Someone is manipulating Shirtless...and only by confronting the demons of his past can Shirtless hope to save his future!A heart-filled, hilarious, tall tale for the ages...you don't want to miss SHIRTLESS BEAR-FIGHTER!Collecting SHIRTLESS BEAR-FIGHTER! #1-5"

    Shining a light on humanity's ancient customs and institutions in a funny origin story of human civilization, Mark Russell (PREZ) blends modern interpretations with Hanna-Barbera's classic character's, bringing a breath of fresh stone-age air. Hanna-Barbera has created some of the most recognizable animated characters of all time. As part of DC Comics' re-imagination of cartoons like Scooby-Doo, The Flintsones, Johnny Quest, Space Ghost, and Wacky Racers, these new series will be infused with modern and contemporary concepts while keeping the heart and soul of the classic animation. Collects THE FLINTSTONES #1-6.

    Celebrated artist Jeffrey Brown's delightful illustrations give classic Star Wars moments a fresh twist, presenting the trials and joys of parenting through the lens of a galaxy far, far away. Life lessons include lightsaber batting practice, using the Force to raid the cookie jar, Take Your Child to Work Day on the Death Star ("Er, he looks just like you, Lord Vader!"), and the special bond shared between any father and son.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    Read the gag-filled adventures of four goofy residents living among the Animal Crossing: New Horizons characters.Includes a bonus Animal Guide with game tips!

    Joining him for the journey are Pig, the slow but good-hearted conscience of the strip; Goat, the voice of reason that often goes unheard; and Zebra and the eternally inept Crocodiles who pursue him. Together this mindful menagerie mocks the flaws and shortcomings of human nature through Pastis's cynically biting wit.* The third Pearls Before Swine treasury, this book combines all the cartoons from Da Brudderhood of Zeeba Zeeba Eata and The Sopratos, along with annotations by Pastis.* From courtroom antics to references of other cartoon strips, Pastis's strip is a fresh presence on the comic pages.

    The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries.Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

    We'll never quite know why, but sometimes they decide they've just had enough of this world- and that's when they start getting inventive. The Book of Bunny Suicides follows over one hundred bunnies as they find ever more outlandish ways to do themselves in. From an encounter with the business end of Darth Vader's lightsaber, to supergluing themselves to a diving submarine, to hanging around underneath a loose stalactite, these bunnies are serious about suicide. Illustrated in a stark and simple style, The Book of Bunny Suicides is a collection of hilarious and outrageous cartoons that will appeal to anyone in touch with their evil side.

    Ever since, fans have been hungry for more, and now their wait is finally over!This volume collects the long-out-of-print, fan-favorite comics previously published in Nickelodeon Magazine and with the Airbender DVDs, plus over seventy brand-new comics pages. That's twenty-six stories set in Airbender continuity, by a host of top-notch talent, many of whom worked on the original animated series!* A must-have for any Airbender fan!* Twenty-six in-continuity stories, plus bonus content!* The latest release in an ongoing partnership between Nickelodeon and Dark Horse, to bring you the very best in Airbender books!

    These full-color graphic novels broke new ground when they were first released and became the inspiration for countless modern-day comic artists.This repackaged hardcover volume contains 3 classic Tintin stories, including: Tintin in America, Cigars of the Pharaoh, and The Blue Lotus.

    Completely recolored in the style of the 1930s and 1940s Disney animated cartoons. Illustrated.

    Cartoons provide a humorous view of the frustrations and rewards of parenthood as Wanda and Darryl adjust to life with young children Zoe and Ham.

    This unique quarter - century anniversary anthology offers the essence of the strip - over 800 daily and Sunday strips that form the core of the "Doonesbury" saga, all fully annotated to document the strip's effect on the wider world. Acclaim and outrage, ire and impact are duly noted - "Doonesbury" has left an impressive and entertaining trail of fallout, and outlasted many of it's most vocal critics. In addition, the strip's creator logs on with an introduction, and in a Q&A series addresses some of the questions he has so adroitly evaded in the past.

    Life is always fresh, topical, and irreverent in this wacky house.* Amend's FoxTrot won the National Cartoonists Society's prestigious Reuben Award in 2007.

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.