Then her little brother suddenly starts asking for his new friend, "Susie." Is someone else playing with him? Someone only he can see? Soon Charlotte realizes that her all-too-normal house is haunted-by the ghost of a girl who doesn't realize that she's dead. . . . "Has several strong appeals: new best friends solving a mystery together, a just-scary-enough ghost girl, and a deathless bond between sisters that provides the book with its resoundingly satisfying conclusion." (The Horn Book)

    But it was in his short stories, written when he was a young man embarking on a literary career, that he first explored the enormous potential of the scientific discoveries of the day. He described his stories as "a miscellany of inventions," yet his enthusiasm for science was tempered by an awareness of its horrifying destructive powers and the threat it could pose to the human race. A consummate storyteller, he made fantastic creatures and machines entirely believable, and by placing ordinary men and women in extraordinary situations, he explored, with humor, what it means to be alive in a century of rapid scientific progress. At the dawn of a new millennium, Wells' singular vision is more compelling than ever.

    Introduction by Barry N. Malzberg. Dustjacket art by Bob Eggleton.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    Dreams of Dark and Light. Sauk City: Arkham House, [1986]. First edition, first printing. Octavo. 507 pages. Publisher's binding and dust jacket.Publication of The Birthgrave in 1975 heralded a new and brilliant luminary in the firmament of modem fantasy. Ostensibly a sword-and-sorcery epic in the tradition of Robert E. Howard, this novel about a youthful heroine with incipient psychic powers astounded readers with its striking originality and intense emotional impact. Tanith Lee today is one of the most versatile and respected writers of fantasy, horror, and science fiction, and DREAMS OF DARK AND LIGHT represents a massive midcareer retrospective of her achievements over the previous decade.Here are unforgettable tales of werewolves that prowl chateaux, an Earthwoman in exile on a distant planet, demons that inhabit bodies of the living dead, a race of vampiric creatures who prey upon a cursed castle, and many other works of exotic vision, mythic science fiction, and contemporary horror. Also included are two stories that have received the World Fantasy Award, "Elle est Trois, (La Mort)" and "The Gorgon," making DREAMS OF DARK AND LIGHT a distinguished one volume library of myth-weaving at its most eloquent and evocative.Although acclaimed as the "Princess Royal of Heroic Fantasy," Tanith Lee has long since transcended genre conventions to create a body of work of remarkable psychological depth and artistic distinction. In her imaginative sympathy with characters, human or otherwise, Lee remains unexcelled in the portrayal of deeply felt emotions. Her stories explore many of the most significant themes in twentieth-century literature - life and death, coming of age, the nature of good and evil, love in all its manifestations. And she remains, above all, one of the great natural storytellers working in the English language ... Tanith Lee truly has become the Scheherazade of our time.

    For the first time ever, a monster collection of 26 new original Kolchak short fiction stories by noted authors from comics, horror fiction, and film! With the advent of the new Kolchak ABC TV show, Moonstone proudly announces new contemporary prose adventures of the original Kolchak, TV's first and foremost paranormal investigator! Plus all kinds of other cool stuff, like tales from Kolchak's untold past, monster huntings, noir thrillers, and even horror stories of more cerebral type!

    Dick is now seen as a uniquely visionary figure, a writer who, in editor Jonathan Lethem’s words, “wielded a sardonic yet heartbroken acuity about the plight of being alive in the twentieth century, one that makes him a lonely hero to the readers who cherish him.”This Library of America volume brings together four of Dick’s most original novels. The Man in the High Castle (1962), which won the Hugo Award, describes an alternate world in which Japan and Germany have won World War II and America is divided into separate occupation zones. The dizzying The Three Stigmata of Palmer Eldritch (1965) posits a future in which competing hallucinogens proffer different brands of virtual reality, and an interplanetary drug tycoon can transform himself into a godlike figure transcending even physical death.Do Androids Dream of Electric Sheep? (1968), about a bounty hunter in search of escaped androids in a postapocalyptic society where status is measured by the possession of live animals and religious life is focused on a television personality, was the basis for the movie Blade Runner. Ubik (1969), with its future world of psychic espionage agents and cryonically frozen patients inhabiting an illusory “half-life,” pursues Dick’s theme of simulated realities and false perceptions to ever more disturbing conclusions, as time collapses on itself and characters stranded in past eras search desperately for the elusive, constantly shape-shifting panacea Ubik. As with most of Dick’s novels, no plot summary can suggest the mesmerizing and constantly surprising texture of these astonishing books.Posing the questions “What is human?” and “What is real?” in a multitude of fascinating ways, Dick produced works—fantastic and weird, yet developed with precise logic, marked by wild humor and soaring flights of religious speculation—that are startlingly prescient imaginative anticipations of 21st-century quandaries.

    Is her gift real, or is it the sign of a consuming madness? Can she lead them all to important truths, or will they be trapped in the tightening web of terror and death?Fog Heart was named one of the best books of the year by Publishers Weekly, and awarded the International Horror Guild's honors for Best Novel.

    At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”Into O’Dare’s nightmarish world of lone and lethal missions comes a mysterious stranger, a seraph, who offers him a chance to save rather than destroy lives. O’Dare, who long ago dreamt of being a priest but instead came to embody danger and violence, seizes his chance. Now he is carried back through the ages to thirteenth-century England, to dark realms where accusations of ritual murder have been made against Jews, where children suddenly die or disappear . . . In this primitive setting, O’Dare begins his perilous quest for salvation, a journey of danger and flight, loyalty and betrayal, selflessness and love.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    FBI agent Brad Raines must turn to a most unusual source for help.

    RosenmanBy the Time the Witchblood Blooms • (2000) • short story by Anne BishopA Family Affair • (2000) • novelette by William C. DietzSuspended • (2000) • novelette by Michelle R. GaweBorders • (2000) • short story by Nancy Jane MooreKiss Me, You Fool • (1993) • short story by Del Stone, Jr.Round Dragon, Angry Tiger • (2000) • novelette by Steven PiziksThe Judas Lesson • (2000) • short story by Jerry OltionThe Fine Art of Betrayal • (2000) • novelette by Karen HaberFrozen • (2000) • short story by Tom CoolThe Traitor • (2000) • short story by Lois TiltonWhat's in a Name? • (2000) • short story by Douglas SmithRena 733 • (2000) • short story by Lisa SilverthorneChalk Circle • (2000) • short story by Greg McElhattonTrue Love in the Day After Tomorrow • (2000) • novelette by Scott EdelmanThe Divi • (2000) • short story by Irene RadfordHer Fair and Unpolluted Flesh • (2000) • novelette by K. D. WentworthPerfidy • (2000) • short fiction by Dennis L. McKiernanThe Passenger • (2000) • short story by Julie E. Czerneda

    Here, along with the usual monsters - vampires, werewolves, ghouls, and some of Dr Frankenstein's more freakish creations - you'll find other, less familiar ones. You'll meet the frightening Fly-by-Night, the hideous shaddy, the horrible mock, and the dreaded shadmock, perhaps the most terrible of all. When Donald McCloud offers a starving man a meal, he unexpectedly discovers that the man is a vampire - and he's the main course! Accompanying the vampire, Eramus, to The Monster Club, Donald encounters a whole host of strange monsters, who, in a series of five linked stories, recount to Donald their monstrous exploits. But as Donald is regaled with these tales of monsters and their unfortunate human victims, it gradually dawns on him that as the only human in a club full of bloodthirsty monsters, he might be in a bit of a predicament. . . . First published as a paperback original in 1976, R. Chetwynd-Hayes's "The Monster Club" was adapted for a 1981 film starring Vincent Price, John Carradine and Donald Pleasence, and both book and film have gone on to become cult classics. Told in a wry, tongue-in-cheek style, the tales in "The Monster Club" are simultaneously horrific, comical, and curiously moving. This edition is the first in more than twenty years and features a new introduction by Stephen Jones and a reproduction of John Bolton's painting from the comic book adaptation of the film.

    Life is good, folks live to a ripe old age, and there hasn't been a violent crime in nearly a generation. It's almost as if some force were protecting the God-fearing folk of the Run from harm... Henry left the quiet town almost a decade ago-after his mother's tragic death and a terrible falling-out with his father. Ever since, he has shut out his memories of the Run. He has tried to not think about the day his mother died. But now-after the startling news of his father's suicide-Henry is coming home... Home, where his former girlfriend is waiting on her dying mother and her living dreams. Home, where his boyhood friend is mysteriously drawn to something inside an abandoned mine.

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)