After all, both authors engaged in a profoundly ambivalent excoriation of their native Ireland. And while O'Brien's sexual politics can make Joyce seem like a fusty Edwardian by comparison, both novelists got a certain amount of flack for their erotic frankness. So this latest match from the Penguin Lives series seems like a good one--and largely lives up to its promise. O'Brien makes no pretense of competing with Richard Ellmann's immense, magisterial portrait. Instead she has concocted in James Joyce something that resembles one of her own novels: a spirited, lyrical, and acerbic narrative that just happens to feature the author of Ulysses in the starring role. Having experienced the constrictions of Irish life firsthand, O'Brien is particularly good on Joyce's downwardly mobile childhood. Was his resulting hatred of his native land exaggerated? Apparently not: No one who has not lived in such straitened and hideous circumstances can understand the battering of that upbringing. All the more because they had come down in the world, a tumble from semi-gentility, servants, a nicely laid table, cut glasses, a piano, the accoutrements of middle-class life, relegated to the near slums in Mountjoy Square, the gaunt spectral mansions in which children sat like mice in the gaping doorways. The author also gives a vivid sense of her subject's devotion to his art, an altar upon which he happily sacrificed his family, health, friends, and even his eyesight. She is stubborn in her defense of Joyce's sublime irresponsibility, which she ascribes to all writers: "It is a paradox that while wrestling with the language to capture the human condition they become more callous, and cut off from the very human traits which they so glisteningly depict." O'Brien's own wrestling match in James Joyce has, to be honest, its share of pins and minor pratfalls: there are some embarrassing repetitions and punctuational oddities, and her occasional assimilation of Joyce's own language is an awkward (if heartfelt) form of homage. Still, when she sticks to her own inflections, her account of this "funnominal man" is an eminently readable and entertaining dose of Irish bitters. --James Marcus

    Professor James Knowlson, Beckett's chosen biographer and a leading authority on Beckett, vividly recreates Beckett's life from his birth in a rural suburb of Dublin in 1906 to his death in Paris in 1989, revealing the real man behind the literary giant. Scrupulously researched and filled with previously unknown information garnered from interviews with the author and his friends, family, and contemporaries, Knowlson's unparalleled work is the definitive Beckett biography of our time.Nearing the end of his life, Samuel Beckett chose James Knowlson to be his biographer because he "knows my work best." One of the world's leading authorities on Beckett, Knowlson has drawn on his twenty-year friendship with the Nobel Prize winner, more than one hundred interviews, and research in dozens of archival collections-many previously untapped by scholars-to produce this definitive biography of one of the century's leading writers in both English and French.Damned to Fame follows the reclusive literary giant's life from his birth in Foxrock, a rural suburb of Dublin, in 1906 to his death in Paris in 1989. Knowlson brilliantly re-creates Beckett's early years as a struggling author in Paris, his travels through Germany in 1936-37 as the Nazis were consolidating their power, his service in the French Resistance during World War II, and the years of literary fame and financial success that followed the first performance of his controversial Waiting For Godot (1953).Paris between the wars was a city vibrant with experimentation, both in the arts and in personal lifestyle, and Knowlson introduces us to the writers and painters who, along with the young Beckett, populated his bohemian community. Most notable was James Joyce, a fellow Irishman who became Beckett's friend and mentor and influenced him to devote his life to writing. We also meet the women in Beckett's life-his domineering mother, May; his cousin Peggy Sinclair, who died at a tragically young age; Ethna McCarthy, his first love, whom he immortalized in his poetry and prose; Peggy Guggenheim, the American heiress and patron of the arts; and the strong and independent Suzanne Deschevaux-Dumesnil, whom he met in the late 1930s and married in 1961.Beyond recounting many previously unknown aspects of the writer's life, including his strong support for human rights and other political causes, Knowlson explores in fascinating detail the roots of Beckett's works. He shows not only how the relationship between Beckett's own experiences and his work became more oblique over time, but also how his startling postmodern images were inspired by the paintings of the Old Masters, such as Antonello da Messina, Durer, Rembrandt, and Caravaggio.Perhaps most striking of all is Knowlson's portrait of Beckett's complex personality. Although Beckett is often depicted as melancholic, self-critical, and intensely preoccupied with his work, his own letters reveal him to have been also a witty, resilient, and compassionate man who could respond to adversity with humor and who inspired deep affection in his friends.

    The two shared the same genius, the same childhood influences, and had the same literary instinct, but in Stanislaus it was channeled into sober academic pursuit, while in James it evolved into gaiety, wild whimsy, and at times sodden despair. Covering the first twenty-two years of James Joyce's life in Dublin and Trieste, My Brother's Keeper is a window onto the drama that was his youth. Thanks to Stanislaus's superb memory and sure hand, here we find the Dublin of Dubliners: the streets, neighbors, churches, and unforgettable eccentrics. Here we see the model for Ulysses' Simon Dedalus: James' father, a dour and violent figure when in his cups. Here are the Joyces in their own home, and the minor characters that pepper A Portrait of the Artist: Eileen, Leopold Bloom's comely daughter; Mrs. Riordan, the surly teacher; Mr. Casey, the political agitator. And finally, here is Trieste, a place of exile for Stanislaus but a retreat for James. Stanislaus Joyce has fashioned both an invaluable primary source for his brother's opaque masterpieces and a loving memoir of his brother's early life.

    The Irish potato famine left their homeland ravaged and their family buried in the ground. Now, on their way to a distant relative in Missouri Una is determined to take care of her younger sister and create a new life. Henry Mackey is an easygoing country boy who has never taken anything too seriously, until he meets Una. When Una sees Henry’s green eyes she is trapped by the thought of him. When Una discovers that Mr. Mackey has been arranged as her husband she can’t believe her good fortune. But a family dinner with her future husband proves that things aren’t always what they seem… Henry Mackey has stolen Una Brady’s heart. Unfortunately, her heart has chosen the wrong brother to fall in love with. As family bonds are stretched to their limit Una must choose between her heart and her familial duty. When McKenna Brady meets her own future husband everything is changed. Horace Boucher is a big man in words and stature. He’s a man with few moral scruples and plenty of money. Exactly the sort of man Una would never let her sister marry. As things reach a boiling point between Horace and the Brady girls, Una is determined to intervene on her sister’s behalf. When Henry helps her to do it, Una’s love for him only grows stronger. Though her mind tells her not to, Una isn’t sure she can hold her heart back any longer. Una Brady’s tactics in throwing off Horace Boucher have turned out to be far more potent than she ever bargained for. Horace is not going to marry McKenna but now if Una doesn’t act McKenna’s reputation could be permanently scarred. Soon, Una realizes that the only way to protect her sister is to throw away her own heart’s desire, which means letting go of Henry Mackey. When the time for action comes down to the wire Una makes her final decision, but a surprising punch makes Una realize that it may not be solely her decision. Scroll back up and grab your copy now!

    A New Yorker living in the wilds of Ireland, he has children he never sees in California, a father he loathes in Brooklyn, and a wife, Claudette, who is a reclusive ex–film star given to pulling a gun on anyone who ventures up their driveway. Claudette was once the most glamorous and infamous woman in cinema before she staged her own disappearance and retreated to blissful seclusion in an Irish farmhouse. But the life Daniel and Claudette have so carefully constructed is about to be disrupted by an unexpected discovery about a woman Daniel lost touch with twenty years ago. This revelation will send him off-course, far away from wife, children and home. Will his love for Claudette be enough to bring him back?This Must be the Place is a novel about family, identity, and true love: an intimately drawn portrait of a marriage, both the forces that hold it together and the pressures that drive it apart. O'Farrell writes with complexity, insight, and laugh-out-loud humor in a narrative that hurtles forward with powerful velocity and emotion. This Must be the Place is a sophisticated, spellbinding summer read from one of the UK's most highly acclaimed and best-loved novelists.

    He rules with an iron fist, but when someone from his past steps back in his life, he realizes that he must protect that person from the streets.Lisa—the fast life is no longer something she has a passion for. Her time away gave her plenty of time to think of how her love of money caused her to lose the one the truly loved. She gets a second chance at love, but will deceit creep into this relationship causing it to fail?LaTanza—is a beautiful sister with a haunting past. When she met Carlos Fuentes, the son of Chicago’s leading Latin drug dealer, at the young age of sixteen she immediately fell in love. Now older and married to Carlos she is rich, safe and wants for nothing. But when she eavesdrops on a conversation between Carlos and his father, she hears that the senior Fuentes doesn’t like his son being married to a black woman and wants him to father an all Latin son to carry the family tradition. This sends the unstable LaTanza over the edge. Fearing that she and her daughter will be left out in the cold she carries out a deadly plan—a plan to become ‘The Queenpin’.Rivalries explode. Love is found while it is also lost. Betrayal causes people to hurt the ones they love—all for the love of money. Who will come out on top—or even alive?BioA former undercover narcotics detective, Alex Richardson’s familiarity with the seamy side of the streets adds a steamy kind of street cred and realism to his gritty page turning novels. He spends his time between Chicago and Fort Wayne, Indiana.

    School is her get away, and her safe haven, because at home, she suffers through an abusive relationship with her boyfriend William.Due to the stress of life and school, Amelia loses her job, but quickly bounces back and finds a better opportunity, and with a new job on the horizon, she falls into the arms of the owner of the business, Ceedric.Ceedric is a savage street king who goes legit and leaves his past behind, opening a construction company.The chemistry between these two is real and raw, but what will she do about William? With the fear of leaving William, and falling into something new with Ceedric, hearts and lives are on the line and in the way.Can Ceedric use his tru savage ways to hold on to his woman, or will she slip through his fingers, and stick to what she knows, abandoning her chance at happiness?

    As she helps women plan and execute their special day, Reese is secretly waiting for the day it is her walking down the aisle. However, it seems that with Cordell, a well-known Miami DJ, that will never happen. Though she thought she had a fairy tale, after finding out a secret, Reese has to do her best to move on. It may be easier said than done, though. Anthony is a rapper, and to the outside eye, he has everything. The money, the cars, and the picture perfect trophy girlfriend, Elysia. However, with her continuously pressuring Anthony to get married, he strongly doubts their relationship and where it's meant to head. When he meets Reese, the inevitable happens. With her outgoing and vibrant smile, he finds himself easily attracted to her. However, all is not fair in love and war. Will their hearts be the casualty?

    has revved up the chaos in her second installment of Pretty Lips That Thugs Love series. Twyla T. intensely catapults the audience into the lives of Ashanti and Kentay as love, drama, and secrets unfold in droves. Kentay Mill adamantly claims Ashanti McNeal as his woman in more ways than one. However, his philandering ways always find its way to Ashanti’s front door—literally when his baby is dropped off at the front door. Kentay has been the man in Ashanti’s life for years, but his constant disrespect and unfaithfulness are pushing her into the arms of another man. And, the kicker is that it’s just not any man, but his very own blood. Regardless of the situation, Kentay vows to keep Ashanti as his by any means necessary. He hates to lose and declares that he will win no matter what. Not trying to entertain the thought, he decides to take matters into his own hands and takes desperate measures to ensure that she will always be his. Ashanti is not feeling the love for Kentay that she used to feel. She knows that she is a good woman and has grown tired of his ill treatment of her. When she wasn’t looking, Ashanti finds love in an unexpected place when it literally bumps into her by the name of Ahmad Jones. Their budding friendship develops into something more that neither of them could deny any longer. After watching Ahmad and his team win the NCAA Championship for his college Mississippi State University, Ahmad and Ashanti celebrate with a hot and passionate kiss on live TV that the world sees and she knows that there is no turning back. Ahmad and Ashanti enter new relationship territory and can’t wait to explore their new found love. They are ready to deal and to tackle the fallout with Kentay in order to start their lives together, but they know it won’t be easy. Just as things are looking up for the new couple, tragedy strikes that sends all of their lives in a tumultuous domino. Secrets will no longer remain secrets. No one will go unscathed as lives are turned upside and inside out. Lives will be changed. Relationships will be tried and tested. Pain is inevitable. Love still rules in the end. As darkness descends over the lives of Ashanti, Kentay, and Ahmad, will any of them find light at the end of the tunnel? Whose love will endure the torrent of disasters? Discover who will survive all of the hazy drama that is unrelenting and unlimited in the second installment of this urban fiction love story in Pretty Lips That Thugs Love 2

    

    They were the eldest of the James/Santos offspring who were all either siblings or cousins and ranged in age from infants to early teens. But, now that the three boys were older, they had to face real life issues and responsibility. Lil Q’s name had already been run through the system due to the parents of his first puppy love, Jyla. Now the majority of his summer vacation was spent going back and forth to the courthouse trying to clear his name. Cons’ vacation was spent on his new career, but he later finds himself walking the footsteps of his father. Cons was a go-getter and had been that way since he could comprehend that people catered to children. Once Cons’ career blew up, he also figured out how much it brought attention from his peers, be it good or bad. Now that Cee saw how much drama had come into his family from his little brother and cousin, he chose to keep his feelings for his best friend at bay, not knowing that she liked him too. Cee, Cons, and Lil Q all knew the rules of the James and Santos family. Now that they were older, their parents felt they needed a little more freedom, but would it all be taken away after their parents learned just how much chaos surrounded their children?

    A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.Written with gem-like precision and probing intelligence, Conversations With Friends is wonderfully alive to the pleasures and dangers of youth."

    Formerly part of the World Dramatists series of play collections by classic and modern playwrights, including foreign works in workable and accurate translations, this title and seven others are reissued in a new format under the heading, World Classics.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    His birthplace is famed as the city of lovers, but so far love has always eluded him. Instead his life revolves around the investment bank where he works. And then one day he realizes he is being followed around, by a pale, scrawny man. The man's name is Paul Murray.Paul claims to want to write a novel about Claude and Claude's heart sings. Finally, a chance to escape the drudgery of his everyday office life, to be involved in writing, in art! But Paul himself seems more interested in where the bank keeps its money than in Claude-and soon Claude realizes that Paul is not all he appears to be ...