In his hands, Adams, Jefferson, Madison, Washington, and Hamilton were not pitchfork-wielding radicals or relentless power seekers. They started out as men of property and private affairs, tending to careers and families, making their way in a deeply provincial world. But when events in Massachusetts escalated out of control after the Boston Tea Party, they were swept up in the crisis, their private lives suddenly transformed into public careers. Rakove shows us how reluctant the revolutionaries were and what that meant for the founding of the Republic.Each of his portraits brims with fascinating and fresh insights: Washington as a flawed tactician but charismatic leader, Jack Laurens as a slave trader’s son who developed a plan to recruit black soldiers, Madison as a constitution maker with a broad and compelling vision of a new government. Rakove uses the stories of these famous (and not so famous) men to show how their views of politics, war, diplomacy, and society shaped the emerging idea of an American nation. With a finely tuned blend of narrative and analysis, he gives us a provocative new interpretation of the Revolution and its aftermath. Thoughtful, clear-minded, and persuasive, this is narrative and intellectual history of the highest order.

    Some are entertainingly bad. But the very worst are instructively bad. Left Behind: A Novel of the Earth's Last Days is even worse than that. Fred Clark has been learning from the relentless awfulness of this book for more than a decade and he invites you to join him on a journey through the horrors and hilarity of one of the worst books ever written.

    Their fleeting encounter in 1747 signals a unique moment in history where belief collided with the cold certainty of reason. Set at the tipping point between the ancient and modern world, Evening in the Palace of Reason captures the tumult of the eighteenth century, the legacy of the Reformation, and the birth of the Enlightenment in this extraordinary tale of two men.

    It is 1988 and Hargeisa waits. Whispers of revolution travel on the dry winds but still the dictatorship remains secure. Soon, and through the eyes of three women, we will see Somalia fall. Nine-year-old Deqo has left the vast refugee camp she was born in, lured to the city by the promise of her first pair of shoes.Kawsar, a solitary widow, is trapped in her little house with its garden clawed from the desert, confined to her bed after a savage beating in the local police station.Filsan, a young female soldier, has moved from Mogadishu to suppress the rebellion growing in the north.And as the country is unravelled by a civil war that will shock the world, the fates of the three women are twisted irrevocably together.Intimate, frank, brimming with beauty and fierce love, The Orchard of Lost Souls is an unforgettable account of ordinary lives lived in extraordinary times.

    With his inimitable ability to translate complex foreign policy and economic issues, Friedman explains how the flattening of the world happened at the dawn of the 21st century; what it means to countries, companies, communities and individuals; and how governments and societies can, and must, adapt.

    Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy–or–hüzün–that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters–both Turkish and foreign–who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

    Nevertheless their lives were so closely intertwined, their choices, dreams and tragedies so eerily similar, it seems impossible to consider one without the other.Both women became famous writers; fell in love with brilliant but impossible men; and were single mothers who had children out of wedlock; both lived in exile; fought for their position in society; and thought deeply about how we should live. And both women broke almost every rigid convention there was to break: Wollstonecraft chased pirates in Scandinavia. Shelley faced down bandits in Naples. Wollstonecraft sailed to Paris to witness the Revolution. Shelley eloped in a fishing boat with a married man. Wollstonecraft proclaimed that women’s liberty should matter to everyone.Not only did Wollstonecraft declare the rights of women, her work ignited Romanticism. She inspired Coleridge, Wordsworth and a whole new generation of writers, including her own daughter, who – with her young lover Percy Shelley – read Wollstonecraft’s work aloud by her graveside. At just nineteen years old and a new mother herself, Mary Shelley composed Frankenstein whilst travelling around Italy with Percy and roguish Lord Byron (who promptly fathered a child by Mary’s stepsister). It is a seminal novel, exploring the limitations of human nature and the power of invention at a time of great religious and scientific upheaval. Moreover, Mary Shelley would become the editor of her husband’s poetry after his early death – a feat of scholarship that did nothing less than establish his literary reputation.Romantic Outlaws brings together a pair of visionary women who should have shared a life, but who instead shared a powerful literary and feminist legacy. This is inventive, illuminating, involving biography at its best.

    Its mission was "to proceed all the way to the ends of the earth to collect tribute from the barbarians beyond the seas" & unite the whole world in Confucian harmony. When it returned in 10/1423, the emperor had fallen, leaving China in political & economic chaos. The great ships were left to rot at their moorings. Most records of their journeys were destroyed. Lost in China's long, self-imposed isolation that followed was the knowledge that Chinese ships had reached America 70 years before Columbus & had circumnavigated the globe a century before Magellan. Also concealed was how the Chinese colonized America before the Europeans & transplanted in America & other countries the principal economic crops that have fed & clothed the world.Unveiling incontrovertible evidence of these astonishing voyages, "1421" rewrites our understanding of history. Our knowledge of world exploration as it's been commonly accepted for centuries must now be reconceived due to this landmark work of historical investigation.

    Margaret Catchpole is stranded at a settler's homestead as the floodwater draws in, and she finds herself facing death - as she has several times before.She looks back over her life - the complex and stormy partnership with Will Laud, a 'hell-born-babe', that led her into the world of smuggling and in to a double life. After Will is forced to flee the country, Margaret is taken on as a nursemaid by the wealthy Cobbold family, but a crime against them means she is tried and sentenced to hang. She avoids death but when an elaborate gaol escape fails, Will is shot dead and Margaret captured. Sentenced once more to hang, she looks death full in the face. But she doesn't die. Her sentence is transmuted to transportation for life to Australia.The novel explores a deeply divided society. Ironically, by reaching the lowest depths and being cast out by the society which spawned her, Margaret finds her true role as an independent pioneer in a young colony.

    Thus was born the website Rock's Backpages (www.rocksbackpages.com), home to thousands of brilliant reviews and rants, interviews and overviews, that helped define music journalism over the last four decades. The Sound and the Fury is the best of this remarkable collection. With contemporary and retrospective articles on the Beatles, Otis Redding, David Bowie, Bruce Springsteen, Joni Mitchell, ABBA, Madonna, Ice Cube, Nirvana, Morrissey, and many, many more.

    Animals also populate this book; beavers, hamsters, salamanders, black widows, owls, llamas, bats, and many more are characters who befriend the narrator. This collection of stories is told by a woman compelled to divulge her secrets, fantasies, and obsessions with native Californian animals, glam rock icons, and horror movies, among other things. With a setting rooted in urban Los Angeles but colored by mythic tales of beauty borrowed from medieval times, Shakespeare, and Grimm's fairy tales, Wide Eyed makes the difficulties of surviving in a contemporary American city more palatable by showing the reader that magic and escape is always possible.Stories include, "Hummingbird Moonshine," in which the narrator's frustrated hunt for authentic religion in botanicas and science books culminates in a spiritual connection made with a hummingbird. In "Oceanic," she resolves to marry a manatee after a drunken pre-party for her best friend's wedding. In "Tiles," four vignettes about bloody accidents in tiled bathrooms intermingle with scenes from Dalton's favorite scary movies.Featuring oddball prose in the traditions of Dalton's literary heroes--Denton Welch, Robert Walser, and Jane Bowles--these stories have a dreamy, imaginative quality that reveal a peculiar state of mental ecstasy. To be inside the mind of Trinie Dalton is to be escorted into bliss.

    He arrives in the small French village of Menton, where Hurndell once lived and worked, to write. But the Memorial Room is not suitable—it has no electricity or water. Hurndell never wrote here, though it is expected of Harry.Janet Frame’s previously unpublished novel draws on her own experiences in Menton, France as a Katherine Mansfield Fellow. It is a wonderful social satire, a send-up of the cult of the dead author, and—in the best tradition of Frame—a fascinating exploration of the complexity and the beauty of language.

    Determined to give her daughter a better life than the one she herself has lived, the young mother vows to break the newborn’s bonds of poverty and ensure that she fulfills her destiny—to dance with kings. Purely by chance, a drunken nobleman witnesses the birth and makes a reckless promise to return for Marguerite in seventeen years. With those fateful words, events are set into motion that will span three monarchies, affecting the lives of four generations of women.Marguerite becomes part of the royal court of the Sun King, but her fairy-tale existence is torn out from under her by a change of political winds. Jasmin, Marguerite’s daughter, is born to the life of privilege her grandmother dreamed of, but tempts fate by daring to catch the eye of the king. Violette, Marguerite’s granddaughter, is drawn to the nefarious side of life among the nobles at Versailles. And Rose, Violette’s daughter, becomes a lady-in-waiting and confidante to Marie Antoinette. Through Rose, a love lost generations before will come full circle, even as the ground beneath Versailles begins to rumble with the chaos of the coming revolution.An epic generational tale of loves lost, promises kept, dreams broken, and monarchies shattered, To Dance with Kings is a story of passion and privilege, humble beginnings and limitless ambition.

    His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book

    Now she has seamlessly turned her hand to fiction and delivers a novel that is lush and beautiful, a touching and intimate portrait of several generations of African women. In Ancestor Stones, a young woman from West Africa, who has lived in England for many years and is married to a British man, returns to visit her family after years of civil war. Her four aunts have decided to leave her the family coffee plantation, as she is the last person in the family with the means to revive its fortunes. And on this trip home she is given an unprecedented look into the lives of the women in her family as her aunts Mary, Hawa, Asana, and Serah— women who were mysterious and a bit intimidating to her younger self—begin to tell her their stories. They are timeless tales of rivalrous co-wives, patriarchal society, and old religions challenged by Islamic and Christian incursions; they are modern stories of European-owned mining companies, the repressive influence of mission schools, corrupt elections, and the postcolonial African elite. Through their voices a family history interwoven with the history of a country emerges—one of a society both ancient and modern, of a family of strong women refusing to live as second-class citizens. In her debut foray into fiction, Forna has created a powerful, sensuously written novel that, through the lives of women, beautifully captures Africa’s past and present, and the legacy that her daughters take with them wherever they live. It is a wonderful achievement that recalls The God of Small Things and The Joy Luck Club, and establishes Forna as a gifted novelist.