In fact, the only bond he shares with his eccentric father is a passion for archaeological excavation. So when his dad mysteriously vanishes, Will is compelled to dig up the truth behind his disappearance. He unearths the unbelievable: a subterranean society that time forgot. "The Colony" has existed unchanged for a century, but it's no benign time capsule of a bygone era. Because the Colony is ruled by a merciless overclass, the Styx. Will must free his father--is he also about to ignite a revolution?

    When his parents split up, his mum drags him to Phoenix, a brand-new town in the middle of nowhere.But Phoenix is no ordinary town. There are no cars, no phones and no internet. Luke thinks this is as weird as it gets.Then he discovers that someone is plotting to wipe out the human race. Phoenix is suddenly the safest and most dangerous place on earth.And the clock is already ticking.There are 100 days until the end of the world.

    He is destined to take over the family farm in Norrøngard. His only problem? He’d rather be playing the board game Thrones and Bones. Enter Thianna. Half human, half frost giantess. She’s too tall to blend in with other humans but too short to be taken seriously as a giant. When family intrigues force Karn and Thianna to flee into the wilderness, they have to keep their sense of humor and their wits about them. But survival can be challenging when you’re being chased by a 1,500-year-old dragon, Helltoppr the undead warrior and his undead minions, an evil uncle, wyverns, and an assortment of trolls and giants.

    With disastrous consequences for both . . . and their descendants. Half of the descendants have great fates, and the other half have terrible ones.Now, Tumble Wilson and Blue Montgomery are determined to fix their ancestors’ mistakes and banish the bad luck that’s followed them around for all of their lives. They’re going to face Munch the gator themselves, and they’re going to reclaim their destinies.But what if the legend of Munch is nothing but a legend, after all?

    But life on the Mars station was grim, and since Earth was no longer an option (we may have blown it up), it was time to find a new home.That's how we ended up on Choom with the Zhuri. They're very smart. They also look like giant mosquitos. But that's not why it's so hard to live here. There's a lot that the Zhuri don't like: singing (just ask my sister, Ila), comedy (one joke got me sent to the principal's office), or any kind of emotion. The biggest problem, though? The Zhuri don't like us. And if humankind is going to survive, it's up to my family to change their minds. No pressure.

    When the Cranston humans decide to sail away to England to find a husband for one of their daughters, the Cranston mice stow away in the name of family solidarity.     And so begins the scamper of their lives as Helena, her siblings, and their humans set sail on a life-changing voyage into the great world of titled humans . . . and titled mice, and surprise endings for all. On the eve of Queen Victoria’s diamond jubilee, will our Cranston heroes squeak by, or will they go entirely overboard?

    Little do they know the plant's toxic cattle feed is turning cows into flesh-craving monsters...ZOMBIES!!! The boys decide to launch a stealth investigation into the plant's dangerous practices, unknowingly discovering a greedy corporation's plot to look the other way as tainted meat is sold to thousands all over the country. With no grownups left they can trust, Rabi and his friends will have to grab their bats to protect themselves (and a few of their enemies) if they want to stay alive...and maybe even save the world. In this inventive, fast-paced novel that strikes a pitch-perfect tone for reluctant readers, National Book Award finalist and Printz Award-winning author Paolo Bacigalupi effectively uses humour and high-intensity action to take on hard-hitting themes - from food safety to racism and immigration - and creates a zany, grand-slam adventure that will get kids thinking about where their food comes from.

    Sure, in storybooks orphans are rescued from drudgery when they discover they are a wizard or a warrior or a prophesied king. But this is real life—orphans are just kids without parents. At least that’s what Denizen thought. . . .             On a particularly dark night, the gates of Crosscaper Orphanage open to a car that almost growls with power. The car and the man in it retrieve Denizen with the promise of introducing him to a long-lost aunt. But on the ride into the city, they are attacked. Denizen soon learns that monsters can grow out of the shadows. And there is an ancient order of knights who keep them at bay. Denizen has a unique connection to these knights, but everything they tell him feels like a half-truth. If Denizen joins the order, is he fulfilling his destiny, or turning his back on everything his family did to keep him alive?

    Until the morning he wakes up and can't see himself in the mirror. Not blind, not dreaming. Bobby is just plain invisible... There doesn't seem to be any rhyme or reason to Bobby's new condition; even his dad the physicist can't figure it out. For Bobby that means no school, no friends, no life. He's a missing person. Then he meets Alicia. She's blind, and Bobby can't resist talking to her, trusting her. But people are starting to wonder where Bobby is. Bobby knows that his invisibility could have dangerous consequences for his family and that time is running out. He has to find out how to be seen again before it's too late.

    And his football strip. And his school blazer. But being super-sized height-wise has its advantages: he's the only eleven-year-old to ever ride the G-force defying Cosmic rollercoaster - or be offered the chance to drive a Porsche. Long-legged Liam makes a giant leap for boy-kind by competing with a group of adults for the chance to go into space. Is Liam the best boy for the job? Sometimes being big isn't all about being a grown-up.

    Not speaking French at a school full of snobby French girls is bad enough, but Maya believes there is something sinister going on in her new city. A purple-eyed man follows Maya and her younger brother, James. Statues seem to have Maya’s face. And an eerie cabinet filled with mysterious colored bottles calls to her. When James becomes the target of dark forces, Maya decides she must answer the call of the Cabinet of Earths, despite the danger.

    He is very much a beetle. James Pompaday lives with his family in New York City. He is very much an eleven-year-old boy. After James gets a pen-and-ink set for his birthday, Marvin surprises him by creating an elaborate miniature drawing. James gets all the credit for the picture and before these unlikely friends know it they are caught up in a staged art heist at the Metropolitan Museum of Art that could help recover a famous drawing by Albrecht Dürer. But James can’t go through with the plan without Marvin’s help. And that’s where things get really complicated (and interesting!). This fast-paced mystery will have young readers on the edge of their seats as they root for boy and beetle. In Shakespeare’s Secret Elise Broach showed her keen ability to weave storytelling with history and suspense, and Masterpiece is yet another example of her talent. This time around it’s an irresistible miniature world, fascinating art history, all wrapped up in a special friendship— something for everyone to enjoy. Masterpiece is a 2009 Bank Street - Best Children's Book of the Year.

    Before they know it, the two find themselves at the center of an international art scandal, where no one — neighbors, parents, teachers — is spared from suspicion. As Petra and Calder are drawn clue by clue into a mysterious labyrinth, they must draw on their powers of intuition, their problem-solving skills, and their knowledge of Vermeer. Can they decipher a crime that has left even the FBI baffled?

    Underground. And out of time. Christopher Nichols and his family live on a new planet, Perses, as colonists of Melming Mining’s Great Mission to save the earth. Dozens of families like Christopher’s have relocated, too, like his best friend Elena Rosales. A communications blackout with Earth hits, and all of Perses is on its own for three months. It’s okay, though, because the colonists have prepared, stockpiling food and resources to survive. But they never prepared for an attack. Landers, as the attackers are called, obliterate the colony to steal the metal and raw ore. Now in a race against time, Christopher, along with a small group of survivors, are forced into the maze of mining tunnels. The kids run. They hide. But can they survive?

    Craig Russell’s beautifully haunting illustrations.