Brandy is a gold digger with a capital G! She doesn’t care whose man she sleeps with or goes after. Money was good and business was great until she decides to plot and scheme to set up the wrong person. Tip becomes pregnant, but by who? Her long time boyfriend or the Jamaican man who used to pimp her? Tracy is a good girl gone bad. She is head over heels in love with her first love. She doesn't know about his other life until its too late. Diamond is in love with her high school sweetheart and their relationship is great until she falls for someone else. When Brandy’s diary is found what will happen to their friendship? Will there friendship be able to stand through all the trials and tribulations life throws at them?

    Despite the bad cards life has dealt her, she’s trying to move on and live her best life while tackling college at the same time. Problem is, one of her lovers isn’t ready to let go. The king of Harlem, Carlos Mills aka Loso, is still the street’s finest. Now that everything on the block is running smoothly, he's finally ready to focus on his personal life and commit to his girlfriend, Amaya. He’s got it all figured out. They’re gonna get married, buy a new house and start a family. Everything is perfect until people start to show their true colors. After Remy’s boyfriend found out the truth about her and DC’s affair, she starts to uncover Sur’s secret life too. She wasn’t the only one with skeletons in her closet. But, as the old saying goes… Some lies can get you hurt. DC has now found himself in a love triangle that hits a lot closer to home than he thinks. Promise, his baby mother, isn’t the only woman who has gained a place in his heart. And if that’s not enough, imagine finding out that both of your women know each other almost better than they know you. As these couples embark on a journey of love, heartbreak, betrayal, and pain, they’ll find out that people and things are not always what they appear to be. The minute you think life is what it should be, those slithery snakes come out of hiding. Get ready to unfold all the drama in Diary of The Plug’s Daughter II.

    The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

    This revised edition, written twenty-two years after the original, continues the tradition of providing engagingly written analysis that offers the most comprehensive discussion of the field available anywhere.  This book looks at the field of ethnomusicology--defined as the study of the world's musics from a comparative perspective, and the study of all music from an anthropological perspective--as a field of research. Nettl selects thirty-one concepts and issues that have been the subjects of continuing debate by ethnomusicologists, and he adds four entirely new chapters and thoroughly updates the text to reflect new developments and concerns in the field.                                                     Each chapter looks at its subject historically and goes on to make its points with case studies, many taken from Nettl's own field experience. Drawing extensively on his field research in the Middle East, Western urban settings, and North American Indian societies, as well as on a critical survey of the available literature, Nettl advances our understanding of both the diversity and universality of the world's music. This revised edition's four new chapters deal with the doing and writing of musical ethnography, the scholarly study of instruments, aspects of women's music and women in music, and the ethnomusicologist's study of his or her own culture.

    

    Exploring themes such as global gender relations and the practical uses of masculinity research, this text looks at the implications for the field, particularly with regard to understanding current world issues.

    With this book, you'll also be able to link to the PoetrySpeaks.com community to listen to samples, meet poets, and unearth inspirations for your next performance.The Ultimate Guide to Writing and Performing with PowerTake the Mic is an essential guide for lifting your poetry from the page to the stage. Marc Kelly Smith (So What!), grand founder of the Slam movement, serves as you personal coach, showing you how to craft stage-worthy verse and deliver a poetry performance that shakes the rafters and sparks thunderous applause. In Take the Mic, you discover how to... Pen poetry that's conducive to on-stage performance Overcome stage fright Practice powerful performance techniques Rehearse like a pro Shape a loose collection of poems into a killer set Connect with your audience heart and soul Master the art of self-promotion Schedule your own slam poetry tour Transform your hobby into paying gigs Act professional to establish a solid reputation in the Slam communityTake the Mic is packed with practical exercises you can do alone or in class to hone your skills and transform your body, mind, voice, verse, and spirit into an engaging stage presence.You'll also find a brief history of slam, the rules and regulations that govern official slam competitions, and a list of PSI (Poetry Slam, Inc.) Certified Slams, so no matter where you are, you always have a place to Take the Mic!

    Chris O’Brien presents the case for beer as both the cause of and solution to all of the world’s problems. Beer has contributed to the best qualities of civilization, but it is also helping to destroy them.The global beer industry relies heavily on fossil-fuels and chemical agriculture, rapidly destroying nature and contributing to climate change.Corporate beer is centralized and hierarchical, which is good for a few elites, but displaces local brewing traditions and exacerbates the growing wealth gap.But the craft brewing renaissance relies on cooperation, emphasizes local production, protects and celebrates nature, and nurtures the growth of strong and equitable communities.Fermenting Revolution traces the path of brewing from a women-led, home-based craft to corporate industry, and describes how modern craft breweries and home-brewers are forging stronger communities. O’Brien explains how corporate mega-breweries are also taking steps to pioneer industrial ecology, and profiles the most inspiring and radical breweries, brewers, and beer drinkers that are making the world a better place to live.In the last two decades, Americans have returned to to beer as a way of life rather than as a commodity. Casting off its industrial chains, beer is again communal, convivial, democratic, healthful, and natural. The contemporary American brewing scene champions ecologically sustainable production and is helping to create thriving community places. After reading Fermenting Revolution, mere beer drinkers will become "beer activists," ready to fight corporate rule by simply meeting their neighbors for a pint at the local brewpub-saving the world one beer at a time.

    Examining visual art from 1980 to the present, it takes an intriguing and accessible approach that motivates students and other readers to think actively about and discuss contemporary art--what it means and how it means what it does. The opening chapter provides a concise overview of the period, analyzing how four key changes (the rise of new media, a growing awareness of diversity, the influence of theory, and interactions with everyday visual culture) have resulted in an art world with dramatically expanded boundaries. Reflecting the paradigm shift from a formalist way of teaching studio art to more varied and open-ended concepts, the remaining six chapters each deal with a key theme--time, place, the body, language, identity, and spirituality. Each chapter features an introduction to the thematic topic; a brief look at historical precedents and influences; a detailed analysis of how contemporary artists have responded to and embodied aspects of the theme in specific works; and an in-depth and fascinating profile of an artist who has extensively explored aspects of the theme in his or her work. Themes of Contemporary Art: Visual Art after 1980 shows how art can be interpreted from several different angles: techniques and materials, historical circumstances, aesthetic qualities, theoretical issues, and an artist's ideas and intentions. Writing in a lucid and engaging style, the authors skillfully reveal the multiple levels of meaning in artworks, drawing connections between contemporary art, art of the past, and everyday existence. The volume is enhanced by 87 illustrations--19 in full color--that demonstrate an immense variety of materials, subjects, and styles. These well-chosen examples will help readers learn to critically describe, interpret, and evaluate contemporary visual art. A bibliography and a timeline that situates contemporary art in the context of major events in world history, art, and popular culture are also included. An ideal core text for courses in contemporary art history, Themes of Contemporary Art: Visual Art after 1980 can also be used as a supplement in modern art, art appreciation, art criticism/theory, and studio art courses.

    He argues that the election of Nicolas Sarkozy as President does not necessarily signal a crucial turning point in French politics, nor require a further rightward move from competing electoral forces.To understand the significance of Sarkozy, we have to look beyond the right-wing populism and vulgarity of the man himself, and ask what he represents: a reactionary tradition that goes back to the early nineteenth century, a tradition based on fear.Badiou argues that to escape from the atmosphere of depression and anxiety that currently envelops the Left, we need to cast aside the slavish worship of electoral democracy. In a characteristically doughty and wide-ranging conclusion, Alain Badioun maps out a ‘communist hypothesis’ that can lay the basis for a genuine emancipatory politics in the twenty-first century.

    Urban designer Ryan Gravel makes a case for how we can change this. Cities have the capacity to create a healthier, more satisfying way of life by remodeling and augmenting their infrastructure in ways that connect neighborhoods and communities. Gravel came up with a way to do just that in his hometown with the Atlanta Beltline project. It connects 40 diverse Atlanta neighborhoods to city schools, shopping districts, and public parks, and has already seen a huge payoff in real estate development and local business revenue.Similar projects are in the works around the country, from the Los Angeles River Revitalization and the Buffalo Bayou in Houston to the Midtown Greenway in Minneapolis and the Underline in Miami. In Where We Want to Live, Gravel presents an exciting blueprint for revitalizing cities to make them places where we truly want to live.

    The diversity of its themes and the broad perspectives applied to them make the book a work of general history as much as a history of the theory and practice of war from the Renaissance to the present. Makers of Modern Strategy from Machiavelli to the Nuclear Age takes the first part of its title from an earlier collection of essays, published by Princeton University Press in 1943, which became a classic of historical scholarship. Three essays are repinted from the earlier book; four others have been extensively revised. The rest--twenty-two essays--are new.The subjects addressed range from major theorists and political and military leaders to impersonal forces. Machiavelli, Clausewitz, and Marx and Engels are discussed, as are Napoleon, Churchill, and Mao. Other essays trace the interaction of theory and experience over generations--the evolution of American strategy, for instance, or the emergence of revolutionary war in the modern world. Still others analyze the strategy of particular conflicts--the First and Second World Wars--or the relationship between technology, policy, and war in the nuclear age. Whatever its theme, each essay places the specifics of military thought and action in their political, social, and economic environment. Together the contributors have produced a book that reinterprets and illuminates war, one of the most powerful forces in history and one that cannot be controlled in the future without an understanding of its past.

    That saying holds true for Yasmeen Thomas, a successful beauty who thought that she had the perfect marriage to Kadeem. But Yasmeen soon learns that she’s married to a complete stranger. Now that her husband’s mask is off, Yasmeen is forced to make a decision, either accept who he is or start planning her future without him. Kadeem thought that he could he have his cake and eat it too, but what happens when his indiscretions catch up to him? Although he’s aware of his wrong doings Kadeem never prepared himself for the repercussions that he is bond to face. He’s forced to wonder if Yas will fight for their marriage or will she gain the courage to finally leave him after having enough? Sierra and Dominic were the ideal couple along with Yasmeen and Kadeem, but they’ll soon face issues that makes them question the foundation of their marriage as well as :trust. What happens when a blast from their past reappears, bringing drama to the happy couple? Will they remain strong or will the secrets break up a happy home? Lives are forever changed, trust is broken, and betrayals are at every turn as you follow on this journey of love. .

    Each couple has their own issues that they will have to work through if they want to keep their relationships strong. Ryan is trying to get over the heart break Enzo caused. Just when she thinks that she's found closure, Enzo tells her just who his baby mother is. The beans Enzo spills are too close to home leading Ryan down a path of confusion. Isiah is trying to deal with a mistake that was made. It could have changed his life forever. And, if that's not enough to deal with, a surprise enemy decides they want to play. Isiah has to figure out how to call checkmate before it's too late. Everyone's favorite couple, Alani & Ques are back with more problems than before. Alani is still holding back her feelings for Ques. She's scared to let her guard down and allow him to just love her. But with a turn of events, the love they tried to hide blossoms for everyone to see. Everyone in the crew has their own issues. Find out if they pull together to beat the odds in this highly anticipated sequel of, All She Wanted Was A Rider 2.

    After all, she was a hustler’s girlfriend. Riding side by side with her man while he ran the streets of Philly, she stayed down until those same streets sent him to the grave. This in turn, causes her to reevaluate her life and start anew. Months later, she finds herself in South Carolina with her family and has gotten a job as a correctional officer. After a few months of working at the state Prison, Camille meets someone from her home city of Philly and immediately they develop an astronomical bond. While adjusting to this new life of hers, Camille learns that the people closest to her may not be as they appear. Can she handle her new life of greed, betrayal, envy, secrets and power? Find out in Every Thug Needs A Down Ass Bitch.