It’s got your Christmas goose and the maple syrup with which to glaze it. It’s most of the reason author Ellen Stimson made Vermont her home. Here she shares recipes that have been in her family for generations, mixes up a cocktail or two, and invites readers to make their own traditions.

    She beholds America’s virgin shores with wonder until her cowardly fiancé abandons her in the forest when they are attacked by Indians. In the first moments she faces her captor in terror.The warrior Night Fox reaches out and touches her cheek. What fool would leave a treasure like this behind? He is bewitched by his tribe’s newest captive. Her lustrous hair is red like the fox’s, her silky skin reminds hime of the yellow wildflower. He yearns to kiss the tears from her cheeks. He wants to taste the honey of her lips.”I hate you,” Katelyn trembles so much she can barely get the words out. ”No, you don’t hate me. You fear me, but you don’t hate me.” Night Fox is so close. Katelyn has never heard a man’s husky whisper.She meets his haunting black eyes without flinching. “Yes I do,” she lies. “I hate you because you kidnapped me, because you made your slave…” I hate you because I can’t despise you the way I should.He senses her surrender to his forbidden caress. Fox pulls her close, savoring the warmth of her damp skin beneath his touch.She trembles in his grasp, unable to tear her eyes from his. She remembers the taste of his mouth on hers. “I hate you because you touch me.”“Do not be afraid.”She lets herself be drawn into his arms. No one has ever tried to comfort her, no one has ever cared. Why this man, she wonders, as she bends his head towards her. Why the enemy? BONUS This edition contains a bonus excerpt from RACHEL’S CHOICE by Judith E. French REVIEWS OF FORBIDDEN CARESS 4.09 average rating this edition, 134 ratings, 11 reviews, added by 440 people, 42 to-reads, 91% of people like it–Goodreads4.2 out of 5 stars (24 ratings)–Amazon“A LOVE STORY. I loved this story. I recommend everyone to read this book. I look forward to reading more of her.” Kattie, Goodreads“Awesome Writer!!!!! One of the best, so many struggles, but love conquers all. Must read!!!! Only in fairy tales but the world is a viciously attacking diversity place. But this is a real love story beginning to end!!! Loved it.”—Diana Crane, Goodreads ABOUT COLLEEN FRENCH Colleen French has a unique gift for capturing the essence of passion in her breathtaking tales of romance and adventure. Winner of the Delaware Diamond Award for Literary Excellence and the P.E.A.R.L. award, she is the daughter of bestselling novelist Judith E. French who first taught her how to write. Colleen has written more than 130 print novels which have sold more than 5 million copies and been translated into Bulgarian, French, German, Italian, Mandarin, and Spanish. Her Native American novels are inspired by her English, Scottish, Irish, Welsh, and Lenni–Lenape ancestry and her home near the Chesapeake Bay, where her family has lived for more than 300 years. Her books appeal to fans of Christi Caldwell, Mary Balogh, C. J. Petit, Shirleen Davies, Karen Kay, Madeline Baker, Elle Marlow, Ellen O'Connell, Vonna Harper, Judith E. French, Kathryn Le Veque, Margaret Mallory, Julie Garwood, Caroline Fyffe, Maya Banks, Hannah Howell Fiona Faris, and Alisa Adams.

    By the time Bing Crosby introduced the tune in the winter of 1942, it had evolved into something far grander: the stately yuletide ballad that would become the world's all-time top-selling and most widely recorded song. In this vividly written narrative, Jody Rosen provides both the fascinating story behind the making of America's favorite Christmas carol and a cultural history of the nation that embraced it. Berlin, the Russian-Jewish immigrant who became his adopted country's greatest pop troubadour, had written his magnum opus -- what one commentator has called a "holiday Moby-Dick" -- a timeless song that resonates with some of the deepest themes in American culture: yearning for a mythic New England past, belief in the magic of the "merry and bright" Christmas season, longing for the havens of home and hearth. Today, the song endures not just as an icon of the national Christmas celebration but as the artistic and commercial peak of the golden age of popular song, a symbol of the values and strivings of the World War II generation, and of the saga of Jewish-American assimilation. With insight and wit, Rosen probes the song's musical roots, uncovering its surprising connections to the tradition of blackface minstrelsy and exploring its unique place in popular culture through six decades of recordings by everyone from Bing Crosby to Elvis Presley to *NSYNC. White Christmas chronicles the song's legacy from jaunty ragtime-era Tin Pan Alley to the elegant world of midcentury Broadway and Hollywood, from the hardscrabble streets where Irving Berlin was reared to the battlefields of World War II where American GIs made "White Christmas" their wartime anthem, and from the Victorian American past that the song evokes to the twenty-first-century present where Berlin's masterpiece lives on as a kind of secular hymn.

    Normally, this is something Michael's father would do — but not this Christmas; he's upstairs recovering from surgery. Though Michael longs for a relationship with his father, he and his dad are not close. So much of his father's life is a mystery. As Michael and his mom unwrap the ornaments, author Phillip Done, through his signature warmeth and charm, unwraps the family's relationships and struggles, and Michael discovers the deep, secret sorrow of the man upstairs. A testament to home and hope, this treasure of a story, with its timeless message, will touch readers' hearts and endure as a reminder of the preciousness of family and the redemptive power of love.

    His newfound Christianity is shaken by the loss of his master and a life-threatening injury. Following after his Mennonite friends, he goes to the time-displaced American town of Grantville and is overwhelmed by culture shock. He decides to return to the New World as a missionary. Only half a dozen warring powers and thousands of miles of ocean can block him, until he’s almost stopped by an unexpected event; love. A storm, a baby, a near-shipwreck, and a timely rescue finally see him back in his homeland. Now, all he has to do is to reach for his dreams.

    This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.

    Perfect for fans of Lauren Blakely, Sophie Kinsella, and Julia Kent!In SNOWED IN WITH THE BILLIONAIRE, an event planner finds that a sexy rockstar client plus an unexpected blizzard equals a very private party... for two!In CHRISTMAS WITH THE BILLIONAIRE, wannabe-actress Jill winds up playing girlfriend when she's stranded with arrogantly hot producer Oliver. But will their romance last when the snow starts melting?

    It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn't know who it was. By the end, exposing someone's address was an act of emotional violence, and nobody picked up their new cell phone if they didn't know who it was. The '90s brought about a revolution in the human condition we're still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like Cop Killer and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a '90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, "The video for 'Smells Like Teen Spirit' was not more consequential than the reunification of Germany" make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

    In Seattle, Kurt Cobain reeks of teen spirit. In Washington, George Bush (the first one) has just finished rattling his saber at Saddam Hussein. And in Kalamazoo, Michigan, Vim is trying to put off adulthood and all that comes with it, whatever that is, for as long as he can. He's already juggling guitars, girls, and a long-absent biological father who's suddenly making noise about Wanting to Be Involved. And he still can't convince his friends why local schoolboy hero Derek Jeter is bound for obscurity. Grab On to Me Tightly as if I Knew the Way traces Vim's stumble toward adulthood as he comes to terms with his parents, balances friendships and infatuation with varying levels of success, and accepts that the things he thought would last forever probably won't. Generous in spirit and laugh-out-loud funny, here is a novel that introduces a tremendous new talent and deftly captures the alternately amusing and harrowing process of holding on until you find your way.

    His poems chart a course through his own highly original American dreamscape in language that is fresh, accessible, and remarkably precise. This debut collection has received extraordinary acclaim from readers and reviewers alike and is quickly becoming a cult classic. As Pulitzer Prize-winning poet James Tate said, "These poems are beautiful, strange, intelligent, and funny. . . . It's a book for everyone."

    He was an authority on rock & roll, blues, jazz, punk, avant-garde, and world music -- often discovering new artists and trends years (even decades) before they hit the mainstream. Now, noted music writer Anthony DeCurtis has compiled the best pieces from Palmer's oeuvre and presents them here, in one compelling volume.A member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, "it's almost as if, if you read Bob, you didn't need to read anyone else." Blues & Chaos features some of his most memorable pieces, including gripping stories about John Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters.Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.Flirtations with chaos / by Anthony DeCurtis --The big picture : "The opinions expressed are dangerously subjective." --The blues : "A post-Heisenberg-uncertainty-principle mojo hand" --Jazz : "A kinetic kaleidoscope" --The originators : "Where the hell did this man come from?" --Soul and R&B : "It had to come from somewhere, and the church is where it all came from" --Classic rock : "Musically, we weren't afraid to go in any direction whatsoever" --John Lennon and Yoko Ono : "Now the music's coming through me again" --Punk rock and beyond : "Fear and nothing" --World music : "The world is changing and so is our music" --Morocco : "We fell through each other, weightless, into the sky" --On the edge : "Listen, as if a new world had suddenly opened up" --Sonic guitar maelstrom : "All hail the overdriven amp."

    Once there, she plans to assist in an anthropology study of the Crow Indians for the renowned Smithsonian Institution. And while it’s true that the only Indians this intrepid bluestocking has ever laid eyes upon are those illustrating the pages of popular dime novels, Aurora is not about to let that stop her from making her mark in a man’s world.Major Jonah Mackenzie, a Civil War hero who also happens to be a half-breed Mohawk Indian, finds himself in the unenviable position of having to escort General Crenshaw’s niece halfway across the continent. Convinced that Aurora is the most dangerous type of woman imaginable – a crusading do-gooder – he tries to keep his distance. Unfortunately, Aurora has a knack for landing into trouble. Indian abductions. Barroom brawls. It’s enough to make Jonah think that beneath Aurora’s spectacles and prissy demeanor there’s one gutsy lady. Not to mention a most beguiling woman.But as the fires of armed aggression burn out of control on the frontier, Jonah is suddenly torn between his military duty and his desire for a woman hell-bent on saving the warlike Crow Indians. When Jonah is falsely accused of treason – a hanging offense – his Indian blood becomes a dangerous liability. Especially for the woman he loves. If he’s to save Aurora from the raging firestorm, he must act quickly . . . even at the risk of losing her forever.A sexy western romance set in 1860s Montana, JONAH’S WOMAN is brimming with passion, wonderful historical detail, and all the fury of the untamed frontier.

    Half memoir and half philosophical improvisation, each focuses loosely on a relationship with a man in the author's life: The Pharmacist's Mate with her recently deceased father, and 8 with "my pedophile" (as Fusselman painfully refers to her childhood assailant). Along the way, Fusselman covers sea shanties and artificial insemination, World War II and AC/DC, alternative healers and monster-truck videos. Fusselman's "wholly original epigrammatic style" (Vogue) "makes the world strange again, a place where dying and making life are equally mysterious and miraculous activities" (Time Out New York).

    One of them never left, still farming the family's land that's been tilled for generations. Others did leave, went farther afield to make good, with varying degrees of success; as a rock star, commodities trader, rodeo stud. And seamlessly woven into their patchwork is Beth, whose presence among them—both then and now—fuels the kind of passion one comes to expect of love songs and rivalries.Now all four are home, in hopes of finding what could be real purchase in the world. The result is a shared memory only half-recreated, riddled with culture clashes between people who desperately wish to see themselves as the unified tribe they remember, but are confronted with how things have, in fact, changed.There is conflict here between longtime buddies, between husbands and wives — told with writing that is, frankly, gut-wrenching, and even heartbreaking. But there is also hope, healing, and at times, even heroism. It is strong, American stuff, not at all afraid of showing that we can be good, too — not just fallible and compromising. Shotgun Lovesongs is a remarkable and uncompromising saga that explores the age-old question of whether or not you can ever truly come home again — and the kind of steely faith and love returning requires.