Diana Stuart accepts the challenge of helping him find his way back to the Lord. Along the way she hopes David will realize that his young daughter needs a step-mom. The only problem is that David has made it clear the pretty, but full-figured Diana has no chance of being that step-mom. Diana sets out to change his mind without losing her own faith.

    A man and a woman. In a series of dazzling internal monologues, the man, a novelist, muses on his latest work, and considers life and the futility of writing. The woman thinks of her life in the full knowledge that the man she is facing is the novelist she admires and whose latest work she has tucked in her handbag.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    But Betty's luck turns to delicious lunacy when this sensible Everywoman gets drawn into the chaotic world of some very unsavory housemates - her friend Trudy, who talks too much; the lewd, seminaked Buck, who tries to have sex with everyone; and Keith, a serial killer who hides in his room with a mysterious hatbox. With sand between her toes, walking a thin line between sanity and survival, poor Betty will leave her summer vacation more terrorized than tan.

    To determine these patterns, they needed to hear many different examples of authentic speech by various speakers of different ages and in different regions. They eventually discovered that one of the easiest ways to convince older local residents to give them lengthy examples of their natural speech was to ask the residents to tell their favorite stories to the brothers. As the Grimms Brothers recorded the style of speech of the speaker for their research (which eventually led to the formulation of Grimm's Law), they also recorded the various stories that they were told, and eventually published them in 1817.

    A new home. A new name. A new life. For the first time in ten years it feels like I can breathe again.But the cost of freedom is more than I bargained for. I put my foster father behind bars. It doesn't matter that he deserved it. What matters is that he's powerful, manipulative, and now he wants me dead.I can feel someone watching me. I know my time is running out. And the only other person who cares if I live or die is a masked stranger. So I'm putting my life in the vigilante's hands. And maybe a piece of my heart along with it. Even though I'm worried that he's just as dangerous as the man I sent to prison.FORGED IN FLAMES (Book 2)It's hard to be consumed by revenge when my heart feels like it's breaking in two. A part of me is still in love with Miles. I think I always will be. He embodies everything I thought my life could be. Every hope and dream and wish. But I'm not the girl that he remembers.And I'd be lying if I said I haven't started to fall for the New York City vigilante. He's the only other person that knows what it's like to live behind a mask. There's a darkness in him that mirrors my own. He embraces my broken soul.But I'm tired of all the secrets, masks, and lies. I don't need a man to save me. I'm the superhero of my own story. And all I need to focus on right now is Don Roberts - a monster far worse than I ever imagined - before he unleashes the mafia on this city and ruins any chance I have at a new life.CARVED IN ICE (Book 3)When I was little, I dreamed my life would be a fairy tale. But it just so happens that I don't need a knight in shining armor to save me anymore. I'm made of freaking steel.It's time for answers. Time for vengeance. And time to finally unmask the notorious V. There's no going back now.

    Three women each spend a month there—a month that will change their lives!   Old Things by Jill Barnett  Catherine, divorced for almost a decade, returns to the lodge, where she'd spent summers while she was growing up. Now, all these years later, she encounters Michael, the love of her teenage life—and falls for him all over again!  Private Paradise by Debbie Macomber  The next month, Beth shows up with her teenage son, Paul. It's their first vacation since she was widowed. She ends up sharing the place with an attractive stranger—John Livingstone—and his difficult twelve-year-old, Nikki. Soon Paul and Nikki have plans for their parents…  Island Time by Susan Wiggs  Then in August, architect Mitch Rutherford comes to the island, where he's joined by Rosie Galvez, who's been hired to provide an environmental report. Mitch is a workaholic on a deadline, while Rosie's attitude is…relaxed. But they fall in love despite—or because?—of their differences.  Experience the romance of that summer place!

     Meet the hot bikers in the Ultimate MC Collection: Dax Kane Victor Logan Xander Nate Rafael Kain Ryne Julian Bain Zach Nathan Adam Spencer Aaron Don't miss out on these stunning bikers. All 16 books are full length novels with happily ever afters.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    Winner of the Los Angeles Drama Critics Circle Award for Best Playwright, David Lindsay-Abaire's Kimberly-Akimbo focuses, with uncanny depth and quirky wit, on a sixteen-year-old girl suffering from a disease that causes her body to age nearly five times faster than it should.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    They live alone with their dog Taliban, playing Playstation, watching porn; surviving. Occasionally their chaotic mum Maggie visits, sometimes she passes out on the front lawn. But when Jenny knocks on the door, the boys discover a world far beyond what they know, a world full of love, possibility and danger.

    It is the source of Sartre's especially famous and often misinterpreted quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the Look and the perpetual ontological struggle of being caused to see oneself as an object in the world of another consciousness.

    Unfortunately, her imaginary friend Mr. Marmalade doesn't have much time for her. Not to mention he beats up his personal assistant, has a cocaine addic-tion, and a penchant for pornography and very long dildos. Larry, her only real friend, is the youngest suicide attempt in the history of New Jersey. MR. MARMALADE is a savage black comedy about what it takes to grow up in these difficult times.