Evangelicals who recognized this backed him more than any other presidential candidate in history. Heading into 2020, the stakes in his reelection are even higher. This election, nine months after this book releases, is a new fight for the soul of America. Stephen E. Strang makes the case that God wants America to be great because God has raised up America—beginning with our Founding Fathers—to be a beacon of light and hope for the world. We’ve been the nation with religious liberty that has supported those who have spread the gospel around the world.In this book Strang looks at the election, Trump, and America from a spiritual perspective and helps Christians (and others) see God’s hand at work. This book is as much about God and His purposes as about Donald Trump. But it is also an articulate, impassioned apologetic about why all Christians must support this imperfect president, because he has God’s blessing and because the destiny of America is riding on his reelection. This book also explores why he might lose, if his base is overconfident and doesn’t vote or if his opponents are dishonest enough to steal the election.God, Trump, and the 2020 Election is an inside look at how the political climate is affected by  spiritual warfare—an important subject for Bible-believing Christians. The satanic schemes are so brazen on key issues that the book was written to explain what’s at stake. Strang believes that the intersection of faith and politics needs to be part of the national discussion about the division in our country.Other Books By Stephen E. Strang:God and Donald Trump (2017) ISBN-13: 978-1629994864Trump Aftershock (2018)ISBN-13: 978-1629995557

    Declared unfit for human habitation, the Zones of Exclusion includes the towns of Pripyat (established in the 1970s to house workers) and Chernobyl. In May 2001, Robert Polidori photographed what was left behind in the this dead zone. His richly detailed images move from the burned-out control room of Reactor 4, where technicians staged the experiment that caused the disaster, to the unfinished apartment complexes, ransacked schools and abandoned nurseries that remain as evidence of those who once called Pripyat home. Nearby, trucks and tanks used in the cleanup efforts rest in an auto graveyard, some covered in lead shrouds and others robbed of parts. Houseboats and barges rust in the contaminated waters of the Pripyat River. Foliage grows over the sidewalks and hides the modest homes of Chernobyl. In his large-scale photographs, Polidori captures the faded colors and desolate atmosphere of these two towns, producing haunting documents that present the reader with a rare view of not just a disastrous event, but a place and the people who lived there.

    Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.

    Tells the complete story: From the Conquest of Mexico and the conversion of the Aztecs through the development of the devotion and on into the modern era. An enthralling story and an essential devotion for our times!

    from pre-biblical Egypt and pre-Homeric Greece to the farthest researches of Africa, the Orient, the Pacific and the Americas.. all gathered into one mammoth volume of unprecedented scope and beauty, and illustrated with an incomparable scope and beauty, and illustrated with an incomparable assemblage of authentic paintings, sculpture, symbols, idols, ritual and sacrificial objects, many rarely seen by modern Western eyes. This monumental work is the first complete encyclopedia of world anthology. Originally published in France by the famous house of Larousse, it contains of course all the well-loved myths of Classical Antiquity. But more than half the book is devoted to the strange and unfamiliar mythologies of civilizations...from Peru to Persia, from Tahiti to Togoland. Nearly 600 Illustrations.

    Arguing that the utopian Bolshevik project of remaking the world featured a sustained assault on Islam that destroyed patterns of Islamic learning and thoroughly de-Islamized public life, Khalid demonstrates that Islam became synonymous with tradition and was subordinated to powerful ethnonational identities that crystallized during the Soviet period. He shows how this legacy endures today and how, for the vast majority of the population, a return to Islam means the recovery of traditions destroyed under Communism.Islam after Communism reasons that the fear of a rampant radical Islam that dominates both Western thought and many of Central Asia’s governments should be tempered by an understanding of the politics of antiterrorism, which allows governments to justify their own authoritarian policies by casting all opposition as extremist. Comparing the secularization of Islam in Central Asia to experiences in Turkey, the former Yugoslavia, and other secular Muslim states, the author lays the groundwork for a nuanced and well-informed discussion of the forces at work in this crucial region.

    They brutally murdered their hosts. Dr. Charles Scudder and companion Joey Odom built the "castle in the woods" in the Trion forest after Scudder left his position as professor at Loyola. He brought with him twelve thousand doses of LSD. Rumors of drug use and Satanism swirled around the two men. Scudder even claimed to have summoned a demon to protect the estate. The murders set the stage for a trial vibrant with local lore.

    Now that Dmitri Volkogonov, historian and former general in the Soviet Army, has been entrusted with the management of the archives as a Special Assistant to Boris Yeltsin, we at last have a chance to find out. For the last three years he has combed through more than 3700 once-secret documents covering every piece of information in the archive system concerning Vladimir Ilyitch Lenin and his legacy. He has woven this mountain of information into a compelling story of the Soviet founding father and the system he created. Volkogonov offers a radical departure from the traditional interpretation of Lenin as an idealist. Many of the characteristics of so-called Stalinism, he shows, arose in Lenin's lifetime, often on Lenin's direct orders. From the creation of concentration camps, to brutal repression of the church and the media, to the strategic cultivation of a cult of personality, Lenin's leadership was cruel and totalitarian. Volkogonov also offers select revelations from the post-Lenin years in order to demonstrate that the worst excesses of the Soviet state all had their roots in its founding father. In Volkogonov's words, for years "we asked ourselves where Stalin had acquired the cruelty which he inflicted on his fellow countrymen. None of us - the present author included - could begin to imagine that the father of domestic Russian terrorism, merciless and totalitarian, could have been Lenin."

    He follows the changing trends in the making and significance of art in different cultures, and explains why the art of the day looked and functioned as it did. Key images and objects-some of them familiar works of art; others, less known but equally crucial to the story-act as landmarks on the journey, focal points around which the discussion always centers. Along the way, Bell answers fundamental questions such as "What is art and where does it start?" and "Why do humans make it and how does it serve them?"Previous histories tended to focus only on the masterpieces of Western art, in the process excluding the work of women or non-Western artists, or else considering developments around the world as separate, unrelated phenomena. Bell's achievement is to take a global perspective, bringing the distinct stories together in one convincing narrative. He draws insightful and inspired connections between different continents and cultures and across the millennia, which results in a rich and seamless introduction to the world of visual creativity.Hundreds of carefully selected illustrations show how artists from different ages and societies often shared the same formal, technical, and aesthetic concerns, while others took divergent paths when their vision dictated it.Julian Bell, himself a well-known painter, is the grandson of Vanessa and Clive Bell, key members of the celebrated Bloomsbury group of writers and artists. His books include What is Painting?.

    Twenty-five years and dozens of award-winning games later, LucasArts has earned a prestigious place in the industry and in the hearts of gamers everywhere. Rogue Leaders is the first substantive survey of a videogame companya deluxe compilation that traces its history through never-before-published interviews. In addition, more than 300 pieces of concept art, character development sketches, and storyboards have been lavishly reproduced to showcase the creative talent behind such videogame classics as The Secret of Monkey Island, Grim Fandango, and Star Wars: Knights of the Old Republic, as well as games that were never publicly released. A thrill for millions of videogame and LucasArts fans around the world.

    Using only the original Greek and Hebrew manuscripts, The Message's creator, Eugene Peterson, began by setting the New Testament, Psalms, and Proverbs in contemporary English, free of distracting verse numbers and stiff, formal language. The result has been a warm, highly readable paraphrase that reveals the richly personal nature of God's Word. The Old Testament followed, and the complete Message Bible was released in 2002. Used in both public preaching and private devotions, The Message has captured the hearts of millions of readers, enriching their understanding of Scripture and deepening their faith. The New International Version (NIV) The New International Version (NIV) is today's most read, most trusted English Bible translation. Since its release in 1973, the NIV has sold over 160 million copies. The goal of the NIV translation team was to produce a contemporary translation whose accuracy, clarity and literary quality would make it ideal for public and private reading, teaching, preaching, memorizing and liturgical use. Today the NIV is accepted by more denominations than any other translation and is supported by a library of reference resources unmatched by any other translation. The most read, most trusted translation and bestselling paraphrase together in one volume * The NIV and The Message side by side * Instant comparison deepens your grasp of Scripture * Double-column format If your translation of choice is the New International Version (NIV) and if you appreciate The Message for the freshness and clarity it brings to your reading of the Bible then you'll love The Message/NIV Parallel Bible. Setting The Message and the NIV together for the first time ever, this Bible allows you to instantly compare Eugene Peterson's bestselling paraphrase and today's most read, most trusted modern translation. NIV/The Message Parallel Bible features: * The clarity, accuracy and trustworthiness of the NIV. A careful union of word-for-word and thought-for-thought translational approaches, the NIV is today's foremost modern translation, used by scholars, pastors, students and Bible readers across the world. * The story-like flow and penetrating insights of The Message. Emphasizing a narrative reading of the Bible, The Message is treasured by countless Christians for the way its contemporary language illuminates ageless truths. * Double-column format. * Ribbon marker (leather edition only).

    This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth.Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.

     August 2014: ISIS continues its reign of terror, conquering new areas in Iraq and Syria, leaving tens of thousands of dead and millions displaced in their homelands. International news shows gruesome images of massacres and ethnic cleansing. A horrified Norwegian soldier at Camp Rena, shocked by Norway’s unwillingness to commit troops to eradicate the terrorists, decides to take matters into his own hands and travels to the Kurdish front line in Iraq.

In this gripping memoir, Mike Peshmerganor recounts how his Kurdish heritage, liberal Norwegian upbringing and military training shaped his worldview and drew him into the fight against militant Islamism. Armed only with gear he purchased himself and the name of a Kurdish contact, Mike is thrust into a military culture completely foreign to Westerners; where soldiers work without pay, adequate food and even ammunition, and their revered leader is a former hitman. Here are dramatic firefights against the world’s most feared terrorist organization, and insight into the mindset of a true warrior. Mike Peshmerganor is a pseudonym. He escaped from Kurdistan as an infant with his family, grew up in Eastern Norway and served in Norway’s elite Telemark Battalion. "I couldn’t think of a single better reason for the government to send troops abroad than to stop an ongoing genocide. And what about all the foreign fighters from Europe who fought for ISIS? Didn’t we have a responsibility to stop our own citizens from actively perpetrating war crimes and other atrocities in Iraq? Who will prevent them from returning home and carrying out terrorist attacks here, in
our own cities? I realized it was futile to wait for Norway to engage directly in the fight against ISIS. I had to do it on my own."

    This autobiographical history of Scientology is told by one of L. Ron Hubbard’s staunchest defenders.

    In her early nineties, she generously shared her hospitality and wisdom with writer Malte Herwig, who started out as an interviewer but found himself drawn into the role of pupil as Gilot, whom he called “a philosopher of joy,” introduced him to different ways of seeing the world.