"The Quiet Don") is 4-volume epic novel by Russian writer Mikhail Aleksandrovich Sholokhov. The 1st three volumes were written from 1925 to '32 & published in the Soviet magazine October in 1928–32. The 4th volume was finished in 1940. The English translation of the 1st three volumes appeared under this title in 1934. The novel is considered one of the most significant works of Russian literature in the 20th century. It depicts the lives & struggles of Don Cossacks during WWI, the Russian Revolution & Russian Civil War. In 1965, Sholokhov was awarded the Nobel Prize for Literature. The authorship of the novel is contested by some literary critics & historians, who believe it wasn't entirely written by Sholokhov. However, following the discovery of the manuscript, the consensus is that the work is, in fact, Sholokhov’s.

    Here is Italo Calvino paying homage to his literary influences and tracing the evolution of his signature style. Here are his reminiscences of Italy’s antifascist resistance and the frenzy of politics and ideas of the postwar era. The longest and most delightfully revealing section of the book is Calvino’s diary of his travels in the United States in 1959 and 1960, which show him marveling at color TV, wrinkling his nose at the Beats, and reeling at the outpouring of racial hatred attending a civil rights demonstration in Alabama. Overflowing with insight and amusement, Hermit in Paris is an invaluable addition to the Calvino legacy.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    This facsimile edition brings Charles Lamb's critically acclaimed and revered "Elia" essays back into print.

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.

    V. Belov and V. A. Tunimanov. They have carried Grossman’s work further by rearranging the manuscript into twelve broad chapters in chronological sequence, corresponding to the most important periods in the life of Fyodor Dostoevsky’s family. This necessitated some transposition of material to where it chronologically belonged, as well as the elimination of certain redundant episodes left in the Grossman edition. Belov and Tunimanov also added, as a first chapter, Anna Grigoryevna’s description of her childhood and youth and the milieu in which her extraordinary character was formed. In the book’s last chapter, “After Dostoevsky’s Death,” they retained Anna Grigoryevna’s “Answer to Strakhov” and added to it her description of her only meeting with Leo Tolstoy, not included in the Grossman edition. To this chapter the translator of the present edition has also restored the brief section “Memoirists,” omitted from the second Russian edition.

    It is a work of history on a grand scale, at once sweeping and detailed, closely reasoned and passionately argued, that succeeds in painting an unforgettable picture--alive with conspirators and philosophers, utopians and nihilists--of the making of the modern world.

    "A perfect work like no other. (Calasso) has re-created . . . the morning of our world."--Gore Vidal. 15 engravings.

    Yet like millions of others who suffered during Stalin's reign of terror, she was arrested—on trumped-up charges of being a Trotskyist terrorist and counter-revolutionary—and sentenced to prison. With an amazing eye for detail, profound strength, and an indefatigable spirit, Ginzburg recounts the years, days, and minutes she endured in prisons and labor camps, including two years of solitary confinement. A classic account of survival, Journey into the Whirlwind is considered one of the most important documents of Stalin's regime ever written.

    This is Kapuscinski's vivid, compelling and personal report on the life and death of the Soviet superpower, from the entrance of Soviet troops into his hometown in Poland in 1939, through his journey across desolate Siberia and the republics of Central Asia in the 1950s and 60s, to his wanderings over the vast Soviet lands - from Poland to the Pacific, the Arctic Circle to Afghanistan - in the years of the USSR's decline and final disintegration in 1991.

    Its exciting account of air adventure, combined with lyrical prose and the spirit of a philosopher, makes it one of the most popular works ever written about flying. Translated by Lewis Galantière.

    Now she turns her steely gaze on the multiple threats to Russian stability, among them President Putin himself.Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the ongoing war in Chechnya, where kidnappings, extrajudicial killings, rape, and torture are begetting terrorism rather than fighting it.Sounding an urgent alarm, Putin's Russia is both a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter.

    Kafka's Czech translator, she was uniquely able to recognize his complex genius and his even more complex character. For the thirty-six-year-old Kafka, she was "a living fire, such as I have never seen." It was to her that he revealed his most intimate self. It was to her that, after the end of the affair, he entrusted the safekeeping of his diaries.Newly translated, revised, and expanded, this edition contains material previously omitted because of its extreme sensitivity. Also included for the first time are letters and essays by Milena Jesenská, herself a talented writer as well as the recipient of these documents of Kafka's love, anxiety, and despair.

    His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book