In this beautifully illustrated work, William C. Chittick, a leading scholar of Sufism and Rumi, opens doors that give us access to the inner sanctum of Rummi's thought.

    Reveals the history, culture economic state, and political life of the Byzantine culture from the fourth to the fifteenth century.

    He draws the turbulence of the post-war era during which the Shah survived assassination attempts and coup plots to build a modern, pro-Western state and launch Iran onto the world stage as one of the world's top five powers. Readers get the story of the Shah's political career alongside the story of his courtship and marriage to Farah Diba, who became a power in her own right, the beloved family they created, and an exclusive look at life inside the palace during the Iranian Revolution. Cooper's investigative account ultimately delivers the fall of the Pahlavi dynasty through the eyes of those who were there: leading Iranian revolutionaries; President Jimmy Carter and White House officials; US Ambassador William Sullivan and his staff in the American embassy in Tehran; American families caught up in the drama; even Empress Farah herself, and the rest of the Iranian Imperial family. Intimate and sweeping at once, The Fall of Heaven recreates in stunning detail the dramatic and final days of one of the world's most legendary ruling families, the unseating of which helped set the stage for the current state of the Middle East.

    A best-selling author in her native country and widely anthologized in the United States and around the world, Taraghi's work is now made fully accessible to an English-speaking audience in this standout and long-awaited volume of selected stories.Drawing on childhood experiences in Tehran during the reign of the Shah, her exile in Paris, and her subsequent visits to Tehran after the revolution, Taraghi develops characters and tales that linger in one's mind. In the title story, a woman traveling from Tehran to Paris is obliged to help an old woman--the Pomegranate Lady--find her way to her fugitive sons in Sweden. In "The Gentleman Thief," a new kind of polite, apologetic thief emerges from the wreckage of the revolution. In "Encounter," a woman's world is upended when her former maid becomes her jailer. And in "The Flowers of Shiraz," a group of teenagers finally manages to coax a shy schoolmate out of her shell--only to once again encounter tragedy.Reminiscent of the work of Nadine Gordimer and Eudora Welty, Taraghi's stories capture universal experiences of love, loss, alienation, and belonging--all with an irresistible sense of life's absurdities.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The tales illuminate the mystical significance of knighthood and its ethos of self-purification and honour, decoding many allusions found in medieval art, literature and song.

    A teenage boy makes the mistake of falling in love with the much-protected daughter of his uncle, mischievously nicknamed after his hero Napoleon Bonaparte, the curmudgeonly self-appointed patriarch of a large and extended Iranian family in 1940s Tehran.

     In 1483, Richard, Duke of Gloucester, returns home a hero after a triumphant victory over the invading Scots. His adoring family awaits him, but their happiness will soon be shattered by the death of Richard’s brother, King Edward IV. With his young son as his only heir, Edward makes Richard Protector of England on his deathbed, entrusting him to guide and rule until the child king is old enough to take the throne. This spellbinding novel depicts a Richard III far removed from the popular legend of a bloodthirsty tyrant. A man who makes a loyal friend, but a hard enemy. A thoughtful husband, whose devoted care for his young wife is one of the great love stories in history. And a man betrayed from the time of his brother's death until the bloody climax of his reign on Bosworth Field. Praise for Some Touch of Pity: ‘The most moving novel about Richard that I have ever read’ - Rosemary Sutcliff 'An excellent book' - The Times 'The depth of the research and her love for her subject show through on every page... a compelling moving and sometimes haunting novel' - The Times Literary Supplement

    Yet forty years after the 1978–79 revolution, Iran has emerged as a critical player in the Middle East and the wider world, as demonstrated in part by the 2015 international nuclear agreement. In Iran Rising, renowned Iran specialist Amin Saikal describes how the country has managed to survive despite ongoing domestic struggles, Western sanctions, and countless other serious challenges.Saikal explores Iran’s recent history, beginning with the revolution, which set in motion a number of developments, including war with Iraq, precarious relations with Arab neighbors, and hostilities with Israel and the United States. He highlights the regime’s agility as it navigated a complex relationship with Afghanistan during the Soviet invasion, survived the Gulf wars, and handled fallout from the Iraqi and Syrian crises. Such success, Saikal maintains, stems from a distinctive political order, comprising both a supreme Islamic leader and an elected president and national assembly, which can fuse religious and nationalist assertiveness with pragmatic policy actions at home and abroad.But Iran’s accomplishments, including its nuclear development and ability to fight ISIS, have cost its people, who are desperately pressuring the ruling clerics for economic and social reforms—changes that might in turn influence the country’s foreign policy. Amid heightened global anxiety over alliances, terrorism, and nuclear threats, Iran Rising offers essential reading for understanding a country that, more than ever, is a force to watch.

    Proposing instead that kitsch is the product of a larger sensibility of loss, Celeste Olalquiaga shows how it enables the momentary re-creation of experiences that exist only as memories or fantasies. Simultaneously exposing and celebrating this process, Olalquiaga gives us a bold, trenchant analysis of what and how we see when we look at kitsch.

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    Roberts, who plies him for stories about his exotic origins and culture to feed her own imagination. But like many immigrants, he’s living only half a life. He dreams of the day his beloved wife, Farak, will be able to join him in New York and complete his vision of the American dream. But when she tells him that she is leaving him for another man, Ushman is shattered. He begins to wander aimlessly through the terminals of JFK Airport, imagining a now-impossible reunion with Farak. Unexpectedly, he meets Stella, a Barnard College student who has just bade farewell to her parents en route for an Italian vacation. After Stella, isolated in her own way, finds herself at Ushman’s Manhattan store, they embark on an improbable and powerful romance. Together this American girl from the Deep South and the Iranian aesthete form a tender bond that awakens them both to the possibility of joy in a world full of tragedy.

    The novel entwines two equally powerful narratives. A writer named Shahriar—the author’s fictional alter ego—has struggled for years against the all-powerful censor at the Ministry of Culture and Islamic Guidance. Now, on the threshold of fifty, tired of writing dark and bitter stories, he has come to realize that the “world around us has enough death and destruction and sorrow.” He sets out instead to write a bewitching love story, one set in present-day Iran. It may be his greatest challenge yet. Beautiful black-haired Sara and fiercely proud Dara fall in love in the dusty stacks of the library, where they pass secret messages to each other encoded in the pages of their favorite books. But Iran’s Campaign Against Social Corruption forbids their being alone together. Defying the state and their disapproving parents, they meet in secret amid the bustling streets, Internet cafés, and lush private gardens of Tehran. Yet writing freely of Sara and Dara’s encounters, their desires, would put Shahriar in as much peril as his lovers. Thus we read not just the scenes Shahriar has written but also the sentences and words he’s crossed out or merely imagined, knowing they can never be published. Laced with surprising humor and irony, at once provocative and deeply moving, Censoring an Iranian Love Story takes us unforgettably to the heart of one of the world’s most alluring yet least understood cultures. It is an ingenious, wholly original novel—a literary tour de force that is a triumph of art and spirit.

    Thus began the Iran Hostage Crisis, an affair that captivated the American public for 444 days and marked America's first confrontation with the forces of radical Islam. Using hundreds of recently declassified government documents, historian David Farber takes the first in-depth look at the hostage crisis, examining its lessons for America's contemporary War on Terrorism.Unlike other histories of the subject, Farber's vivid and fast-paced narrative looks beyond the day-to-day circumstances of the crisis, using the events leading up to the ordeal as a means for understanding it. The book paints a portrait of the 1970s in the United States as an era of failed expectations in a nation plagued by uncertainty and anxiety. It reveals an American government ill prepared for the fall of the Shah of Iran and unable to reckon with the Ayatollah Khomeini and his militant Islamic followers.Farber's account is filled with fresh insights regarding the central players in the crisis: Khomeini emerges as an astute strategist, single-mindedly dedicated to creating an Islamic state. The Americans' student-captors appear as less-than-organized youths, having prepared for only a symbolic sit-in with just a three-day supply of food. ABC news chief Roone Arledge, newly installed and eager for ratings, is cited as a critical catalyst in elevating the hostages to cause c�l�bre status.Throughout the book there emerge eerie parallels to the current terrorism crisis. Then as now, Farber demonstrates, politicians failed to grasp the depth of anger that Islamic fundamentalists harbored toward the United States, and Americans dismissed threats from terrorist groups as the crusades of ineffectual madmen. Taken Hostage is a timely and revealing history of America's first engagement with terrorism and Islamic fundamentalism, one that provides a chilling reminder that the past is only prologue.