Contents:Surfacing (1988)Video Star (1986)No Spot of Ground (1989)Flatline (1988)Side Effects (1985)Witness (1986)Wolf Time (1987)The Bob Dylan Solution (1989)Dinosaurs (1987)

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    The author's previous books include "Dying Inside" and "The Time Hoppers".xi • Introduction (The Conglomeroid Cocktail Party) • (1984) • essay by Robert Silverberg 1 • The Far Side of the Bell-Shaped Curve • (1982) • novelette by Robert Silverberg 24 • The Pope of the Chimps • (1982) • short story by Robert Silverberg 48 • The Changeling • (1982) • short story by Robert Silverberg 72 • The Man Who Floated in Time • (1982) • short story by Robert Silverberg 84 • The Palace at Midnight • (1981) • short story by Robert Silverberg 102 • A Thousand Paces Along the Via Dolorosa • (1981) • novelette by Robert Silverberg 130 • At the Conglomeroid Cocktail Party • (1982) • short story by Robert Silverberg 141 • Our Lady of the Sauropods • (1980) • short story by Robert Silverberg 160 • Gianni • (1982) • short story by Robert Silverberg 182 • The Trouble with Sempoanga • (1982) • short story by Robert Silverberg 194 • How They Pass the Time in Pelpel • (1981) • short story by Robert Silverberg 212 • Waiting for the Earthquake • (1981) • novelette by Robert Silverberg 240 • Not Our Brother • (1982) • novelette by Robert Silverberg 264 • The Regulars • (1981) • short story by Robert Silverberg 276 • Jennifer's Lover • (1982) • short story by Robert Silverberg 297 • Needle in a Timestack • (1983) • short story by Robert Silverberg

    In Steele’s universe, the stars are cold, space is big, and it’s the normal people who make things interesting.

    The ebook from Gateway contains 11 stories, same as the VIE volume (only three stories from the Dobson edition), and the ebook from Spatterlight contains 9 stories.

    Bread is a good start for sustenance.Don Eyr and Serana were survivors who came to Low Port – it gave them air, water, a place to stand and a place to make bread. The place to sleep meant they needed a certain amount of safety and to get that they founded a bakery at the corner of Crakle and Toom, brought in others seeking to survive in the midst of the poverty and ignorance, and built a tiny bastion of a self-sufficient community dedicated to raising competent, alert children who understood decency.Low Port toughs tried to break the bakery and a planet-shaking blast from the skies nearly did it in, but the bakery was hope, and people who have hope will fight to keep it.This chapbook collects four stories about sustenance, all about the bakery, its people, and its influence. ″Degrees of Separation,″ ″Fortune’s Favors,″ and "Block Party" are reprints. The novelette ″Our Lady of Benevolence″ appears here for the first time.

    

    Hartwell returns with this fifth annual collection of the year's most imaginative, entertaining, and mind-expanding science fiction.Here are works from some of today's most acclaimed authors, as well as visionary new talents, that will introduce you to new ideas, offer unusual perspectives, and take you to places beyond your wildest imaginings. Contents xiii • Introduction (Year's Best SF 5) • (2000) • essay by David G. Hartwell 1 • Everywhere • (1999) • shortstory by Geoff Ryman 14 • Evolution Never Sleeps • (1999) • shortstory by Elisabeth Malartre 36 • Sexual Dimorphism • (1999) • shortstory by Kim Stanley Robinson 57 • Game of the Century • (1999) • novelette by Robert Reed 94 • Secrets of the Alien Reliquary • (1998) • poem by Michael Bishop 97 • Kinds of Strangers • (1999) • novelette by Sarah Zettel 124 • Visit the Sins • (1999) • shortstory by Cory Doctorow 145 • Border Guards • (1999) • novelette by Greg Egan 174 • Macs • (1999) • shortstory by Terry Bisson (aka macs) 186 • Written in Blood • (1999) • shortstory by Chris Lawson 204 • Has Anybody Seen Junie Moon? • (1999) • shortstory by Gene Wolfe 222 • The Blue Planet • (1999) • shortstory by Robert J. Sawyer 229 • Lifework • (1999) • shortstory by Mary Soon Lee 238 • Rosetta Stone • (2000) • shortstory by Fred Lerner 255 • An Apollo Asteroid • (1999) • shortstory by Brian W. Aldiss 271 • 100 Candles • (1999) • shortstory by Kurt Wohleber 288 • Democritus' Violin • (1999) • shortstory by G. David Nordley 311 • Fossil Games • (1999) • novelette by Tom Purdom 362 • Valour • (1999) • shortstory by Chris Beckett 379 • Huddle • [Manifold] • (1999) • novelette by Stephen Baxter 404 • Ashes and Tombstones • (1999) • shortstory by Brian Stableford [as by Brian M. Stableford ] 422 • Ancient Engines • (1999) • shortstory by Michael Swanwick 433 • Freckled Figure • (1992) • shortstory by Hiroe Suga 457 • Shiva • (1999) • shortstory by Barry N. Malzberg 466 • The Queen of Erewhon • (1999) • novelette by Lucy Sussex

    He has a powerful voice, combining the intense rationality of science with the intensely passionate characters that can only be created by a writer who loves humanity. Bear’s novel Moving Mars won the Nebula Award in 1994, and he did it again, in 2000, with Darwin’s Radio. He has been honored with Hugo and Nebula nominations for novel-length work eight more times.But Greg Bear’s short fiction is even more astounding, as this powerful career retrospective demonstrates. This collection contains Bear’s earliest published fiction from the late 1960s and early 1970s as well his remarkable award-winning work from the ‘80s and ‘90s—stories like the Hugo and Nebula Award-winning novella- length version of “Blood Music” and the Hugo and Nebula Award-winner “Tangents.”This Collection is enhanced by brand-new introductions for each story, commentary, and reminiscences by Greg Bear.

    V. Larson! This 60,000 word book is an Anthology of short stories. Most are Science Fiction mixed with Horror. Others might be called Dark Fantasy... Many have been published previously in various magazines.The Barrier – What does it take to go faster than light?Symptoms of Godhood – How far can you modify a body and still call the results human?Discharged – A long war and an even longer stay in an automated hospital.Teeth at Bedtime – Technology follows us everywhere.The Insect Requirement – Great sacrifices are required for Earth’s early colonists.Blind Eyes – If we can design our own children, how far will we go?TA96 – Do our genes belong to us?Zundra’s Movies – A future where video is created with the mind, and insanity is fun to watch.Pinball – A young man builds his own watchdog.Love Aboard the Kamadeva – A love triangle between two desperate souls and a digital mirage.Starplay – A window into the universe becomes a door.The One-Way Gang – Leaving Earth is easy, but you can never come back.Rusted Metal – What has spent the last century in the basement?Lunar Lotto – Death comes instantly to outlaws in vacuum.The Rollers – Crime has been mostly eliminated by removing all forms of cash... Mostly.

    The climactic engagement of this war, Operation Repulse, took place from August 2063 to February 2064, and was the most significant clash of arms on European soil in four hundred years.

    There's a greater emphasis than usual on Golden Age writers (just the way it came together) -- but we have one original story as well, a posthumous collaboration with H.B. Fyfe, finishing a really terrific but not-quite-done tale he had been working on before his death. It's a bit reminiscent of James Tiptree, Jr.'s best work -- but predates Tiptree by a couple of decades. And we have novels by Robert Silverberg, Frederik Pohl & C.M. Kornbluth, Murray Leinster, E. Everett Evans, and Donald Wollheim...not to mention part 2 of our serialization of Tony Rothman's mammoth 2013 novel, Firebird. And a ton of great short stories. 36 works in all, more than 1900 pages of great reading!ANGELS IN THE JETS, by Jerome BixbyA CODE FOR SAM, by Lester del ReySTAR SHIP, by Poul AndersonTHE WELL-OILED MACHINE, by H.B. FyfeJACK OF NO TRADES, by Evelyn E. SmithTHE GRAVITY BUSINESS, by James E. GunnDOOMSDAY EVE, by Robert Moore WilliamsMASTER OF LIFE AND DEATH, by Robert SilverbergFALCONS OF NARABEDLA, by Marion Zimmer BradleyNEW LAMPS, by Robert Moore WilliamsTHE PIRATES OF ZAN, by Murray LeinsterOUT OF THE IRON WOMB!, by Poul AndersonLATER THAN YOU THINK, by Fritz LeiberTHE PLANET MAPPERS, by E. Everett EvansAFTERGLOW, by H.B. Fyfe and John Gregory BetancourtSHIPPING CLERK, by William MorrisonCONTAGION, by Katherine MacLeanTHE LIGHT ON PRECIPICE PEAK, by Stephen TallTHE LUCKIEST MAN IN DENV, by Simon EisnerON THE FOURTH PLANET, by J.F. BoneBIMMIE SAYS, by Sydney Van ScyocSWEET TOOTH, by Robert F. YoungSEARCH THE SKY, by Frederik Pohl and C. M. KornbluthSTAR, BRIGHT, by Mark CliftonHOT PLANET, by Hal ClementTWO WEEKS IN AUGUST, by Frank M. RobinsonTHE ALIEN, by Raymond F. JonesBODYGUARD, by Christopher GrimmJAYWALKER, by Ross RocklynneSECOND CHILDHOOD, by Clifford D. SimakOF ALL POSSIBLE WORLDS, by William TennPOLLONY UNDIVERTED, by Sydney Van ScyocDELAY IN TRANSIT, by F. L. WallaceA GIFT FROM EARTH, by Manly BanisterONE AGAINST THE MOON, by Donald A. WollheimSpecial Feature: FIREBIRD, by Tony Rothman [Part 2 of 3]If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 270+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!

    Lost worlds where T-Rex and Velociraptors still roam and man is now on the menu. Laboratories at the forefront of cloning technology experiment with dinosaurs they do not understand or are able to contain. The deepest parts of the ocean where Megalodon, the largest and most ferocious predator to have ever existed is stalking new prey. Plus many more thrillers filled with extinct prehistoric monsters written by some of the best creature feature authors this side of the Jurassic period.

    Now, for the first time in more than a decade, you can find these treasured gems within a single volume. The Hugo Award Showcase collects the stories-by rising stars like Kij Johnson, beloved taleslingers like Michael Swanwick, and literary legends like Nancy Kress-that have captured the hearts and imaginations of some of the genre's most dedicated readers.

    Who guides our fate? And can we ever hope to wrest control for ourselves? In this novella, "The Loom of Thessaly" , classical mythology merges with impudent modern spirit into a science fiction legend that speculates upon the nature of reality.