His unearthly style based on elaborate linguistic riddles and puns fascinated the Surrealists and famously influenced the composition of Marcel Duchamp's -Large Glass, - but also affected writers as diverse as Gide, Robbe-Grillet and Foucault (author of a book-length study of Roussel). The title essay of this collection is the key to Roussel's method, and it is accompanied by selections from all his major works of fiction, drama and poetry, translated by his New York School admirers John Ashbery, Kenneth Koch and Harry Mathews, and the painter and author Trevor Winkfield. Ashbery writes that Roussel's work is -like the perfectly preserved temple of a cult which has disappeared without a trace... we can still admire its inhuman beauty, and be stirred by a language that seems always on the point of revealing its secret.-

    This book employs all of the modes of questioning explored by his previous books, and at the same time breaks new ground of its own, ending with a question mark in typical / atypical Perec fashion. Thoughts of Sorts , one of Georges Perec's final works, was published posthumously in France in 1985.

    Ellis adores the infant on site and raises her as her own. On the brink of womanhood at seventeen, her aunt’s dying wish is for Marianne to wed Francis Cranmere, the son of an old friend and the story begins on her wedding night in 1809 – a wedding night that goes horribly awry with the turn of a card – and Marianne’s peaceful world is thoroughly turned upside down and inside out.

    War-torn Paris is in flames, houses are being ransacked, streets barricaded. Amid the chaos, little Helene St Clair becomes separated from the rest of her family. Lost and alone, she must fend for herself on the streets. Her parents wait desperately for news of her, as the fighting rages. But Helene has vanished, swept away on the tides of war. Will she ever be found again?

    The ice-sharp genius that gave us Bonjour Tristesse traces every step of their fated pas-de-deux, executed against the backcloth of an amoral Paris, and delicately spinning through every refinement of emotional blackmail to a shattering finale.

    Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

    Chapters include "Poetic Images of the Flame in Plant Life," ''The Solitude of the Candle Dreamer," and "The Light of the Lamp." THE BACHELARD TRANSLATIONS are the inspiration of Joanne H. Stroud, Director of Publications for The Dallas Institute of Humanities and Culture, who in 1981 contracted with Jose Corti to publish in English the untranslated works of Bachelard on the imagination. Gaston Bachelard is acclaimed as one of the most significant modern French thinkers. From 1929 to 1962 he authored twenty-three books addressing his dual concerns, the philosophy of science and the analysis of the imagination of matter. The influence of his thought can be felt in all disciplines of the humanities - art, architecture, literature, language, poetics, philosophy, and depth psychology. His teaching career included posts at the College de Bar-sur-Aube, the University of Dijon, and from 1940 to 1962 the chair of history and philosophy of science at the Sorbonne. One of the amphitheaters of the Sorbonne is called "L'Amphi Gaston Bachelard," an honor Bachelard shared with Descartes and Richelieu. He received the Grand Prix National Lettres in 1961-one of only three philosophers ever to have achieved this honor. The influence of his thought can be felt in all disciplines of the humanities-art, architecture, literature, poetics, psychology, philosophy, and language.

    Perhaps he was not ready to share the early themes he was nurturing for his masterpiece, In Search of Lost Time. Or perhaps, in dealing directly with gay desire, they were too audacious – too near to life – for the censorious society of the time. In these stories, published in English for the first time, we find an intimate portrait of a young author full of darkness, complexity and melancholy, longing to reveal himself to the world.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    But when the suave politician vacationing next door becomes the victim of a robbery—and kills the intruder in self-defense—Boizot gets an unexpected scoop.As Boizot dives into the investigation, however, it’s clear the politician isn’t telling the whole truth. Worse, the police can’t identify the thief’s dead body but seem willing to close the case anyway. As Boizot scrambles to uncover the true motives behind the crime, he reveals hints of a monstrous cover-up involving a French mining company with shadowy dealings in Africa.Soon, the journalist is scoring his biggest headlines ever and getting cozy with a mysterious blonde who could be part of the conspiracy. As his editor begs for more revelations, and as the dead bodies continue to pile up, Boizot must decide whom he can trust—and how much he’s willing to risk to get the real story.

    Phillippy, Joel Blanchard, and Kevin Brownlee. A Selected Bibliography is included.

    Schindler, JrIn what is one of the greatest Catholic poetic works of our century, Péguy offers a comprehensive theology ordered around the often-neglected second virtue which is incarnated inhis celebrated image of the ‘little girl Hope'.

    But when she learns that she’s inherited the estate of a complete stranger—a woman named Isabelle de Florian—her life is turned upside down.Cat arrives in Paris to find that she is now the owner of a perfectly preserved Belle Époque apartment in the ninth arrondissement, and that the Frenchwoman’s family knew nothing about this secret estate. Amid these strange developments, Cat is left with burning questions: Who was Isabelle de Florian? And why did she leave the inheritance to Cat instead of her own family?As Cat travels France in search of answers, she feels her grasp on her New York life starting to slip. With long-buried secrets coming to light and an attraction to Isabelle de Florian’s grandson growing too intense to ignore, Cat will have to decide what to let go of, and what to claim as her own.

    From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

    In it, you will meet Scarbo the vampire dwarf, Ondine, the faerie princess of the waters, and an unforgettable assortment of lepers, alchemists, beggars, swordsmen and ghosts. Gaspard de la Nuit inspired Baudelaire, Rimbaud, Mallarmi, the Surrealist Movement and composer Maurice Ravel, who wrote a suite of virtuoso piano pieces patterned after it. This new edition has been entirely retranslated by renowned poet and literary historian Donald Sidney-Fryer, the author of Songs and Sonnets Atlantean who has edited four collections of prose and poetry by Clark Ashton Smith. In his extensive introduction and afterword, Sidney-Fryer retraces the steps in Bertrand's life, casts a new light on his works and follows the elusive Gaspard from the Three Kings of Bethlehem to Casper the Friendly Ghost. This collection features a foreword by T.E.D. Klein and is illustrated by drawings from Bertand himself.