Once again Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience. Rumi's joyous, ecstatic love poems; St. Francis's loving observations of nature through the eyes of Catholicism; Kabir's wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa's sensual verse; and the mystical, healing words of Sufi poet Hafiz—these along with inspiring works by Rabia, Meister Eckhart, St. Thomas Aquinas, Mira, St. Catherine of Siena, St. Teresa of Avila, St. John of the Cross, and Tukaram are all “love poems by God,” from writers considered to be "conduits of the divine." A spiritual treasure to cherish always.

    'Kalopsia' is filled with brand-new quotes and poems about life, love, truth and the journey of being imperfectly human. Often compared to R.M Drake and Christopher Poindexter, Andrea Michelle writes with an elegance sure to touch the heart and soul. Kalopsia is the first book in the Beautiful Words series. The sequel, Meraki, is available on Amazon now! Take action now and download Kalopsia for free! More Books by Andrea Michelle: Meraki Between Sips www.andreamichelleofficial.com www.instagram.com/andrea.michelle.off...

    This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.

    The final section of the book includes the long poem 'Endless Life'.

    Separated into three sections: Holding On, Ouroboros, and Letting Go, this collection is a cyclical expedition of self discovery.

    Where Many Rivers Meet: Poems

    The depth and diversity of perceptual awareness-so steadfast and radiant in American Primitive-continue in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit-to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships. Whether by way of inheritance-as in her poem about the Holocaust-or through a painful glimpse into the present-as in "Acid," a poem about an injured boy begging in the streets of Indonesia-the events and tendencies of history take on a new importance also. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

    Her three books, Sun Signs, Love Signs, and Star Signs have sold over 40 million copies in many languagaes. Known to her friends as both a poet and a romantic, Linda Goodman's view of the world was influencd by the astrology she understood so well. That unique combination of talents produced this charming and profound book.These poems about love and loss, death and reincarnation, beauty and romance, all seen through the prism of an astrological landscape, teach us how this fascinating science helps weave the fabric of our lives. But even more than that--like most great poetry, they make the heart sing and the spirit soar, and give us the wisdom to appreciate that the dance is eternal.

    A. Milne's classic poems contains fresh material as well as the old favourites.'A wonderful present to sixty-year-olds' Auberon Waugh, Daily TelegraphWhen Christopher was six, the poems of Milne were always on hand to reassure him that other children were just as puzzled and naughty and silly as he was, and that grown-ups could be even sillier.When he turned sixty, he decided it was high time there was an equally reassuring volume for those of his generation who were not only more confused than ever, but were losing their teeth, their hair and, all too often, their car keys.What he did twenty years ago was to take some of Milne's best-loved poems from Now We Are Six for an older audience, with results that are often hilarious, sometimes rueful and always thought-provoking. Some verses are about realising one is not as young as one once thought, and not feeling quite as chipper as one once did; while others address some of the more disconcerting problems of modern life such as mobile telephones on trains, unsocial behaviour, traffic jams and the internet.

    Ballard. Written raw and emotionally, it explores heartbreak, depression, and women empowerment.

    A reissuing of The Dollmaker’s Ghost, poetry by Larry Levis.

    

    When Here was published in Poland, reviewers marveled, “How is it that she keeps getting better?” These twenty-seven poems, as rendered by prize-winning translators Clare Cavanagh and Stanislaw Baranczak, are among her greatest work. Whether writing about her teenage self, microscopic creatures, or the upsides to living on Earth, she remains a virtuoso of form, line, and thought. From the title poem: I can’t speak for elsewhere, but here on Earth we’ve got a fair supply of everything. Here we manufacture chairs and sorrows, scissors, tenderness, transistors, violins, teacups, dams, and quips . . . Like nowhere else, or almost nowhere, you’re given your own torso here, equipped with the accessories required for adding your own children to the rest. Not to mention arms, legs, and astonished head.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.