The plot involves a young woman in a bathtub and a case of mistaken identity.

    He was a sailor and took part in the Klondike gold rush. The Call of the Wild, the classic story of sled-dog Buck brought him instant celebrity and established his readership to this day. Self-educated, London was heavily influenced by the works of Darwin, Marx, and Nietzsche. This, along with his earlier experiences converted him to socialism as he explains in this volume.Contents:- The Class Struggle- The Tramp- The Scab- The Question of the Maximum- A Review- Wanted: A New Law of Development- How I Became a SocialistThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web.

    This collection presents a cross-section of Shaw's most important theater workâ��Mrs. Warren's Profession, Man and Superman, Major Barbara, and Pygmalion. Each play is fully annotated. "Contexts and Criticism" features all-new material on the author and his work, from traditional critical readings to more theorized approaches, among them essays on Shaw's Fabianism and his alleged feminism. Contributors include Leon Hugo, Sally Peters, Tracy C. Davis, John A. Bertolini, Stanley Weintraub, and J. Ellen Gainor. A Chronology and a Selected Bibliography are included.

    Taking his inspiration from Dylan Thomas' Under Milk Wood, Louis de Bernières chose to celebrate his ten years of life in the south London suburb, living above a small shop that had been by turns an outlet for oversized naughty clothes for transvestites, a West Indian hairdressers and a junk shop, by writing of the people that he had known and come to love in his time there.Brilliantly capturing the myriad voices of modern Britain, with their different rhythms of speech and accents, their humour and their tragedy, jokes and gossip, de Bernières' tour de force takes us to the heart of a community and its spirit - the lives and loves, the tears and the laughter of its people.

    Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda and Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages--"since before this was even a show," according to Miranda--trace its development from an improbable perfor­mance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here.Their account features photos by the renowned Frank Ockenfels and veteran Broadway photographer Joan Marcus; exclusive looks at notebooks and emails; interviews with Questlove, Stephen Sond­heim, leading political commentators, and more than 40 people involved with the production; and multiple appearances by Presi­dent Obama himself. The book does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shot.

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    He has also written fim scripts and for television.

    The First Folio is a literary icon and is the version of Shakespeare's text preferred by many actors and directors, yet no one has edited it in its entirety for over three hundred years.At the request of the Royal Shakespeare Company, Jonathan Bate and Eric Rasmunssen, two of today's most accomplished Shakespearean scholars, have used the very latest techniques and research to correct the errors and variations in the early printed copies and to present the First Folio for modern readers. The result is a fresh and definitive Complete Works for the twenty-first century.This edition includes all the material that might be needed by a student of Shakespeare. The Sonnets, The Two Noble Kinsmen, Pericles, Shakespeare's scene from Sir Thomas More, Venus and Adonis, The Rape of Lucrece, The Phoenix and Turtle, and a number of other interesting passages not published in the First Folio are also included.'This is a glorious edition of one of the world's most important books. It's the essential reference book for anyone who's ever been in love, felt jealousy, hatred, or desire. All human life is here — and every home should have one.'-Dame Judi Dench'A splendid edition … the general introduction is among the best 50-page guides to Shakespeare you could hope to find, while the short essays prefixed to each play are informative, thought-provoking and humane. Marginal notes help readers imagine what's happening onstage … the RSC's edition allows you to lose yourself in the wonder of the works.'-Dr Colin Burrow, Oxford University'A triumphant addition to our times.'-Fiona Shaw, The Times'The scholarly apparatus is discreet, elegant and pertinent. For each play, we get brief accounts of plots, dates and sources … footnotes are found snugly and legibly at the bottom of each page … there is a universe to be found in these annotations: the Renaissance world of power and fate, sex and death, language and philosophy … an edition full of endless fascination.'-Tom Deveson, Times Educational Supplement'Bate's general introduction to Shakespeare's life, stage and reputation is superb, and the short introductions to individual works are among the best of their kind available … they manage to speak about what really matters about the plays.'-Professor Michael Dobson, London Review of Books'Excellent, succinct notes and introductions to each play.'-John Carey, Sunday Times'Outstanding … Jonathan Bate writes with as much elegance as insight about the making of theatre and the creation of the plays … an impeccably informative introduction gives a comprehensive theatrical, social, political and biographical context to the plays … exemplary notes at the foot of each page translate verbal and topical obscurities … for actors and directors it will be incomparably useful, but for any curious reader of Shakespeare's plays it provides an invaluable guide to reading them not as novels or dramatic poems, but as they were intended to be read: blueprints for live performance.'-Richard Eyre, Sunday Telegraph

    Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

    All the chemical elements on earth except hydrogen-including the ones in our bodies-have been processed inside stars, scattered across the universe in great stellar explosions, and recycled to become new stars, planets, and parts of us. In this engrossing book, John and Mary Gribbin relate the developments in twentieth-century astronomy that have led to this shattering realization. They begin their account in the 1920s, when astronomers discovered that the oldest stars are chiefly composed of the primordial elements hydrogen and helium, produced in the birth of the universe in a Big Bang. They then describe the seminal work of the 1950s and 1960s, which unlocked the secret of how elements are "cooked" by nuclear fusion inside stars. The heart of the story is their discussion of supernovae, only recently understood as great stellar explosions in which the resulting ash is spread far and wide through the cosmos, forming new generations of stars, planets, and people. Focusing on the relationship between the universe and the Earth, the authors eloquently explain how the physical structure of the universe has produced conditions ideal for life.

    Marc Norman and renowned dramatist, Tom Stoppard have created the best screenplay of the year according to the Golden Globes and the New York Film Critics Circle.

    It is the source of Sartre's especially famous and often misinterpreted quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the Look and the perpetual ontological struggle of being caused to see oneself as an object in the world of another consciousness.

    With this act of violence--which is loosely based on the notorious 1955 killing of Emmett Till--James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a boy like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast.In his award-winning play, Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated--and in which even a killer receives his share of compassion.

    Mike Nichols' 2003 HBO adaptation starring Meryl Streep, Mary-Louise Parker, and Al Pacino was itself a tour de force, winning 11 Emmys and introducing the play to an even wider public. This generation-defining classic continues to shock, move, and inspire viewers worldwide.Now, on the 25th anniversary of that Broadway premiere, Isaac Butler and Dan Kois offer the definitive account of Angels in America in the most fitting way possible: through oral history, nearly 200 voices in vibrant conversation and debate. The intimate storytelling of actors (including Streep, Parker, Jeffrey Wright, and Nathan Lane), directors, producers, and Kushner himself reveals the turmoil of the play's birth-a hard-won miracle in the face of artistic roadblocks, technical disasters, and disputes both legal and creative. And historians and critics help to situate the play in the arc of American culture, from the staunch activism of the AIDS crisis through civil-rights triumphs to our current era, whose politics are a dark echo of the Reagan '80s. The World Only Spins Forward is both a rollicking theater saga and an uplifting testament to one of the great works of American art of the past century, from its gritty San Francisco premiere to the starry revival that electrified London in 2017.

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.