Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    From the trilogy's darker themes of violence and social control to fashion and weaponry, the collection's exploration of the Hunger Games reveals exactly how rich, and how perilous, protagonist Katniss' world really is.• How does the way the Games affect the brain explain Haymitch's drinking, Annie's distraction, and Wiress' speech problems?• What does the rebellion have in common with the War on Terror?• Why isn't the answer to "Peeta or Gale?" as interesting as the question itself?• What should Panem have learned from the fates of other hedonistic societies throughout history and what can we?The Girl Who Was On Fire covers all three books in the Hunger Games trilogy.

    His night would start out much like any other, as he stops off for a beer or two after work, and to meet up with friends if they’re there that night.But his life is turned upside down, as the most beautiful woman he’d ever laid eyes on walks into the bar scantily clad and right up to him, and he learns he isn’t quite as human as he’d always thought. In fact, he was a demigod, and the woman that’s doing his father a favor… well, she’s a goddess. The goddess of love, pleasure, beauty, and fertility in fact, and she needs a champion. It all seems pretty insane to him even as he accepts, especially the part about his godly stepmother wanting him dead. It only gets crazier from there and the insane ride never stops. He hopes it’ll slow down soon, even though a lot of it is insanely enjoyable and beyond surreal, if not his mind can always catch up when he’s dead…Author Warning: This is an Urban Fantasy adventure featuring a mixed monster girl and demigoddess harem and polyamory theme, with some MF to MFF scenes of an explicit nature. If that’s not your cup of tea, don’t read this book. You have been warned. This is also loosely based on Greek mythology. I’m sure I got some things wrong, and I know I made some changes to the myths fit my story.

    Even though Quentin gave Chloe twenty million dollars to leave quietly, she longs for love and hopes that a move to Washington DC will expand her options to a new elite crowd. When Chloe meets ex-NFL star, Dustin McArthur, she thinks she's finally met the man of her dreams. He's sinfully handsome, lives in an exclusive neighborhood in Georgetown and knows how to show Chloe a great time, all while being the perfect gentleman. Chloe is sure she's struck the jackpot with Dustin, and hesitates to tell him about her past gold digger ways. But while Dustin seems like the whole package, there are a few chinks in his knight's armor. A wild past has left him with four children by four women, his finances are in disarray, and the A-list life he leads is merely smoke and mirrors provided by his NFL friends and Chi Kappa Psi Fraternity brothers. When Chloe and Dustin's secrets are revealed, will there be enough love to cover their multitude of sins? Or will Chloe's replacement fall short of the original? This is a novella.

    I’m the ditzy one that gives blondes a bad name’. Cappuccino and Chick-Chat is a riotous read about Debbie Viggiano’s candid observations in her often-chaotic world. Whether it’s losing her car, attempting cosmic ordering, freaking herself out manifesting a can of cola, or buying sweaters in shades that flatter her frequently flushed face, Debbie takes her reader on a madcap journey while trying to see the lighter side of life. It’s the perfect bedtime read. What readers are saying about Debbie’s books: ‘My favourite book this year… had me literally LAUGHING OUT LOUD… This book had me laughing and crying. I loved it and recommend it for everyone!’ Being Miss Meg, 5 stars ‘Absolutely hilarious. It is so easy for any woman to relate to this book… sooooo good. I read this in just a few hours as I simply couldn’t put it down. Go and grab your copy now. It’s one everyone will be talking about this year.’ Goodreads reviewer, 5 stars ‘Wow!... Honest, heartfelt and totally hilarious! Such an amazing read, I found myself either smiling or laughing constantly... Bl**dy brilliant!! I love it!... a must read for every woman this summer.’ Goodreads reviewer, 5 stars ‘Made me smile, giggle and laugh out loud. I loved it and would recommend it to anyone.’ Goodreads reviewer, 5 stars ‘Funny from the very beginning until the end, and there were some laugh out loud moments which I loved… I was reading this at 2am!... had me giggling away. I ended up reading this in one sitting, I just couldn't put it down. Thanks for one hell of a laugh Debbie!’The Bookend Reviews, 5 stars ‘Loved this book from the very first word.’ Goodreads reviewer, 5 stars ‘My first read of Debbie Viggiano, and I can't wait to read more!... Entertaining from beginning to end.’ Goodreads reviewer, 5 stars ‘Funny from beginning to end… quite often had me nodding in recognition of some of the situations.’ A Good Book and a Brew, 5 stars ‘OMGoodness – what a treat… a chuckly book, with a light heart.’ Goodreads reviewer, 5 stars ‘This author certainly knows how to make you laugh.’ 5 stars, B for Book Review,

    The Nephilim. Does the bible really talk about Giants? Did they really exist?The Truth and The Lie series. There are so many interesting things in the Bible that much of our modern world doesn’t even realize are there. We are going to explore many of these areas in this series. We will search for the truth and the reality of what the word of God really says, as well as addressing the misconceptions that are held about it in our modern days. The word of God contains the reality of the scientific creation that is extravagantly miraculous and still completely understandable. We will be Exploring The truth about biblical giants. The reality of fallen angels. Who is Lucifer really? Is there really good and evil? What did Jesus (Yeshua) tell us to be watching for? Can we actually know what is “truth?” If The Word Of God Is True… That Changes Everything!What if the Bible isn’t just a seemingly quaint collection of myths and self-righteous moral codes? What if it isn’t an antiquated tribal religious document like any other primitive myth? And what if it isn’t a simplistic story of primitive people trying to understand their world, a people who we judgingly suppose were without the benefit of our modern science and unable to have our modern insight? And what if this modern insight is not what it is supposed to be? We Need To Know! Where did everything come from? Who is really in charge? How old is the earth? Is there more in the bible than I’ve been told? What about the other ancient cultures?” Modern atheistic science freely admits that there is so much about the universe we don’t know, and yet can’t even conceive that there is something beyond us that is responsible for all this. Our modern science is beginning to take a peek into the unseen like never before. Quantum and dimensional physics shows us that there is indeed a supernatural realm - other dimensions of existence! The further science explores, the more it becomes apparent that the universe is more like a grand thought than a grand thing. All we see is made from what we cannot see - exactly as the Bible has maintained from the beginning. The reality of every new discovery points more and more towards a highly complex interwoven dimensional reality that is closer to a digital hologram than is comfortable to admit. We know that time is part of the space time matter realm we occupy and that it has a beginning and an end, that there is more beyond time. YHVH, Elohim God, exists outside of time. Yet science isn’t likely to offer any forthcoming admission to this possibility anytime soon.Yes, if it is true, if there is one creator God, the God of the Bible, then that changes everything! We will explore the fascinating reality that the word of God is true. It explains everything and brings our world - back - into a perspective that makes sense. It is scientifically accurate, it is realistically possible, and it is an amazing reality! You Will Learn The Truth. The truth about world history! What we have been taught isn’t all there is. The truth about ancient culture, Their legends and myths. The truth about how everything really got here The reality about the players behind world events The true existence of a supernatural world, proven by science.

    Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer's pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast.In From Caligari to Hitler, Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film.Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin's suicide, he made his way to New York, where he remained until his death in 1966. He wrote From Caligari to Hitler while working as a "special assistant" to the curator of the Museum of Modern Art's film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, From Caligari to Hitler remains Kracauer's best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his Theory of Film: The Redemption of Physical Reality in 1997.

     This specially-priced boxset includes: BOOK 1: LET NOT THE DEEP A crippled cargo ship drifts helplessly in the face of an oncoming hurricane-force storm. On board, a passenger whose presence means the world is watching. Only the skill, determination and raw courage of a lifeboat crew and the British military forces despatched to save them offer any hope of survival. But set against the savagery of the Atlantic even that might not be enough... BOOK 2: KING'S SHILLING As a powerful insurgent army closes on Liberia’s capital, London is forced to act, and HMS Beaufort is despatched to West Africa to pull British nationals from the teeth of encroaching danger. But when the volatile situation ashore unravels, the frigate’s crew must draw deep on reserves of skill, ingenuity and sheer bloody mindedness to save it. And with time running out Beaufort’s Captain makes the decision to take his ship up river... BOOK 3: LONG REACH When Belize is invaded by a powerful neighbour it’s Britain that must spring to the defence of this old outpost of empire. But intervening in distant Central America will test the limits of the former colonial power. And in the end the outcome will turn on the skill, boldness and heart-bursting bravery of handful of British forces already in country... BOOK 4: CONGO BLUE When a group of missionaries get caught up in bloody African civil war London is forced to act. For the men of 40 Commando, Royal Marines, it should be a quick in and out. A nice clean operation. But what awaits them will test them like never before. And, facing overwhelming odds, this time the skill and raw courage of these legendary fighting men may not be enough.. *Note: Congo Blue was previously published as Heraklion Blue. What everyone is saying about Mike Lunnon-Wood’s books: ‘Mike Lunnon-Wood is a great thriller writer’ -- Rowland White, author of Vulcan 607 ‘Absolutely Magnificent! Never has a book twisted my emotions as much as this book has. What a brilliant author Mike Lunnon-Wood is.' ‘Storytelling at its best. Thoroughly enjoyed the whole thing.’ ‘I have just finished reading Congo Blue after reading Let Not The Deep, King's Shilling and Long Reach all in sequence and almost without a break. I just could not stop. I see completely why Rowland White praised these books. I recommend anyone to read them all.’ ‘These four books are probably the best series I've read.’ ‘The quality of his writing and the depth of his characters are brilliant.’ ‘I was lost from the world while reading this and books like that don't come along too often.’ Mike Lunnon-Wood’s books are perfect for fans of Red Storm Rising, Sniper One or Bravo Two Zero or movies like Red Dawn, Dunkirk or The Siege of Jadotville.

    

    Alone, that is, until the devilishly handsome surgeon, Aaron Bailey comes into her life. Like her, he is a widower, a heart-broken man in need of a good woman's love and attention.When something seems too good to be true, it usually is. Joyce quickly finds herself trapped in an abusive marriage with someone that is more monster than man.Yet nothing about their marriage is as it first appears. Both of them harbour secrets - but the question is, will either of them live to tell? Joyce will do anything at any cost to protect her daughter, and Aaron will stop at nothing to protect Joyce in the only way he knows how...

    In The New York Times Book Review, Sam Tanenhaus proclaimed it "a masterpiece of American fiction" and lauded its illumination, "through the steady radiance of its author's profound moral intelligence, [of] the world we thought we knew."In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him. Whether recounting his violent encounter with bird poachers in Cyprus, examining his mixed feelings about the suicide of his friend and rival David Foster Wallace, or offering a moving and witty take on the ways that technology has changed how people express their love, these pieces deliver on Franzen's implicit promise to conceal nothing. On a trip to China to see first-hand the environmental devastation there, he doesn't omit mention of his excitement and awe at the pace of China's economic development; the trip becomes a journey out of his own prejudice and moral condemnation. Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary.

    A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and — murderer.The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays … he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely…made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.The introduction is by Percival Pollard New York, July, 1905.

    Its history is intimately linked to the political upheavals of modernity: from colonial empire-building in the nineteenth century to the postcolonial culture wars of the twenty-first century, attempts at comparisonhave defined the international agenda of literature. But what is comparative literature? Ambitious readers looking to stretch themselves are usually intrigued by the concept, but uncertain of its implications. And rightly so, in many ways: even the professionals cannot agree on a single term, calling it comparative in English, compared in French, and comparing in German. The very term itself, when approached comparatively, opens up a Pandora's box of cultural differences.Yet this, in a nutshell, is the whole point of comparative literature. To look at literature comparatively is to realize just how much can be learned by looking over the horizon of one's own culture. In an age that is paradoxically defined by migration and border crossing on the one hand, and by aretreat into monolingualism and monoculturalism on the other, the cross-cultural agenda of comparative literature has become increasingly central to the future of the Humanities. We are all, in fact, comparatists, constantly making connections across languages, cultures, and genres as we read. Thequestion is whether we realize it.Outlining the complex history and competing theories of comparative literature, Ben Hutchinson offers an accessible means of entry into a notoriously slippery subject. Ultimately, he places comparative literature at the very heart of literary criticism, for as George Steiner once noted, to read isto compare.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, andenthusiasm to make interesting and challenging topics highly readable.

    The Beetars are their new enemy. They are an oppressive alien race who've subjected all other races to their rule and tricked humanity into doing their bidding for a century.The mechs don't know that the first battle was to be the easiest. They will face two more Beetar Commanders, the last being a living legend, before they can claim victory over planet Beetar and end tyranny throughout the galaxy.But the enemy isn't going to bow down for a ragtag group of humans and mechs. They'll stop at nothing to end the uprising, even going so far as to threaten Earth with total annihilation.Zero and his pals get upgrades and pick up some unlikely allies along the way, but will it be enough to take down the apex species of the galaxy?

    Is it hard? Yes. Is it worth it? Absolutely. After 15 years stuck behind a desk in the software industry, Bob Clagett walked away from a well paying, stable job to make the things he was interested in and show the world how to make them too. His company, I Like To Make Stuff, started as a hobby but quickly grew into a passion project. In "Making Time", Bob recounts his history and build up to becoming a full time content creator, and shares his process, experiences and mistakes from his first two years of self employment. The book covers topics from income streams to emotional exhaustion as well as Bob's thoughts on purpose and responsibility.