It also prepares the way for The Anti-Christ, a final assault on institutional Christianity. Yet although Nietzsche makes a compelling case for the 'Dionysian' artist and celebrates magnificently two of his great heroes, Goethe and Cesare Borgia, he also gives a moving, almost ecstatic portrait of his only worthy opponent: Christ. Both works show Nietsche lashing out at self-deception, astounded at how often morality is based on vengefulness and resentment. Both combine utterly unfair attacks on individuals with amazingly acute surveys of the whole contemporary cultural scene. Both reveal a profound understanding of human mean-spiritedness which still cannot destroy the underlying optimism of Nietzsche, the supreme affirmer among the great philosophers.

    Three of these she translated into English for us in The Voice ofthe Silence, which we know as the “Three Fragments.” One cansurmise that she studied these treatises under the tutelage ofher Adept teachers during her stay in Little Tibet and Tibetproper which she makes reference to in her writings.

    Included were the essay Nature (1836); four orations, "The American Scholar," "The Divinity School Address," and two others; and five lectures which had appeared in The Dial.As the first volume of a projected new Collected Works, this edition of Nature, Addresses, and Lectures now provides for the first time a definitive text based on collation of all editions in which Emerson might have had a hand, together with a wholly new introduction and extensive notes. The recently published Journals and Lectures from this period help bring to this volume a fresh perspective on the first and formative stage of Emerson's career as a public figure and man of letters.Introduction and Notes by Robert E. Spiller; Text Established by Alfred R. Ferguson