A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    William Duke of Normandy is to be crowned King of England on Christmas day 1066; and he expects presents. For reasons beyond reason the monastery of De'Ath's Dingle is invited to the ceremony and the only ones who can be let out on their own are Brother Hermitage and Wat the Weaver. But it will be a rush to get there. With only 7 days to travel over 100 miles, the pair must cross a frozen and largely lawless country if they are to make it to Westminster alive. And then there's the problem of Wat's attitude towards gifts in principle. He doesn't mind a reasonable exchange but simply giving sounds like a very poor deal. Perhaps the days of the journey will give Brother Hermitage the opportunity to breath the spirit of the season into his weaving friend. Or perhaps not. Recent reviews for Howard of Warwick continue a theme: 5* "Very funny" 5* "Another demented tale" 5* "Briiiiiliant as always."

    But she never expected to fall in love with him, or that the real enemy is common to both, and is getting even closer...The Highlander’s Secret MaidenAvoiding her fearful fate with a despised British Army Officer, Georgina Andrews escapes with two fearsome Highlanders. Torn between them, Marcas McGowan makes the decision for her, when he puts her needs above all...even his own brother.Highlander’s Love in CaptivityWhen Jane Keppel and her father get abducted by the powerful Laird Bhaltair McColl, her fate hangs from a thin thread. Realizing she has to pay for the mistakes of her family, one secret is enough to either fix or destroy everything...and it revolves around Bhaltair’s most profound pain: the death of his wife.Welcome to Scotland, a land of powerful romance stories, that contain adventure, drama, twists, and most of all, love. Enjoy!

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    But when the young members of the Christian Puppet Ministry put those teachings into practice, one devout young man's puppet takes on a shocking personality that no one could have expected. In this hilarious black comedy, a foul-mouthed sock puppet named Tyrone soon teaches those around him that the urges that can drive a person to give in to their darkest desires fit like a glove. In Hand to God, a "true tour de force" (New York Times), Robert Askins has written a play of "unerring perfection" (Huffington Post). The must-see hit of the 2015 Broadway season, starring Steven Boyer and Geneva Carr, garnered an Obie Award and five Tony Award nominations, including Best Play, following its sold out, critically acclaimed off-Broadway runs at MCC Theater and Ensemble Studio Theatre.

    From building his village into a town, producing food and protection and more, the real troubles have only begun for him in his [Magic Life]. Not only will he have to face animals, monsters and other demon tribes that appear like grass, to advance he will even have to go against other gods, angering them to carve out his path as a Lord player but his troubles aren't only in the game. The real world is slowly changing along with the game and he will have to start adapting as he slowly unfurls his wings.