Now, at the height of his powers, Zambra returns with a book that is the natural extension of these qualities: Multiple Choice.   Written in the form of a standardized test, Multiple Choice invites the reader to complete virtuoso language exercises and engage with short narrative passages via multiple-choice questions that are thought-provoking, usually unanswerable, and often absurd. It offers a new kind of reading experience, one where the reader participates directly in the creation of meaning. Full of humor, melancholy, and anger, Multiple Choice is about love and family; privacy and the limits of closeness; how a society is affected by the legacies of the past; and the conviction that, rather than learning to think, we are trained to obey and repeat. Serious in its literary ambition but playful in its execution, Multiple Choice confirms Alejandro Zambra as one of the most important writers working in any language.

    These are poems of deep listening and patient waiting, open to the cosmic loom, the channeling of daily experience and conversation, gestalt and angels, dolphins and a star-visitor beneath a tree. Family, too, becomes a type of constellation, a thought “a form of organized light.” All of our sense are activated by Berssenbrugge’s radiant lines, giving us a poetry of keen perception grounded in the physical world, where “days fill with splendor, and earth offers its pristine beauty to an expanding present.”

    Translated by renowned Rumi expert Nader Khalili, over 120 poems on spirituality from the Persian mystic poet and Sufi master have been carefully collected and curated in this beautifully illustrated edition. For more than eight centuries, Jalaluddin Muhammad Balkhi Rumi—commonly referred to simply as Rumi—has enchanted and enthralled readers from every faith and background with his universal themes of love, friendship, and spirituality, which he seamlessly wove into resplendent poetry.The verses herein perfectly express the spiritual quest and desire for a deeper understanding of not only ourselves, but also of our collective oneness as humankind.With intricately designed and richly colored covers that mirror the beauty of the words within, the Timeless Rumi series presents themed collections of poems from the great Sufi mystic Jalaluddin Muhammad Balkhi Rumi that serve as cherished tools for self-reflection.

    From vantage points on both sides of the Atlantic, Chatti investigates the perpetual exile that comes from always being separated from some essential part of oneself.“Tunsiya is Arabic for Tunisian/female, and Amrikiya is Arabic for American/female. This naming makes a cross of empowerment even as it is it requires great effort to bear it. Muslim female power is real and undeniable in thesecoming of age poems. In this collection, arcs spark between Tunisian and American citizenship, male and female duality, sky and earth, and yes and no. This is one of the punchiest and powerful chapbooks to appear in recent years. Leila Chatti is someone to watch.” —JOY HARJO“I marvel at Leila Chatti’s poems, their deceptive ease, their ‘calligraphy of smoke,’ their luminous concern with identity and self, love and family, her aesthetic command. ‘I orbited the town of my origin.’ She writes an America that belongs to the world, not the other way around. ‘What kind of world will we leave/ for our mothers?’ In poems filled with vision, desire, tenderness, she disarms our most guarded partialities, those we hide in our slumber, or deep under our tongues: ‘a Muslim girl who loved her father’; ‘ghost of a word mixed up with our bodies.’ Leila Chatti is a remarkable poet. Take notice.” —FADY JOUDAH“Leila Chatti is a major star. She writes exquisite, indelible, necessary poems, from two worlds mixing, rich as the threads of finest tapestries— glistening, warm. I’m struck by her vibrant sense of detail and perfect pacing. We need her honest, compassionate voice so much, at this moment, and everywhere.”—NAOMI SHIHAB NYE

    Awake chronicles Laux's coming to terms with a childhood darkened by violence and sexual abuse--a struggle at once to embrace and to forgive the past.

    The thirty-one poems in the first of his major writings are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" inspired by this meeting. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.

    P. Cavafy (1863 - 1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature.Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text.About the first edition: The best [English version] we are likely to see for some time.--James Merrill, The New York Review of Books [Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry.--Walter Kaiser, The New Republic ?

    This forced people into a situation in which they would have to compromise. Imagine the horror.These days, we're living through The Breakdown. It's a time of enormous political engagement, but many of us feel ill equipped to truly understand and debate all the issues currently rocking our world.With sections including How Other People Think; A Tour of the Battlegrounds; and Making Change Happen, this superbly clear-sighted, light-hearted and judgement-free book will give you all the tools you need to understand the different arguments, to work out what is happening and why - and then to do something about it.In a shifting political landscape that can at times be frustrating, emotional or confusing, The Breakdown is an oasis of calm in a turbulent world.

    They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure - William Wordsworth, from the Advertisment prefacing the original 1798 edition. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

    Each of Levin's poems is an astonishing investigation of human darkness, propelled by a sensuous syntax and a desire for healing."This is the language of a prophet: Levin's art, in this book certainly, takes place in a kind of mutating day of judgment: it means to wipe a film from our eyes. It is a dare, a challenge, and, for all its considerable beauty, the opposite of the seductive...Sensuous, compassionate, violent, extravagant: what an amazing debut this is, a book of terrors and marvels."-Louise Gluck, from the IntroductionDana Levin was raised in Lancaster, California, in the Mojave Desert. She has received fellowships, grants, and awards from the National Endowment for the Arts, the Academy of American Poets, the Vermont Arts Council, and New York University, where she received her M.F.A. She lives in New Mexico and teaches Creative Writing at the College of Santa Fe.

    Her investigative partner is photographer Francisco Leal, the son of impoverished Spanish Marxist émigrés. Together, they form an unlikely but inseparable team—and Francisco quickly falls in love with the fierce and loyal Irene. When an assignment leads them to a young girl whom locals believe to possess miraculous powers, they uncover an unspeakable crime perpetrated by an oppressive regime. Determined to reveal the truth in a nation overrun by terror and violence, each will risk everything to find justice—and, ultimately, to embrace the passion and fervor that binds them.Profoundly moving and ultimately uplifting, Of Love and Shadows is a tale of romance, bravery, and tragedy, set against the indelible backdrop of a country ruled with an iron fist—and peopled with those who dare to challenge it.

    By juxtaposing fragments of her poems with short pieces of prose, we begin to know her as poet, friend, enemy, woman, lover, and revolutionary.From "Poems for Moscow (2)":From my hands—take this city not made by hands,my strange, my beautiful brother.Take it, church by church—all forty times forty churches,and flying up over them, the small pigeons;And Spassky Gates—in their flower—where the Orthodox take off their hats;And the Chapel of Stars—refuge chapel—where the floor is—polished by tears;Take the circle of the five cathedrals,my soul, my holy friend.Marina Tsvetaeva was born in Moscow in 1892 and died in 1941. Her poetry stands among the greatest works of twentieth century Russian writers.Ilya Kaminsky is the author of Dancing in Odessa (Tupelo Press, 2004) which won the Whiting Writers' Award, the American Academy of Arts and Letters' Metcalf Award, the Dorset Prize, and the Ruth Lilly Poetry Fellowship awarded annually by Poetry magazine.Jean Valentine won the Yale Younger Poets award for Dream Barker in 1965. Her eleventh book of poetry is Break the Glass, from Copper Canyon Press. Door in the Mountain: New and Collected Poems 1965–2003 was the winner of the 2004 National Book Award for Poetry.

    And from the beginning, her practice placed her at the vanguard of American writing. Guest's poetry, saturated in the visual arts, extended the formal experiments of modernism, and played the abstract qualities of language against its sensuousness and materiality. Now, for the first time, all of her published poems have been brought together in one volume, offering readers and scholars unprecedented access to Guest's remarkable visionary work. This Collected Poems moves from her early New York School years through her more abstract later work, including some final poems never before published. Switching effortlessly from the real to the dreamlike, the observed to the imagined, this is poetry both gentle and piercing seemingly simple, but truly and beautifully dislocating.

    Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.--Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

    Translated from the Swedish by Johannes Goransson, Berg's hallucinatory, post-cataclysmic epic takes place in an unremitting future-past. The bodies mutate and hybridize. They are erotic and artificial, art and adrenaline. Available for the first time in English as a complete collection, the poems of this contemporary Swedish classic contaminate as they become contaminated--drawing on and altering source texts that range from The Texas Chainsaw Massacre to string theory. Calling on fables, science, the pastoral, and the body, DARK MATTER aggravates their perception while exhausting poetry down to its nerve: "a faint spasm of cheers before this, the nervous system's last chance to communicate with the dying I." The result: a monstrous zone of linguistic and bodily interpenetration, cell death, and radiant permutations. "Extraordinary and urgent, a coded warning smuggled out of dark." --China Mieville; "Aase Berg's poetry is discomforting because it lacks boundaries....When I read her I notice how my consciousness tries to separate, divide up and make sense of her almost hallucinatory images, but they always glide back together. I get nauseated and almost seasick from her texts." --Asa Beckman