The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    But a still greater horror will face the recluse - more inexorable, merciless and awful than any creature that can be fought or killed.A classic of the first water - H. P. Lovecraft

    Modern editions use a later revised version printed in 1817 and featuring a gloss. Along with other poems in Lyrical Ballads, it was a signal shift to modern poetry and the beginning of British Romantic literature.It relates the events experienced by a mariner who has returned from a long sea voyage. The Mariner stops a man on his way to a wedding ceremony and begins to narrate a story. The Wedding-Guest's reaction turns from bemusement to impatience, fear, and fascination as the Mariner's story progresses, as can be seen in the language style: for example, the use of narrative techniques such as personification and repetition to create a sense of danger, or the supernatural, or serenity, depending on the mood each different part of the poem.

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    In this stunning 40th Anniversary Edition, a desperate mother and two priests fight to free the soul of a little girl from a supernatural entity of pure malevolence.

    Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. If 'The Iliad' is the world's greatest war story, then 'The Odyssey' is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.

    Published in 1923, it has been translated into more than twenty languages, and the American editions alone have sold more than nine million copies.The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

    A retelling of The Canterbury Tales

    . .The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.

    Probably best known as the author of "The Yellow Wallpaper," in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by the noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's novel of a feminist utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production.Content:The yellow wallpaperIf I were a manTurnedThe cottagetteAn honest womanMaking a changeMr. Peebles' heartThe widow's mightSelections from HerlandSelections from Women and economics : a study of the economic relation between men and womenSelections from The man-made world : our androcentric culture.

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    From Sir Edmund Spenser's "The Faerie Queene" to E. M. Forster's "The Machine Stops", literature is filled with sexy, deadly, and downright twisted tales. In this collection, today's most acclaimed award-winning and bestselling authors reimagine their favorite classic stories and use their own unique styles to rebuild these timeless stories, the ones that have inspired, awed, and enraged them, the ones that have become ingrained in modern culture, and the ones that have been too long overlooked. They take these twelve stories and boil them down to their bones, and reassemble them for a new generation of readers. Written from a twenty-first century perspective and set within the realms of science fiction, dystopian fiction, fantasy, and realistic fiction, these short stories are as moving and thought provoking as their originators. They pay homage to groundbreaking literary achievements of the past while celebrating each author's unique perception and innovative style.Contents:Introduction: Rags & Bones: New Twists on Timeless Tales (2013) • essay by Tim Pratt and Melissa MarrThat the Machine May Progress Eternally (2013) / shortfiction by Carrie Ryan, inspired by E.M. Forster's The Machine StopsThe King of Elfland's Daughter (2013) • interior artwork by Charles VessLosing Her Divinity [Sir Hereward and Mister Fitz] (2013) / shortfiction by Garth Nix, inspired by The Man Who Would Be KingThe Sleeper and the Spindle (2013) / novelette by Neil Gaiman, inspired by Sleeping BeautyKai Lung's Golden Hours (2013) • interior artwork by Charles VessThe Cold Corner (2013) / shortfiction by Tim Pratt, inspired by Henry James' The Jolly CornerMillcara (2013) / shortfiction by Holly Black, inspired by Joseph Sheridan Le Fanu's CarmillaFigures of Earth (2013) • interior artwork by Charles VessWhen First We Were Gods (2013) / shortfiction by Rick Yancey, inspired by Nathaniel Hawthorne's The BirthmarkSirocco (2013) / shortfiction by Margaret Stohl, inspired by Horace Walpole's The Castle of OtrantoThe Shaving of Shagpat (2013) • interior artwork by Charles VessAwakened (2013) / shortfiction by Melissa Marr, inspired by Kate Chopin's The AwakeningNew Chicago (2013) / shortfiction by Kelley Armstrong, inspired by W. W. Jacob's The Monkey's PawThe Wood Beyond the World (2013) • interior artwork by Charles VessThe Soul Collector (2013) / shortfiction by Kami Garcia, inspired by the Brothers Grimm's RumpelstiltskinWithout Faith, Without Law, Without Joy (2013) / shortfiction by Saladin Ahmed, inspired by Sir Edmund Spenser's Faerie QueeneGoblin Market (2013) • interior artwork by Charles VessUncaged (2013) / shortfiction by Gene Wolf, inspired by William Seabrook's The Caged White Werewolf..

    A drink opens the inner eye of the protagonist. What follows is a mind-boggling tale of eeriness and reality. Engrossing!

    Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world.From the brilliant mind of novelist and comic book veteran Peter David, Artful is the dark, funny, and action-packed story of one of the most fascinating characters in literary history.With vampires.