At a time when successful queens regnant were few and far between, Isabella faced not only the considerable challenge of being a young, female ruler in an overwhelmingly male-dominated world, but also of reforming a major European kingdom riddled with crime, debt, corruption, and religious factionism. Her marriage to Ferdinand of Aragon united two kingdoms, a royal partnership in which Isabella more than held her own. Their pivotal reign was long and transformative, uniting Spain and setting the stage for its golden era of global dominance.Acclaimed historian Giles Tremlett chronicles the life of Isabella of Castile as she led her country out of the murky Middle Ages and harnessed the newest ideas and tools of the early Renaissance to turn her ill-disciplined, quarrelsome nation into a sharper, truly modern state with a powerful, clear-minded, and ambitious monarch at its center. With authority and insight he relates the story of this legendary, if controversial, first initiate in a small club of great European queens that includes Elizabeth I of England, Russia's Catherine the Great, and Britain's Queen Victoria.

    Six ravens are feasting on the corpses. It is springtime in 1413 and Henry V is now on the throne of feudal England. The Peasants’ Revolt of 1381 had begun the great shift towards democracy and the country is recovering from the ravages of the Black Death. Wat Baudin is a man on the up in this brave new world and is returning from his duties as an alderman at the assizes in Maidstone. He can sit in judgement on the lower classes but the noble families of the land remain a law unto themselves. When Wat and his colleagues happen upon the unfortunate murder victims, he is only too aware of the superstition that still surrounds the macabre presence of that posse of birds. They are a sign of more death to follow. Wat is glad to get back home where his wife Rosalind in expecting their second child. But his joy is short-lived as he is suddenly summoned by the Earl of Rochester, Lord John Ridley. It appears that the earl’s nephew, young Sir Hugh Montmorency, has mysteriously disappeared and Wat is tasked to get to the bottom of the matter. It is not long before Wat finds himself heading a murder investigation. Not one murder, but two… then three. The ravens’ augury seems to be true as a knight and a member of castle staff are added to the body count. Even Wat himself comes under attack as he works his way through the suspects within the walls of Rochester Castle. What part can the earl’s doe-eyed daughter, Lady Susanna, possibly have in these evil crimes? And where might the unflappable earl’s wife, the Lady Joan Ridley, fit into the equation? Can Wat trust the earl’s steward Ralph or his chaplain Father Anthony? The Ravens’ Augury is a classic tale of intrigue and plotting at a time in England’s history when the stakes were sky-high and skulduggery the default position in their ruthless pursuit. LJ Shea resides in her native rural Australia with her two sons, where she teaches English and history. She spends her spare time studying history, reading historical fiction, and spoiling her dogs, cats and horses, whom she counts amongst her dearest friends.

    A historical novel, Encounters Unforeseen: 1492 Retold now dramatizes these events from a bicultural perspective, fictionalizing the beliefs, thoughts, and actions of the Native Americans who met Columbus side by side with those of Columbus and other Europeans, all based on a close reading of Columbus’s Journal, other primary sources, and anthropological studies.The drama alternates among three Taíno chieftains—Caonabó, Guacanagarí, and Guarionex—and a Taíno youth Columbus captures, Spain’s Queen Isabella and King Ferdinand, and Columbus himself. It depicts the education, loves and marriages, and other life experiences each brought to the unforeseen encounters and then their astonishment, fears, and objectives in 1492 and 1493. The focus includes the Taíno “discovery” of Europe, when Columbus hauls the captive and other Taínos back to Spain, as well as the chieftains’ reactions to the abusive garrison of seamen Columbus leaves behind in the Caribbean. Throughout, the Taíno protagonists are neither merely victims nor statistics, but personalities and actors comparable to the European, and their side of the story is forcefully told.The novel weaves a fascinating tapestry of scenes and dialogues from the historical record, often incorporating text from primary sources. Isabella plots her dynastic marriage, argues with Ferdinand over who’s supreme, and wages war to expand their kingdoms. The chieftains take multiple wives to consolidate their rules, vie to marry the beautiful Anacaona, and battle Caribe raiders. An unknown Columbus conceives a fanciful voyage, marries advantageously to promote it, and yet suffers an agonizing decade of ridicule and rejection. Guacanagarí rescues Columbus when the Santa María sinks, but Caonabó questions Guacanagarí’s generosity, and Guarionex is vexed, having witnessed a religious prophecy of Taíno genocide inflicted by a “clothed people.” Columbus teaches his captive Christianity, initiating the following centuries’ collision of Christianity with Native American religion and spirits.The Taíno stories depict both events known to have occurred (e.g., the chieftains’ ascensions to power, the prophecy of genocide, the captive’s baptism in Spain) and known practices or experiences (e.g., inter-island canoe travel, a hurricane, a Caribe wife raid, a batey game). The Isabella and Ferdinand stories include their establishment of the Inquisition, subjugation and Christianization of the Canary Islands, completion of the Reconquista, and expulsion of the Jews from Spain, illustrating European doctrines of conquest, enslavement, and involuntary conversion and how the sovereigns ruled over Old World peoples before encountering Native Americans. The Columbus stories portray his pre-1492 sailing experiences and the evolution of his world outlook, and his thoughts during the encounters embody the concepts underlying the European subjugation of Native Americans over the following centuries. Stark societal differences are illustrated, with the Europeans practicing African slavery and the Taínos sharing food as communal property.A Sources section briefly discusses interpretations of historians and anthropologists contrary to the author’s presentation, as well as issues of academic disagreement.

     Unexpected complications arise as the enigmatic, sexy Lord Zanar reappears. Does he cast a shadow of doubt on the idyllic marriage of Polyxena and Arsenio? The Duchess wonders why the unpredictable rogue is back despite a death sentence looming upon his head…Is he a friend now, or an evil foe? The Count of Rozenberk tells the Duchess many facts about her mysterious and noble ancestor, Wilfred the Valiant, Third Duke of Nemours. He reveals to the young woman, the shocking and unexpected genesis of the Templar's Treasure. Will the centuries old family curse that places a grave peril to the house of Nemours be dispelled due to the heroic efforts of Polyxena's father…will he survive? Will Lord Zanar's presence cast a permanent shadow between Polyxena and Arsenio?

    She's a knight who wears men's clothing. The English call her Joan of Arc. Jeanne has led France to victory in epic battles. She hears ghostly voices and has unspeakable desires. The English want to burn her. Her king has abandoned her. Her heart has been broken. Her heart cannot be burnt. This is her story, and the story of her beloved.Ali Alizadeh's novel The Last Days of Jeanne d'Arc is a provocative new portrait of the life of one of history's most fascinating figures. Countless books have been written about the young Frenchwoman who claimed to hear the voices of saints, led the armies of France in the war against England in the Middle Ages, and was captured and burnt for heresy by her enemies. Based on a rigorous study of the historical material, The Last Days of Jeanne d'Arc provides the first serious dramatisation of Jeanne's sexuality. Alizadeh uses an innovative storytelling technique that weaves together multiple narrative perspectives to tell the story of a courageous young woman who, driven by a passion for justice and forbidden desire, changes the course of Western history.

    In spite of a series of unfortunate events surrounding beautiful Joanna, she sees love in a different way and finds a real challenge: who wants to marry a deaf princess? "Joanna the Deaf Princess" is a story about the spirit of true love against odds.

    Struggling to piece together an identity for herself in modern day London, she deciphers from flashbacks the life she led over five hundred years ago, and the dark and dangerous relationship she had with King Richard III. Convincing the rest of the world and her boyfriend of this, however, is another matter. And as her memories grow more menacing, so do the avenging forces that stalk her.Meanwhile, across the Thames, Petra Sherry is a singer-songwriter who has been on a path of self-destruction ever since she was abandoned by the lover who inspired her music. Moving to London was supposed to be a fresh start for her and her band, but instead of working on a new album, she develops an obsession that sets her and River on a sinister and tangled collision course.