Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.

    Clavell* Mail Stop by Virginia DeMarce* Those Daring Young Men by Rick Boatright* Those Daring Not So Young Men by Rick Boatright* A Matter Of Taste by Kerryn Offord* Those Not So Daring by Rick Boatright* Anna the Baptist by Terry Howard* Fly Like a Bird by Loren Jones* Gearhead by Mark H. Huston* Water Wings by Terry Howard* Under the Tuscan Son by Iver P. Cooper* Wings on the Mountain by Terry Howard* Pocket Money by John and Patti Friend* Moonraker by Karen Bergstralh* The Minstrel Boy by John Zeek* Ultralight by Sean Massey* Tool or Die by Karen Bergstralh* If at First You Don't Succeed . . . by Paula Goodlett* Waves of Change by Paula Goodlett and Gorg Huff* Try, Try Again by Paula Goodlett* Little Jammer Boys by Kim Mackey* Safe at First Base by Mark H. Huston* The Order of the Foot by Richard Evans* Trip to Paris by Kim Mackey* At the Cliff's Edge by Iver P. Cooper* A 'Merican in Moscow by Gorg Huff and Paula Goodlett* Radio in 1632, Part 3 by Rick Boatright* The Sound of Mica by Iver P. Cooper* A Tempest In a Baptistry by Terry Howard* The Daily Beer Anette Pedersen* White Gold by Kerryn Offord

    He's a part-time lobsterman and full-time painter who sells his art at galleries in Rockport and Newburyport. Between the two jobs he makes enough money to get by, living in an in-law apartment in the family home owned by his brother Jim. Jim runs Feehan & Sons Funeral Home, a business started by their grandfather in 1921.All in all, despite the tension with his brother, and despite the grumbling of his friends, whose business has suffered because of a lengthy red tide and a spectacularly bad overall fishing season, Richie enjoys his life very much. He's content, and believes that's pretty much all a man can ask from his life.That is, until a horrible mystery begins to unfold in Gloucester.Out lobstering, Richie sees something nightmarish in the surf one day, catches a bare glimpse of it beneath the surface. He doesn't dare speak of it for fear of what others might say-he doesn't want to become the town crazy. But he's having a hard time sleeping at night, and several days later, while out hauling in his traps for the winter, Richie finds one of them stuck on something. When he finally hauls it up, there's a corpse attached, a corpse that has been eaten at by sea creatures, including something large . . . the corpse of Greta Wagner, a woman who had been waked at Feehan & Sons two weeks earlier and buried a couple of days later.Someone stole her corpse from the ground.And her grave won't be the only one disturbed.

    Orwell gives an anecdotal account of his experiences in a french public hospital which triggers a contemplation of hospital literature in the context of 19th-century medicine.

    This pair of wicked game masters wants to destroy the human race by turning brainwashed videogamers into an unstoppable army of doom! They're also running an endangered species hunting club on the side, and their next target is none other than Daniel. He'll have no choice but to turn to the aliens' rebellious son who needs help to stand up to his malicious parents. But can Daniel trust the progeny of this treacherous twosome? Or will it be "Game Over" for the alien hunter?

    He did not claim he was God’s agent. Did he believe in God? Did he look for a sign when he was desperate? Did he follow the Divine Will? Many believers are not followers; many followers are not believers. Is he a believer or a follower or both?

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    "The Forerunner" and "The Madman" (1932).

    King. Do not let the lack of light stop you from discovering more adventures and stories that will keep you up at night and ignite the imagination. There is no place to hide in, THE DARKNESS!

    So begins the fateful first (well, second...) meeting of two of the most famous heroes of sword-and-sorcery fiction: Fafhrd and the Gray Mouser. The two go on to pursue grand dreams and harrowing adventures, and it all begins in the grand city of Lankhmar, the City of Sevenscore Thousand Smoke.Contents:The Snow WomenThe Unholy GrailIll Met in LankhmarThe Circle CurseJewels in the Forest

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    The ebook from Gateway contains 11 stories, same as the VIE volume (only three stories from the Dobson edition), and the ebook from Spatterlight contains 9 stories.

    This classic of Japanese literature invites you to take your choice if you dare.In Ghostly Japan collects twelve ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.Whether you're looking to spot the demons that walk among us, or simply to enjoy the prose of a legendary craftsman, In Ghostly Japan affords countless delights. Stories include:"Fragment" about a young pilgrim who encounters a mountain of skulls"Ingwa-banashi" about a dying wife who bequeaths a rival a sinister legacy"A Passional Karma" about a spectral beauty who returns for her handsome samurai lover

    Tasked with routing out enemy agents and thwarting an elaborate espionage ring, which includes beautiful American double agent Josephine Lafitte, MacLea’s mission is betrayed. Now, trapped in a dramatic showdown aboard a captured American warship headed for the breach at Niagara Falls, battle-hardened MacLea finds himself fighting not just for freedom, but for his life.

    It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them.Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall; mountains and lakes such as Snowdon and Loch Etive and rivers including the Ness, the Soar and the story-silted Thames in a vivid, beautiful tale of our land steeped in myth. It Illuminates a collective memory that still informs the identity and political ambition of these places.In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.