Young women live by feminism's goals, yet feminism itself is undeniably at a crossroads; "girl power" feminists appear to be obsessed with personal empowerment at the expense of politics while political institutions such as Ms. and NOW are so battle weary they've lost their ability to speak to a new generation. In Manifesta, Jennifer Baumgardner and Amy Richards show the snags in each feminist hub--from the dissolution of riot grrrls into the likes of the Spice Girls, to older women's hawking of young girls' imperiled self-esteem, to the hyped hatred of feminist thorns like Katie Roiphe and Naomi Wolf--and prove that these snags have not, in fact, torn feminism asunder. In an intelligent and incendiary argument, Baumgardner and Richards address issues instead of feelings and the political as well as the personal. They describe the seven deadly sins the media commits against feminism, provide keys to accessible and urgent activism, discuss why the ERA is still a relevant and crucial political goal, and spell out what a world with equality would look like. They apply Third Wave confidence to Second Wave consciousness, all the while maintaining that the answer to feminism's problems is still feminism.

    Pavel, a Russian émigré, assists the police investigation as a sketch artist. But Pavel's true calling is as a tattoo artist, and the so-called Bad Santa killings conjure up memories of the nightmarish world in which he learned his craft: a Russian prison camp that shattered his childhood and destroyed his family. Shifting between the living hell of a 1940s Siberian gulag and the crime-ridden chaos of New York City during the 1970s, this graphic novel's stunning artwork provides an atmospheric backdrop to its tale of corruption, murder, and revenge.Author Jerome Charyn was acclaimed by The New York Review of Books as "a fearless writer. Brave and brazen." This edition of Little Tulip, which was originally published in French, features Charyn's new English translation. Award-winning illustrator François Boucq also collaborated with Charyn on the acclaimed graphic novels The Magician's Wife and Billy Budd, KGB. Suggested for mature readers.

    Analyzing data from the psychoanalyst’s couch to the hidden history of wet nursing, psychologist Shari L. Thurer wends her way from the Stone Age to the age of Hillary Rodham Clinton, painting a vivid, often frightening picture of life for mothers and children in a time when their roles were constructed by men. Along the way, she debunks myth after myth—exposing the not-so-golden ages of Classical Greece and the Italian Renaissance, and revealing the pervasive ideal of Dr. Spock’s selfless, stay-at-home mother as the historical aberration it actually was. A work of impassioned scholarship and astonishing range, The Myths of Motherhood does nothing less than recast our conception of good mothering.

    Beginning as a passively absent narrator, Vannina encounters a fascinating array of characters during the holiday she takes on an island in the Bay of Naples with her husband, Giacinto. When he returns to work in a garage in Rome, Vannina travels to Naples with Suna, a friend she has made on vacation. This startling character opens Vannina to the possibility of finding love through other women and helps her reject the role of serving coffee to the men who would change the world through violence. Back in Rome, Vannina rejects her former life and moves toward complete, if difficult, independence. Maraini's writing is superb. Its warm and sensual style gives life to details: the food of the Mediterranean, the smell of its herbs, the acts of making coffee and making love, the step-by-step journey of an individual to self-awareness, self-reliance and independence. Everything is vivid and vibrant. Maraini's women grow in strength beyond the clamor of political slogans. The values of understanding, intuition and compassion effect real change that transcends the wearisome struggle between the chauvinisms of the political Right and the political correctness of the Left. A milestone in Italian literature.

    Her work rocked the foundations of the literary canon by castigating time-honored classics for their use of sex to degrade women.

    Lila Abu-Lughod boldly challenges this conclusion. An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face and asking what motivates particular individuals and institutions to promote their rights.In recent years Abu-Lughod has struggled to reconcile the popular image of women victimized by Islam with the complex women she has known through her research in various communities in the Muslim world. Here, she renders that divide vivid by presenting detailed vignettes of the lives of ordinary Muslim women, and showing that the problem of gender inequality cannot be laid at the feet of religion alone. Poverty and authoritarianism--conditions not unique to the Islamic world, and produced out of global interconnections that implicate the West--are often more decisive. The standard Western vocabulary of oppression, choice, and freedom is too blunt to describe these women's lives.Do Muslim Women Need Saving? is an indictment of a mindset that has justified all manner of foreign interference, including military invasion, in the name of rescuing women from Islam--as well as a moving portrait of women's actual experiences, and of the contingencies with which they live.

    Provides single women with advice on such topics as dealing with men, sex, career success, becoming sexy, making money, and staying healthy.

    Hester develops a three-part definition of xenofeminism grounded in the ideas of technomaterialism, anti-naturalism, and gender abolitionism. She elaborates these ideas in relation to assistive reproductive technologies and interrogates the relationship between reproduction and futurity, while steering clear of a problematic anti-natalism. Finally, she examines what xenofeminist technologies might look like in practice, using the history of one specific device to argue for a future-oriented gender politics that can facilitate alternative models of reproduction. Challenging and iconoclastic, this visionary book is the essential guide to one of the most exciting intellectual trends in contemporary feminism.

    Here is the fiery prophet, assailing the corruptions of Syrian governmental and upper social circles with the wrath and scorn of Biblical seers.Here, too, is the poet of love, apostrophizing beauty, youth and nature, particularly the wonderful vistas of Lebanon, with its cedar groves and mountains, in poetry of passionate tenderness.And above all, here is the author of the remarkable poetic narratives in which Gibran's mystical, spiritual vision of the transmigration of souls is embodied in tales of lovers tragically parted in one existence and rapturously reunited, after centuries of separation, in a later incarnation.The spiritual message of the great Lebanese prophet and poet is conveyed with exceptional beauty and power in these sensitive writings.

    Ebla, an orphan of eighteen, runs away from her nomadic encampment in rural Somalia when she discovers that her grandfather has promised her in marriage to an older man. But even after her escape to Mogadishu, she finds herself as powerless and dependent on men as she was out in the bush. As she is propelled through servitude, marriage, poverty, and violence, Ebla has to fight to retain her identity in a world where women are "sold like cattle."

    Also featuring the not-to-be-missed origin of Pandora and the next seeds of the upcoming crossover event, “Trinity War!”

    It is the story of a lost world. It begins in 1917, in Lebanon, when I was seven years old.” So opens this haunting memoir by Wadad Makdisi Cortas, who eloquently describes her personal experience of the events that have fractured the Middle East over the past century.Through Cortas’ eyes we experience life in Lebanon under the oppressive French mandate, and her desire to forge an Arab identity based on religious tolerance. We learn of her dedication to the education of women, and the difficulties that she overcomes to become the principal of a school in Lebanon. And in final, heartbreaking detail, we watch as her world becomes rent by the “Palestine question,” Western interference, and civil war.The World I Loved is both an elegy on Lebanon and her people, and the unforgettable story of one woman’s journey from hope to sorrow as she bears painful witness to the undoing of her beloved country by sectarian and religious division.

    In this enlightening book, Carol Tavris unmasks the widespread but invisible custom -- pervasive in the social sciences, medicine, law, and history -- of treating men as the normal standard, women as abnormal. Tavris expands our vision of normalcy by illuminating the similarities between women and men and showing that the real differences lie not in gender, but in power, resources, and life experiences. Winner of the American Association for Applied and Preventive Psychology's Distinguished Media Contribution Award

    Fromm explains what he calls the six-thousand-year-old "guerrilla war" between the sexes, his views on Bachofen, and a radical-humanist revision of classical Freudian theory and therapy.

    Under her, women's roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women's status. Index, maps and illustrations.