For fans of Bernard Cornwell and Michael Jecks.' Richard Foreman 1330. Edward III of England calls on Lancastrian baron and longbow archer Sir Thomas Holland to capture Roger Mortimer, the regent who usurped the young king’s throne and murdered his father. Holland and his bowmen next help butcher the Scots at Dupplin Moor and destroy the French fleet at Sluys. Yet the archer's greatest challenge is still to come. The Black Prince and Holland lead a great raid across Normandy. But not all goes according to plan. Two French armies pin the heavily-outnumbered English between the Seine and Somme. Their one hope of escape is to cross a dangerous ford. Thomas personally leads the vanguard and although he engineers the defeat of a waiting enemy force, there is still blood to be spilled. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Recommended for fans of Bernard Cornwell, Michael Jecks and Robyn Young. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Paul Bannister is a journalist and author. He has written for national newspapers in Britain and America, covering assignments in about 40 countries. His is also the author of the Forgotten Emperor and Crusader series.

    The King's Knight skilfully blends action with real historical events and personages... Medieval England is a time of both blood and humanity." Richard Foreman, author Band of Brothers. 1381. England seethes with discontent over unfair and arbitrary taxation. The country is on the cusp of an uprising - a peasant's revolt. All it will take is a spark. Gregory Maudesley, second son of a minor noble and disillusioned knight for hire, returns home after nearly a decade abroad. Maudesley intends to claim his deceased father's lands but the knight is plagued by misfortune. Gregory journeys to London to secure an audience with the boy king, Richard II. But the England he travels through is very different from that of his youth. The road is treacherous and the greatest dangers of all await him in the capital. London is ablaze. Even the Tower of London has fallen to Wat Tyler's forces. But Richard, enlisting the help of Gregory, will ride out to meet the rebellion head on. A king and kingdom must stand, or fall. Revolt is the first book is The King's Knight series of novellas, chronicling the life of Gregory Maudesley and the dramatic reign of Richard II. Recommended for fans of Bernard Cornwell, Robyn Young and Michael Jecks. Praise for J. A. Ironside “Entertaining, well-researched and compelling.” Michael Jecks on An Argument of Blood. “Ælfgifa…steals every scene and is a character who would fit in any George R. R. Martin novel.” Tony Riches author of The Tudor Trilogy (An Argument of Blood). “Intense drama, creative working of the sparse historical record, and a detailed look into what made William and Harold tick… A rousing, page turning tale awaits you…” Paul Bennett, author of Clash of Empires (on 'A Black Matter for the King'). J. A. Ironside grew up in rural Dorset in a house full of books. She was exposed to history at an early age and happily never recovered – the presence of so many Roman ruins in the area inspired a lifelong interest in historical warfare. She has taught and studied martial arts and weaponry for 25 years. Her published works include An Argument of Blood and A Black Matter for the King, both co-written with Matthew Willis.

    Probably composed between 1372 and 1389, the poem survives in three distinct versions. It is known to modern readers largely through the middle of the three, the so-called B-text. Now, George Economou's verse translation of the poet's third version makes available for the first time in modern English the final revision of a work that many have regarded as the greatest Christian poem in our language.Langland's remarkable powers of invention and his passionate involvement with the spiritual, social, and political crises of his time lay claim to our attention, and demand serious comparison with Dante's Divine Comedy. Economou's translation preserves the intensity of the poet's verse and the narrative energy of his alliterative long line, the immediacy of the original's story of the quest for salvation, and the individuality of its language and wordplay.

    Six ravens are feasting on the corpses. It is springtime in 1413 and Henry V is now on the throne of feudal England. The Peasants’ Revolt of 1381 had begun the great shift towards democracy and the country is recovering from the ravages of the Black Death. Wat Baudin is a man on the up in this brave new world and is returning from his duties as an alderman at the assizes in Maidstone. He can sit in judgement on the lower classes but the noble families of the land remain a law unto themselves. When Wat and his colleagues happen upon the unfortunate murder victims, he is only too aware of the superstition that still surrounds the macabre presence of that posse of birds. They are a sign of more death to follow. Wat is glad to get back home where his wife Rosalind in expecting their second child. But his joy is short-lived as he is suddenly summoned by the Earl of Rochester, Lord John Ridley. It appears that the earl’s nephew, young Sir Hugh Montmorency, has mysteriously disappeared and Wat is tasked to get to the bottom of the matter. It is not long before Wat finds himself heading a murder investigation. Not one murder, but two… then three. The ravens’ augury seems to be true as a knight and a member of castle staff are added to the body count. Even Wat himself comes under attack as he works his way through the suspects within the walls of Rochester Castle. What part can the earl’s doe-eyed daughter, Lady Susanna, possibly have in these evil crimes? And where might the unflappable earl’s wife, the Lady Joan Ridley, fit into the equation? Can Wat trust the earl’s steward Ralph or his chaplain Father Anthony? The Ravens’ Augury is a classic tale of intrigue and plotting at a time in England’s history when the stakes were sky-high and skulduggery the default position in their ruthless pursuit. LJ Shea resides in her native rural Australia with her two sons, where she teaches English and history. She spends her spare time studying history, reading historical fiction, and spoiling her dogs, cats and horses, whom she counts amongst her dearest friends.

    Written in the 1380s, it presents Troilus, son of Priam and younger brother of Hector as a Trojan warrior of renown who sees, and falls deeply in love with the beautiful Cressida. Cressida is the daughter of Calchas, a Trojan priest and seer who, having divined the eventual fall of Troy, has deserted to Agamemnon’s camp, leaving his daughter in the besieged city, With the help of Pander, friend to Troilus and uncle to Cressida, the young couple meet and merge – but with unhappy consequences. Chaucer’s long poem is cast in seven-line rhymed stanzas, and is eased out of Middle English to be presented here in a lively modern verse translation by George Philip Krapp, who has retained not only the structure, but its spirit. Emotions run high, the love is intense, the story unfolds with a dramatic urgency that draws the listener ever onwards; yet Chaucer is Chaucer, and there are times when a deft line, a light insinuation, suggests the smile, the benevolence and the immediacy of the author of The Canterbury Tales. Troilus and Cressida, though often overshadowed by the Tales and time (and even Shakespeare who took up the story) is a monument in its own right in the canon of English literature. Once read it will never be forgotten.

    The evacuation of Dunkirk proves that the British can rise to a challenge, even against seemingly insurmountable odds. But now the soldiers walk the streets of Dover, even wandering through Woolworths store, and take weary turns on the town's skating rink. Life, despite the threat of invasion and the reality of bombing, must go on and people must take comfort where they find it. Toby Hendry, a fighter pilot, is awaiting orders when he meets Giselle, a young Frenchwoman who took the chance to flee occupied France with the English troops. Their love affair feels like a summer idyll, but can it withstand the forces of war? Meanwhile, reserve naval commander Paul Instow has been called up to fight in a war for which he feels too old. Distracting him from his worries is Molly, a young Dover prostitute. Their relationship is tender and happy, but is this a love born from desperation or could it be something more permanent? And then there are Harold, Spots and Boot, three boys desperate to fight the German invaders, armed only with catapults and a stolen Bren gun... In Dover Beach Thomas chronicles the lives and loves of ordinary people in besiged Britain during these tense, but curiously elated days.

    This panoramic novel skilfully interweaves past and present, fact and fiction, exploring the enigma of reincarnation through the ages.Set in the village of Mayfield in Sussex, To Sleep No More opens in the tumultuous reign of Edward III when monarch and Church struggled for supremacy and ambitious noblemen aimed to better themselves by marrying their daughters well. Oriel accepts the Archbishop's half-witted brother Colin de Stratford to please her father but soon falls in love with the dashing Gascon squire, Marcus de Flaviel. A strange and touching friendship develops between the three but, when Oriel becomes pregnant, suspicions are aroused and Marcus disappears without trace.But their souls cannot rest and the story follows them through the times of witchcraft persecution under James I to the troubled Georgian period when highwaymen and smugglers held sway.

    Offered here are tales of battle, travel, and adventure, but also songs of heartache and longing, pearls of lusty innuendo and clear-eyed stoicism, charms and spells for everyday use, and seven "hoards" of delightfully puzzling riddles.Featuring all-new translations by seventy-four of our most celebrated poets—including Seamus Heaney, Robert Pinsky, Billy Collins, Eavan Boland, Paul Muldoon, Robert Hass, Gary Soto, Jane Hirshfield, David Ferry, Molly Peacock, Yusef Komunyakaa, Richard Wilbur, and many others—The Word Exchange is a landmark work of translation, as fascinating and multivocal as the original literature it translates.

    Benson's edition of these important Middle English poems is here revised and updated by Professor Edward E. Foster, taking into account recent scholarship, to once again be available and accessible to students. The romances included here are two of the best, most significant Arthurian romances in Middle English, which complement each other in terms of style and content. While the Alliterative Morte Arthure belongs to the Alliterative Revival movement, replete with details of fourteenth century warfare, the Stanzaic Morte Arthur represents a briefer, quicker-paced, yet more sentimental English adaptation of the French Mort Artu. This edition-with contextualizing introductions, helpful glosses, plentiful notes, and useful glossary-comprises a great introduction to Middle English Arthuriana for students of the Middle Ages.

    As a child Anne falls in love with the ambitious, proud Richard of Gloucester, third son of the House of York. But when her father is branded a traitor, her family must flee to exile in France. As Anne matures into a beautiful, poised woman, skillfully navigating the treacherous royal court of Margaret of Anjou, she secretly longs for Richard, who has become a great man under his brother's rule. But as their families scheme for power, Anne must protect her heart from betrayals on both sides-and from the man she has always loved, and cannot bring herself to trust.

    Depicting the great age of Anglo-French rivalry from the deposition of Edward II to the downfall of Richard II, Froissart powerfully portrays the deeds of knights in battle at Sluys, Crecy, Calais and Poitiers during the Hundred Years War. Yet they are only part of this vigorous portrait of medieval life, which also vividly describes the Peasants' Revolt, trading activities and diplomacy against a backdrop of degenerate nobility. Written with the same sense of curiosity about character and customs that underlies the works of Froissart's contemporary, Chaucer, the Chronicles are a magnificent evocation of the age of chivalry.

    IF YOU ARE SENSITIVE TO THIS SUBJECT, DO NOT BUY THIS BOOK!***“… Do you want your child to be burned for a witch? If someone should catch her at it, they will cry witchcraft and claim she is consorting with the devil …”The Welsh Healer: A Novel of 15th Century England tells the compelling story of a young woman growing up in the midst of the Hundred Years’ War. Spanning the reigns of Richard II, Henry IV, and Henry V, it touches upon historical events including the Welsh rebellion, the English army's invasion of France, and their triumph at Agincourt.Arlais is the gentle and free-spirited daughter of a humble Welsh household. Though just managing to scrape out a living in the rugged hills of northern Wales, her loving environment and strong family ties make for a happy home. But there is more to her than meets the eye. She is endowed with a mystical gift passed down through an ancient line of healers. She has been told her entire life that she is the fulfillment of a prophecy and destined to preserve the bloodline of kings. But despite the wondrous expectations for her future, she is content to wait for her intended mate, a mysterious man seen in a dream on her tenth birthday.But the Welsh rebellion strikes and turns her world upside down. Arlais is forced to journey across the whole of Britain to live with a distant relative. While the events foretold by the prophecy unfold around her, she settles into the unfamiliar country continuing her path toward fulfilling her destiny and experiencing companionship, heartache, and even love along the way.

    In danger of losing the Aquitaine territory, England sends Geoffrey Chaucer, protégé of the king's son, to France. As a poet on a diplomatic mission, Chaucer must persuade one of the most important noblemen of the region to remain loyal to England's king. But Henri, Comte de Guyac, whose wife Chaucer had previously fallen in love with when he was held prisoner by Henri, is not exactly neutral in his feelings for Chaucer. Wondering how he will feel when he sees Rosamund, the Comte's wife, Chaucer reaches de Guyac's castle and is greeted by turmoil. His mission is further complicated when Henri is killed during a boar hunt. Chaucer soon realizes the Comte's death is no hunting accident and that he must solve the murder before returning home. Enemies and suspects abound, from a troupe of travelling players to factions within the castle itself. Chaucer finds himself in the midst of a brightly colorful puzzle that turns him into a fugitive in a foreign country, unsure who his friends and enemies really are.

    

    Richard III's story, told in first person from his point of view, using, where possible, Richard's actual words (in modern English.) From the battle of Barnet when Richard is only 18 through his marriage to Anne Neville, to unexpected kingship, betrayal by his 'friend' Buckingham...and the mystery of the vanished princes. Then it is on through the pain of the loss of his only legitimate son Edward, to the final deadly conflict on Bosworth Field against Henry Tudor. A different fictional look at England's most loved--and most hated--King.. Not a wooden saint, nor yet Shakespeare's hunchbacked fiend, a flesh and blood, fallible man: King's brother, royal duke, scoliosis sufferer, warrior, husband, father. Called 'a new Ricardian classic.' Approximately 250,000 words. Contains what is probably the most up to date fictional account of Richard's last moments at Bosworth, based on the archaeology and forensics.