She strikes up an affair with an older Russian �migr� novelist met on the subway and moves into his apartment. But her allusions to a frighteningly eccentric mother and tyrannical father suggest a somberness at the center of her otherwise flippant and sardonic demeanor. Restless, she journeys from literary New York to rural Maine then across the US and into Mexico, trailed everywhere she goes by a string of murders. As the ritualistic killings begin to pile up, Katherine comforts and inspires herself by meditating on cannibalism in literature, art and history in subjects as diverse as Donner, Dante's Count Ugolino, and Gericault's The Raft of the Medusa. Slowly Katherine realizes that at the center of the mysterious deaths lies a bloody truth-something is making itself known. As the story races towards its frightening conclusion, Katherine, and the reader, close in on the true reason for her fascination with aberrant, violent behavior.This is a novel of ideas, a shocking and enlightening modern Gothic and a brilliantly subtle commentary on 21st century consumerism and western culture's obsession with new frontiers. Told in highly intelligent prose, A Carnivore's Inquiry is a sly, unsettling exploration of the questionable appetites that lurk beneath the veneer of civilization.

    and visions of the past.

    His very first creation has been long forgotten - a small, almost-human creature, known only as Stitch Head. Poor Stitch Head has spent years vying for attention amongst a menagerie of freakish monsters. When a travelling circus ringmaster, Fulbert Freakfinder, promises to make him a star, Stitch Head wonders whether there is another life for him. But first he has to catch the professor's latest creation - a monstrous three-armed creature that's just smashed its way to freedom . . .

    Knightley's Diary and Lord Deverill's Secret comes a sparkling tale of a woman, her inheritance, and the rake who could ruin everything. Inheriting a house from a stranger was shocking enough. Then Susannah Thorpe learns that in order to claim her inheritance, she must either wed in a month, or else spend the next thirty days in Harstairs House-a place purported to be haunted. Not about to marry, she makes the arduous journey to her new home, only to discover that there's already a tenant living there: a broodingly handsome man named Oliver Bristow, who has no intention of leaving before his lease runs out-in another month. Now Susannah must share her quarters with her mysterious, rakish tenant- without falling head over heels in love.

    This woeful tale chronicles her ascent to the peak of fame, followed by her unexpected and dreadful demise. Gorey's exquisitely crafted illustrations of magical ballets, dubious barons, and stark apartments set the stage for this lonely drama of a slightly peculiar heroine.

    Frightened, the other students brand her a witch, setting off a chain of events that mirror the centuries-old Salem witch trials in more ways than one.

    A dark ritual turns a woman obsessed with supernatural powers against the people who love her most. A possessed TV proves that old B-Movie monsters can still terrify an unsuspecting audience…Scare Street’s roster of authors brings you eleven new tales of supernatural horror, in one blood-chilling volume. This macabre collection of short stories is guaranteed to get your pulse racing, and send shivers down your spine.Each deliciously dark tale will haunt your dreams, and keep you reading long past the witching hour. But wait…What was that noise? Did something move in the shadows?Just keep telling yourself… it’s only a story.

    There was something mighty spooky about that huge old clapboard structure behind the sand dunes and the sea oats. It was as gray as the stormy twilight sky behind it and the rolling waves of the Gulf in front of it and the Spanish moss that hung on the bent and twisted live oak and cedar trees all around it.Shelley's family moves into an old mansion on the Mississippi Gulf Coast, and discover that there is a mystery to be solved and a treasure to be found before the house can really belong to them. Shelley wants to solve the mystery all by herself...but encounters danger...intriguing clues...a poltergeist... and spooky Gulf Coast legends.-from the back cover

    But she doesn't realize that coming to her aunt's home will introduce her to an unstable region still recovering from the bloody Mau Mau revolt, and to a household thrown into grief by a recent murder. Distinguished by its mystery, romance, and exotic setting, Death in Kenya is as graceful as it is chilling-it is the beloved novel of one of our finest and most accomplished writers.

    This volume presents the work of Edward Gorey, the American artist and writer perhaps best known for his witty opening credits for PBS's Myster! series and for such books as Amphigorey, The Doubtful Guest and The Unstrung Heart.

    Wells, Robert Louis Stevenson, and Mary Shelley, is perfect for fans of Libba Bray, Leigh Bardugo, and classic horror and science fiction. This collection also contains a sneak peek of The Cage, the first book in Megan Shepherd's gripping new series about teens held captive in a human zoo by an otherworldly race.The Madman's Daughter, inspired by The Island of Dr. Moreau, is the story of Dr. Moreau's daughter Juliet, who travels to her estranged father's island only to encounter murder, madness, and a scintillating love triangle.Her Dark Curiosity: Inspired by The Strange Case of Dr. Jekyll and Mr. Hyde, this tantalizing sequel explores the hidden natures of those we love and how far we'll go to save them from themselves.A Cold Legacy: With inspiration from Mary Shelley's Frankenstein, this breathless conclusion to the Madman's Daughter trilogy explores the things we'll sacrifice to save those we love . . . even our own humanity.

    But they weren't afraid of ghosts. That was before they learned there was nowhere in the house they were safe. Not even in each other's arms. "Especially not there."

    — He was the last Lord of Eden Castle, Thomas Eden, a man of brooding desire and sudden passion ... — She was his servant girl, Marianne Locke, the fiery young beauty who would rather submit to the cruel kiss of the whip than suffer the lust of a man she did not love...From the wild Devonshire coast to the glittering literary salons of London, the tumultuous union of these two proud people hazed a raging tempest of enduring love.

    Dinnertime, cleanup-time, and bedtime are all met with one word: NEVERMORE! But as the evening winds to a close, Edgar's mom knows just what to do to get her son into bed—a bedtime story.

    An Indian boy by adoption, J. W. Schultz has told his paleface brothers many good Indian tales. "Apauk, Caller of Buffalo", was a lad in the land and the days of the great buffalo herds. Apauk. a Blackfoot boy. was taught when young the art of calling buffalo. A new type of the wooly, wild west Indian story appears in "Apauk, Caller of Buffalo." More thrilling than Action, the life story of the greatest of the Blackfeet medicine men, not only possesses an enthralling interest but gives the reader an authoritative historical picture of the life of the American Indian on the great western plains before the invasion of the white man. The biographer, James Wlllard Schultz, is an adopted member of the Blackfeet tribe and has lived the life of an Indian for forty years. Schultz writes: "ALTHOUGH I had known Apauk A—Flint Knife—for some time, it was not until the winter of 1879—80 that I became intimately acquainted with him. He was at that time the oldest member of the Piegan tribe of the Blackfeet Confederacy, and certainly looked it, for his once tall and powerful figure was shrunken and bent, and his skin had the appearance of wrinkled brown parchment. "In the fall of 1879, the late Joseph Kipp built a trading-post at the junction of the Judith River and Warm Spring Creek, near where the town of Lewistown, Montana, now stands, and as usual I passed the winter there with him. We had with us all the bands of the Piegans, and some of the bands of the Blood tribe, from Canada. The country was swarming with game, buffalo, elk, antelope, and deer, and the people hunted and were care-free and happy, as they had ever been up to that time. Camped beside our trading-post was old Hugh Monroe, or Rising Wolf, who had joined the Piegans in 1816, and it was through him that I came to know Apauk well enough to get the story of his remarkably adventurous and romantic youth. The two old men were great chums. Old as they were —Monroe was born in 1798, and Apauk was several years his senior—on pleasant days they mounted their horses and went hunting, and seldom failed to bring in game of some kind. And what a picturesque pair they were ! Both wore capotes ——hooded coats made from three-point Hudson Bay Company blankets—and leggins to match, and each carried an ancient Hudson Bay fuke, or flint-lock gun. They would have nothing to do with cap rifles, or the rim-fire cartridge, repeating weapons of modern make. Hundreds—yes, thousands of head of various game, many a savage grizzly, and a score or two of the enemy—— Sioux, Cree, Crow, Cheyenne, and Assiniboine, had they killed with the sputtering pieces, and they were their most cherished possessions. "Oh, that I could live over again those buffalo days! Those Winter evenings in Monroe’s or Apauk’s lodge, listening to their tales of the long ago! Nor was I the only interested listener: always there was a complete circle of guests around the cheerful fire; old men, to whom the tales brought memories of their own eventful days, and young men, who heard with intense interest of the adventures of their grandfathers, and of the “ calling of the buffalo,” which strange and wonderful method of obtaining at one swoop a whole tribe’s store of Winter food, they were never to witness. For the luring of whole herds of buffalo to their death had been Apauk’s sacred, honored, and danger-fraught avocation.