's Movie Yearbook 2003, the critic offers his reviews from January 2000 through mid-June 2002. Within nearly 900 pages, the Yearbook contains Ebert's analyses of more than 600 movies that range from Bridget Jones's Diary to A Beautiful Mind, from Gosford Park to Black Hawk Down. In addition to the big studio pictures, Ebert also covers the independent film world. The Yearbook includes reviews of foreign films, indie productions, animation, anime, documentaries, and sleepers. Also inside are Ebert's interviews and essays for the year, all of the year's Questions for the Movie Answer Man, and his daily columns from the Cannes, Telluride, Toronto, and Sundance film festivals. Movie fans appreciate the book's three-way index and comprehensive listing of Ebert's star ratings for every movie that has ever appeared in a Movie Home Companion, Video Companion, or Movie Yearbook. Roger Ebert's Movie Yearbook 2003 is a must-have book for everyone who loves the movies.

    In this text, Vidya Borooah traces the struggle Satyajit Ray, a commercial artist and illustrator (but a movie novice) faced in making the film and the talent and perseverance he brought to the task.

    Billy Wilder: Interviews follows the filmmaking career of one of Hollywood's most honored and successful writer-directors and spans over fifty years. Wilder, born in 1906, fled from Nazi Germany and established himself in America. Starting with a celebrated 1944 Life magazine profile, the book traces his progress from his Oscar-winning heyday of the 1940s to the 1990s, in which he is still witty, caustic, and defiant. Often playful and sometimes outrageous, but just as often very serious, Wilder details his rise as a Berlin cub reporter to a fledgling screenwriter in Hollywood's "Golden Age." He tells the stories behind his brilliant direction of such classics as Double Indemnity (1944), The Lost Weekend (1945), Sunset Boulevard (1950), Stalag 17 (1953), Sabrina (1954), The Seven-Year Itch (1955), Some Like It Hot (1959), and The Apartment (1960), among others. A dazzling raconteur, Wilder gives the scoop on the royalty of cinema, from the maddening magic of Monroe to the uncanny empathy of frequent alter ego Lemmon. Though his natural tendency is to spin marvelous anecdotes on the subject of show business, Wilder also delivers penetrating and instructive observations on his craft. On screen, his special blend of cynicism and romanticism was always expressed in a style that avoided showiness. Billy Wilder: Interviews includes in-depth profiles, spirited Q&A's, and on-the-set glimpses of the director at work. Taken together, the interviews form an unofficial memoir of a sophisticated artist once described by a colleague as the most unusual and amusing man in Hollywood. Robert Horton is the film critic for The Herald in Everett, Washington. His work has been published in Film Comment, New York Newsday, American Film, and the Seattle Weekly.

    . . from "Braveheart" in 1995 through "Gladiator" in 2000, with the "Titanic" phenomenon and the "Saving Private Ryan"/"Shakespeare in Love" feud in between. There is also complete coverage of the awards ceremonies?with delicious anecdotes on the presenters and performers, the producers and egos, the fashion stars and fashion victims. And, of course, a complete list of all the nominees and winners, as well as a list of notable non-nominees. Picking up where the classic "Inside Oscar" leaves off, this must-have guide treats us to a behind-the-scenes look at one of America's most beloved annual traditions!

    This revised edition includes analyses of the latest trends in Japanese cinema, such as the revival of the horror genre, and introduces today's up-and-coming directors and their works.As Paul Schrader writes in his perceptive foreword, Richie's accounting of the Japanese film "retains his sensitivity to the actual circumstances of film production (something filmmakers know very well but historians often overlook) . . . and shows the interweave of filmmaking-the contributions of directors, writers, cinematographers, actors, musicians, art directors, as well as financiers."Of primary interest to those who would like to watch the works introduced in these pages, Richie has provided capsule reviews of the major subtitled Japanese films commercially available in DVD and VHS formats. This guide has been updated to include not only the best new movie releases, but also classic films available in these formats for the first time.

    He isolates the various factors that make Trainspotting such a vivid document of its time.

    In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars.Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today.Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period.Note: The hardcover edition of this book does have a dust jacket. (Some hardcovers of University of California Press books available in paperback do not.)

    Kids and collectors will treasure this sticker book filled with Disney facts and lovable characters. The more than 60 stickers include images of film cells, sketches, theme parks, and more.

    It's all in here: great stories of actors and directors at the pinnacle of their careers; those who won and those who should've won; little-known information about all of the classic films; and even the scoop on Academy Award fashions, gaffes and speeches over nearly seventy-five years.Each year's awards are featured over four pages, filled with listings, information, quotes, sidebars and lots of color photographs. Readers will learn everything from the actors originally cast as the leads in Casablanca -- Ronald Reagan and Hedy Lamarr! -- to the particulars of Marlon Brando's rejection of his Oscar for Best Actor. It is a trove of essential trivia for both hardcore and casual film fans.Completely unauthorized, The Academy Awards is sassy and fun -- but it is also wise and full of awe for the magic of film at its finest. It is the biggest and best look yet at moviemaking, and at the industry's highest form of recognition, from the 1920s through the present.

    Presented by the American Film Institute, the nation's preeminent organization dedicated to advancing and preserving the art of the moving image, the American Film Institute Desk Reference is the most comprehensive reference book on filmmaking ever published. Providing detailed information on the world of film, its history and its personalities, this single volume is loaded with enough facts and trivia to satisfy any movie buff. Highlighting filmmakers and costume designers, financiers and actors, this complete guide is packed with more than 500 photographs and illustrations, a year by year chronology of film, and many special annotated lists, including the AFI's celebrated list of the 100 Best Films of the Past 100 Years.