It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart.Classics included in this volume include:One Eye, Two Eyes, Three Eyes,The Magic Mirror,The Enchanted Stag,Hansel and Grethel,The Story of Aladdin,This Story of Ali Baba,The Second Voyage of Sinbad the Sailor,The White Cat,The Golden Goose,The Twelve Brothers,The Fair One With the Golden Locks,Tom Thumb,Blue Beard,Cinderella,Puss In Boots,The Sleeping Beauty In the Wood,Jack and The Bean-Stalk

    160 illustrations.

    Generally, very little changes in the Briardale Valley, but this year things are different. His grandfather - known to everyone as the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time.Every year, the Gaffer would redraw the boundary lines of the village, with pen and paper but also through the remembrance of folk tales, family stories and timeless communal rituals which keep the sheep safe from the Devil. This year, though, the determination of some members of the community to defend those boundary lines has strengthened, and John and Katherine must decide where their loyalties lie, and whether they are prepared to make the sacrifices necessary to join the tribe...Gripping, unsettling and beautifully written, Andrew Michael Hurley's new novel asks how much we owe to tradition, and how far we will go to belong.

    From its beginning as a few lines of Latin text written in a sixth-century monk’s hand, Arthurian legend has blossomed over the years into a unique universe built on the real foundations of Britain’s Dark Ages and the principles of ancient chivalry. Liberally expanded over the years to include romantic entanglements, an imaginary ancient empire, and the threat of the supernatural, the legend of King Arthur remains as engaging today as it was in medieval times. King Arthur’s life, whether it happened or not, cuts to the core of the Matter of Britain and reveals the heart of Britain’s fanciful idea of its origin.

    Nor did it bury the horrors predating civilisation. Ancient rites, old deities and savage ways can reappear in the places you least expect.Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain.Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.'The Reddening' is an epic story of folk and prehistoric horrors written by Adam Nevill, the author of 'The Ritual', 'Last Days', 'No One Gets Out Alive' and the three times winner of The August Derleth Award for Best Horror Novel.

    Proposing instead that kitsch is the product of a larger sensibility of loss, Celeste Olalquiaga shows how it enables the momentary re-creation of experiences that exist only as memories or fantasies. Simultaneously exposing and celebrating this process, Olalquiaga gives us a bold, trenchant analysis of what and how we see when we look at kitsch.

    I think. When a missing person case brings me into contact with the only other supernatural creature I have ever seen, it’s not long before I am ass-deep in trouble. The police don’t like me, there’s a clandestine organisation who want me to join them, and what might be a demon trying to catch me. When I refuse to play ball with any of them, my life starts to get tough, but I had no idea how low they might stoop to force my hand. Soon they will find out just how badly they underestimated me. I hope. Have I bitten off more than I can chew? Somehow, I need to escape captivity, cross to a mysterious demon realm, rescue a girl, and find my way back. Easy, right? It might be if they hadn’t confiscated my wand. Thankfully, I’m not alone, I have a powerful werewolf as an ally. If only he wasn’t such an annoying, snarky d-bag.

    You can find this book online in the Digital Collection of the University of Floridahttp://ufdc.ufl.edu/UF00028272/00001?...

    What is it about these boats that has captured the popular imagination? With his "lively blend of reportage [and] reflection" (Los Angeles Times), Michael Ruhlman sets off for a renowned boatyard in Martha's Vineyard to follow the construction of two boats-Rebecca, a 60-foot modern pleasure schooner, and Elisa Lee, a 32-foot powerboat. Filled with exquisite details and stories of the sea, this exciting exploration of a nearly forgotten craft and the colorful personalities involved will enthrall wooden boat owners as well as craftspeople of every stripe, nature enthusiasts, and fans of compelling nonfiction.

    Featuring original texts from sources around the world, it includes readings from Greek and Roman classics (by Homer, Hesiod, Ovid, and other writers); Nordic mythology (by Snorri Sturluson); Hindu culture (The Ramayana); and from such ancient works as The Epic of Gilgamesh and the Bible. Selections from Native-American sources and fairy tales and stories from Africa, Germany, and the United States are also included. In addition, authors Eva Thury and Margaret Devinney draw comparisons between classical myths and such contemporary cultural phenomena as The X Files, Star Trek, and Mother Goose. They also incorporate readings by Carl Jung, Levi-Strauss, Victor Turner, and other scholars who consider mythic material from different analytical perspectives. Finally, works by Milton, Keats, Updike, and Joyce are presented as examples of modern literary texts with mythological roots. The selections are organized into seven topical sections: myths of creation and destruction; hero and trickster myths; ritual and myth; myths and dreams; folktale and myth; modern American myths; and myths and literature. Introduction to Mythology: Contemporary Approaches to Classical and World Myths employs an innovative pedagogical structure to help students unravel the complex web of literary allusions often found in mythological texts. Extensive marginal notes provide cross-references and explanations of terms and culture-specific concepts, while a glossary of deities, suggested readings for each chapter, and more than 200 illustrations, photographs, and maps further enhance the volume. Ideal for courses in classical and world mythology, this text can also be used in world culture, world literature, and comparative religion courses. An Instructor's Manual and a Student's Website featuring chapter objectives and summaries, key terms, study questions, self-tests, and off-site links of interest will accompany the book.

    They travelled the length and breadth of Scotland, and much of England too, stopping here and there until they were moved on by the local authorities or driven by their own instinctive need to travel. By campfires, under the unchanging stars they brewed up tea, telling stories and singing songs late into the night. Jessie's Journey describes what it was like to be one of the last of the traditional travelling folk. It is not an idyllic tale, but despite the threat of bigoted abuse and scattered schooling, humour and laughter run throughout a childhood teeming with unforgettable characters and incidents.

    Brilliant and utterly breathtaking, Radasky’s is a powerful new voice in romance, fantasy, and historical fiction. Bravo!The Romans’ path of destruction jeopardizes a Caledonian clan unless they are able to strike a bargain with the Gods, which ultimately means a human sacrifice. Jahna is a member of this first century tribe. She has the power to merge minds, which she chooses to do with a twenty-first century woman, Aine MacRae and her contemporary, a young man Lovern, to whom she was hand-fasted in her time and of whom she shared a child, in order to save her people. In the name of the gods, Lovern was killed. Druids place his body in the sacred Black Lake, but through a visit from his ghost, Jahna sends their child away thus securing their bloodline. In the midst of madness, Jahna lives just long enough to reveal to Aine, her grief. Two thousand years later, in the year 2005, Aine is hoping to reestablish her career as an archaeologist and assists in the excavation in the Highlands of Scotland of a first century Caledonian chieftain’s tomb with fellow archaeologist, Marc Hunt. As the fates align, Jahna, guides Aine to one bronze bowl, then another, and when she is led by a ghost, Aine uncovers a two thousand year old man encased in a bog. As the circle goes unbroken, a heart’s chains are loosened and it is understood that Aine and Marc are able to rediscover their past love.

    Patrick battled the King of the Snakes, who hid his crown of gold and jewels in the hills near the village. But it is not only legend that haunts the town. The figure of the demonic money-lender Black Murdock looms over the village, as he searches for the lost treasure while manipulating the townsfolk to his own evil ends. Even more threatening than Murdock is the shifting bog, personified as a baneful "carpet of death," which will swallow up anything -- and anyone -- in its path. Art and his friend Dick will brave the dangers of the bog to seek out the treasure, but the sinister machinations of Murdock will lead to a deadly conclusion! Featuring a slow accumulation of terror worthy of Le Fanu, The Snake's Pass was Bram Stoker's first novel. A clear precursor to Dracula, The Snake's Pass was the only of Stoker's novels set in his native Ireland. This edition follows the text of the first edition published at New York in 1890.

    In Chicago's Ukrainian Village, Nadya Lysenko has built her life on a foundation of secrets.When Nadya was sixteen, she snuck out of her house in Western Ukraine to meet a fortuneteller in the woods. Ignoring the threat of Nazis and Russians, Nadya was driven by love and a desire to learn the unknown. She never expected it to be the last time she would see her family.Years later, Nadya continues to be haunted by the death of her parents and sisters. She clings to her traditions and stories from Ukraine, the only parts of her past that she can share with her family. The myths and magic of Nadya's childhood are still a part of her reality: house spirits misplace keys and glasses, dreams unite friends across time and space, and a fortuneteller's cards predict the future.Her beloved dead also insist on being heard, through dreams and whispers in the night. They want the truth to come out. Nadya needs to face her past and confront the secrets she buried within-THE SILENCE OF TREES.

    In a novel set in the majestic Himalayas, ten men and two women brave the treacherous "dark side" of Mount Everest--a high-stakes adventure that pits climbers against their own fears.