Maggie was shot 17 times and subjected to cruelty and torture, before being rescued from Lebanon and brought to live in the UK by a determined and loving young woman called Kasey.As Maggie struggled to overcome her injuries, every day was a fight to rehabilitate her. But Kasey was convinced that what she had found in this little dog was someone just as determined to live and love as she was.This is the incredible story of their journey together: a story of hope, unconditional love and never giving up.

    Combining Adam's inimitable comedic voice and four-color illustrations by his friend Michael Narren, Rich Man Poor Man is a hilariously accurate look at what the people born with silver spoons in their mouths have in common with the people whose only utensils are plastic sporks stolen from a Shakey's.

    The Inquiry quickly becomes the greatest challenge of her life – solving the mystery of Genesis.Facing danger at every turn, can Ella find the answers to the riddles and clues left by the missing genius?Reunited with her estranged daughter, the Inquiry sends them on a quest across the world and through ancient texts.What is the secret that binds us all?Who is behind the dark forces that will stop at nothing to prevent the world from knowing the truth?

    In ‘Cora Lee is Stupid’ a young girl takes vengeance on an abusive older sister. In ‘Dead Weight’ three bank robbers get more than they bargained for during their getaway. In ‘Rosetta Stone’ a bitter young man comes face to face with the end of the world.

    

    Just when it seems that Little League may be no place for a kid, this all-star line-up of conniving commissioners and mitt-impaired fielders sends the sport off and over the wall.Praise for Little League Confidential"Bill Geist is the funniest writer since Marcel Proust--I mean Mark Twain--no, make that Yogi Berra."--Russell Baker"A lighthearted romp . . . essential reading for seasons to come."--The New York Times Book Review"Very, very, very funny."--Larry King, USA Today

     In this deeply funny (and, no kidding, wise and poignant) book, Rakoff examines the realities of our sunny,  gosh­ everyone-can-be-a-star contemporary culture and finds that, pretty much as a universal rule, the best is not yet to come, adversity will triumph, justice will not be served, and your dreams won’t come true. The book ranges from the personal to the universal, combining stories from Rakoff’s reporting and accounts of his own experi­ences: the moment when being a tiny child no longer meant adults found him charming but instead meant other children found him a fun target; the perfect late evening in Manhattan when he was young and the city seemed to brim with such pos­sibility that the street shimmered in the moonlight—as he drew closer he realized the streets actually flickered with rats in a feeding frenzy. He also weaves in his usual brand Oscar Wilde–worthy cultural criticism (the tragedy of Hollywood’s Walk of Fame, for instance). Whether he’s lacerating the musical Rent for its cutesy depic­tion of AIDS or dealing with personal tragedy, his sharp obser­vations and humorist’s flair for the absurd will have you positively reveling in the power of negativity.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    It will not take you more than an hour to benefit from the wisdom of the work. This book makes it possible for you to have a blueprint to change your habits for the better. Read this book to be more disciplined and successful in life.

    And she got one-coming at her at forty miles per hour. Hit by a car and suffering debilitating injuries, and with no health insurance, the fashionista attempts to bounce back into her (thrift store-purchased) Jimmy Choos even as she deals with short-term memory loss, stalker ambulance drivers, trying to stay vegan on food stamps, crazy judges, hot doctors, and unsympathetic government workers.Inspired by her acclaimed one-woman show, this is a bitingly funny and keenly observed account of the cracks in our medical and social welfare system and how one woman's resilience combined with a generous dollop of humor helped her fight her way to recovery.

    So thinks Mormon mom extraordinaire Annie Fisher . . . that is, until she finds herself embroiled in the baffling disappearance of family friend Angus Puddicombe. Following the delivery of a puzzling message and a few startling discoveries, all signs point to—confusion. What Annie knows for sure is that Angus is in over his head, and there is no time to lose. Unaware of the danger that awaits, Annie, her trusty husband, Newton, and a vanload of kids forge ahead to unravel the mystery. Can this group of amateur sleuths get to the bottom of what’s going on before something goes horribly wrong?If you enjoyed this book, watch for The Song of Copper Creek, coming this July. Annie, Newton, and Angus make a cameo appearance!

    This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the mainstream status of the renaissance in black women's writing. This casebook presents a variety of critical approaches to this classic autobiography, along with an exclusive interview with Angelou conducted specially for this volume and a unique drawing of her childhood surroundings in Stamps, Arkansas, drawn by Angelou herself.

    In her column, Lisa lets her hair down, roots and all, to show the humorous side of life from a woman’s perspective. The Sunday column debuted in 2007 and on the day it started, Lisa wrote, “I write novels, so I usually have 100,000 words to tell a story. In a column there’s only 700 words. I can barely say hello in 700 words. I’m Italian.” The column gained momentum and popularity. Word of mouth spread, and readers demanded a collection. Why My Third Husband Will Be a Dog is that collection. Seventy vignettes. Vintage Scottoline.In this collection, you’ll laugh about:• Being caught braless in the emergency room• Betty and Veronica’s Life Lessons for Girls• A man’s most important body part• Interrupting as an art form• A religion men and women can worship• Real estate ads as porn• Spanx are public enemy number one• And so much more about life, love, family, pets, and the pursuit of jeans that actually fit!

    What began as a mutual interest in sneak-reading comic books in class evolved into a friendship which has outlasted a great many Presidents and a whole lot more, besides.Teddy and Ray, along with two other boys, formed the core of a group of kids who did everything together. As teenagers, they discovered that restaurants gave free coffee refills even if you didn't order anything else, leading to a lifetime's worth of bottomless cups and frustrated restaurant owners. Now in advanced age, Teddy and Ray still meet regularly to drink too much coffee and talk about the things old guys usually tend to talk about. In between, they flash back to various times and events which helped shape their lives.One of their once-close group, who has enjoyed a modestly successful career in Hollywood, comes up with the idea of making a movie about their youthful experiences together and what came after for each of them. This would, of course, include starring the surviving originals as the present-day versions of their cinematic selves. For some, however, facing their past, present and inevitable future all in one sitting proves considerably more difficult than it looks on the silver screen.

    Dalloway (1925) To the Lighthouse (1927) The Waves (1931) The Years (1937) Between the Acts (1941) THE 'BIOGRAPHIES' Orlando: a biography (1928) Flush: a biography (1933) Roger Fry: a biography (1940) THE STORIES Two Stories (1917) Kew Gardens (1919) Monday or Tuesday (1921) A Haunted House, and other short stories (1944) Nurse Lugton's Golden Thimble (1966) Mrs Dalloway's Party (1973) The Complete Shorter Fiction (1985) THE ESSAYS Mr. Bennett and Mrs. Brown (1924) The Common Reader I (1925) A Room of One's Own (1929) On Being Ill (1930) The London Scene (1931) A Letter to a Young Poet (1932) The Common Reader II (1932) Walter Sickert: a conversation (1934) Three Guineas (1938) Reviewing (1939) The Death of the Moth, and other essays (1942) The Moment, and other essays (1947) The Captain's Death Bed, and other essays (1950) Granite and Rainbow (1958) Books and Portraits (1978) Women And Writing (1979) 383 Essays from newspapers and magazines AUTOBIOGRAPHICAL WRITING A Writer's Diary (1953) Moments of Being (1976) The Diary Vols. 1–5 (1977-84) The Letters Vols. 1–6 (1975-80) The Letters of V.W. and Lytton Strachey (1956)  A Passionate Apprentice. The Early Journals 1887-1909 (1990)  THE PLAY Freshwater: A Comedy (both versions) (1976)