And join Odysseus on his journey through murky waters, facing obstacles like the terrifying Scylla and whirring Charybdis, the beautiful enchantress Circe, and the land of the raging Cyclôpes. Using narrative threads from The Iliad and The Odyssey, Padraic Colum weaves a stunning adventure with all the drama and power that Homer intended.

    After devoting their energies and income for ten years to replacing a borrowed diamond necklace which they have lost, a woman and her husband learn the irony of their efforts.

    When he hears rumors that a mass grave has been unearthed on his school grounds, he feels himself inexplicably drawn to it, and then down into its terrible darkness and beyond. He discovers that he is no longer in Liverpool in 1974 but in Ireland in 1847, the height of the potato famine. A family named Monaghan takes him in, and Tom experiences for the first time what its like to have parents and siblings who cleave to one another even amid terrible hardship. But why has Tom been transported across time and place? And why must the grave keep yanking him back, at intervals, to his dreary, lonely existence in Liverpool? Most of all, what does it mean that the Monaghan's son Tully is practically Toms double? Tom stands by the Monaghan's in their plight, and in so doing discovers that the past, and the Monaghans, hold the key to his destiny.

    O'Connor herself singled it out by making it the title piece of her first collection and the story she most often chose for readings or talks to students. It is an unforgettable tale, both riveting and comic, of the confrontation of a family with violence and sudden death. More than anything else O'Connor ever wrote, this story mixes the comedy, violence, and religious concerns that characterize her fiction.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of the story itself, comments and letters by O'Connor about the story, critical essays, and a bibliography. The critical essays span more than twenty years of commentary and suggest several approaches to the story--formalistic, thematic, deconstructionist-- all within the grasp of the undergraduate, while the introduction also points interested students toward still other resources. Useful for both beginning and advanced students, this casebook provides an in-depth introduction to one of America's most gifted modern writers.

    Emily is a member of a family in the antebellum Southern aristocracy; after the Civil War, the family has fallen on hard times.

    In 1985, a volcano erupted in Colombia. The heat of the volcano melted sheets of ice, resulting in mudslides. More than 23,000 people were killed. The media focused much attention on a thirteen-year-old girl trapped in the mud. In this story, the girl is called Azucena, and her rescuer is named Rolf Carlé.

    Hearing about all the money a girl can make working in the textile mills in Lowell, Massachusetts, she makes her way there, only to find that her dreams of returning home may never come true.

    She has nothing to sell except her only treasure--her long, beautiful brown hair. Set in New York at the turn of the twentieth century, this classic piece of American literature tells the story of a young couple and the sacrifices each must make to buy the other a gift. Beautiful, delicate watercolors by award-winning illustrator Lisbeth Zwerger add new poignancy and charm to this simple tale about the rewards of unselfish love.

    The system worked this way: When a man committed a crime important enough to interest the king, notice was given that the fate of the accused person would be decided, on a given date, in the arena of the amphitheater. When the date arrived and everyone had assembled in the galleries, the king gave a signal, a door beneath him opened, and the accused stepped out into the arena. Two doors, exactly alike and side by side, faced the accused, and it was his duty to open one of them. He could open either door he pleased. If he opened the one, a hungry tiger would spring upon him and tear him to pieces. But, if he opened the other door, a beautiful lady came out and the accused was immediately married to her, as a reward for his innocence.The king had a beautiful daughter, with whom a young man of common blood fell in love. The king's daughter was also in love with the young man. The love affair went on for some time before the king discovered its existence. Immediately, the king had the youth placed into prison and set a day for the trial in the arena. The appointed day arrived, and the galleries of the arena were filled. The signal was given, a door beneath the royal party opened, and the lover of the princess walked into the arena. The princess, through the use of her position and money, had learned behind which door stood the lady and behind which waited the tiger. The youth expected her to have learned this information, and he looked toward her for a signal. Her signal was toward the right, and the youth went to the door on the right and opened it. The story leaves it up to the reader to decide which came out of the door--the lady or the tiger. Which did the princess decide? Was it to let her lover to live and love another woman, or did she decide that if she couldn't have him no one would?

    As it moves from one labor camp to the next, the little family of four grows into ten. Impermanence and poverty define their lives. But with faith, hope, and back-breaking work, the family endures.

    This collects "Sonny's Blues", "The Rockpile" and "Previous Condition", all taken from Going to Meet the Man (Penguin, 1991).

    Around it, blue dolphins swim, otters play, and sea elephants and sea birds abound. Once, Indians also lived on the island. And when they left and sailed to the east, one young girl was left behind. — This is the story of Karana, the Indian girl who lived alone for years on the Island of the Blue Dolphins. Year after year, she watched one season pass into another and waited for a ship to take her away. But while she waited, she kept herself alive by building shelter, making weapons, finding food, and fighting her enemies, the wild dogs. It is not only an unusual adventure of survival, but also a tale of natural beauty and personal discovery.

    Jay Berry Lee's grandpa had an explanation, of course--as he did for most things. The monkeys had escaped from a traveling circus, and there was a handsome reward in store for anyone who could catch them. Grandpa said there wasn't any animal that couldn't be caught somehow, and Jay Berry started out believing him . . .But by the end of the "summer of the monkeys," Jay Berry Lee had learned a lot more than he ever bargained for--and not just about monkeys. He learned about faith, and wishes coming true, and knowing what it is you really want. He even learned a little about growing up . . .This novel, set in rural Oklahoma around the turn of the century, is a heart-warming family story--full of rich detail and delightful characters--about a time and place when miracles were really the simplest of things...

    What do you do when your home country treats you like an enemy? This memorable and powerful novel in verse, written by award-winning author Mariko Nagai, explores the nature of fear, the value of acceptance, and the beauty of life. As thought-provoking as it is uplifting, Dust of Eden is told with an honesty that is both heart-wrenching and inspirational.

    The essays in this collection compare Silko's many retellings of Yellow Woman stories from a variety of angles, looking at crucial themes like storytelling, cultural inheritances, memory, continuity, identity, interconnectedness, ritual, and tradition.This casebook includes an introduction by the editor, a chronology, an authoritative text of the story itself, critical essays, and a bibliography for further reading in both primary and secondary sources.  Contributors include Kim Barnes, A. LaVonne Ruoff, Paula Gunn Allen, Patricia Clark Smith, Bernard A. Hirsch, Arnold Krupat, Linda Danielson, and Patricia Jones.